Two African American men from poor, rural Mississippi wrongfully convicted for crimes they didn't commit. Lost years of their lives spent in jail and finally released a decade a half later thanks to the Innocence Project and DNA testing. This is their life for all to see. In the early 1990s in a small disadvantaged community in rural Mississippi, Levon Brooks and Kennedy Brewer were wrongfully convicted in separate trials of capital murder. Brooks, despite an alibi, was sentenced to life and was imprisoned for 18 years. A few years later Brewer was convicted and sentenced to death. He was incarcerated for 15. In 2008 the Innocence Project in New York exonerated both men. Vanessa Potkin, longtime attorney at the Innocence Project, along with co-founder of the Innocence Project, Peter Neufeld, spent years investigating the two cases, and discovered a link between them that subsequent DNA testing substantiated. The results of that testing led authorities to the real perpetrator who was responsible for both murders and then to the exonerations of Brooks and Brewer. Without the work of the Innocence Project, Potkin, Neufeld, and a host of others, these photographs-of lives lost, forgotten, and then regained-would not have been possible. The photographs' poignance is made all the more powerful as one contemplates their stark, deeply felt beauty against the haunting realization that they were almost never able to be made or seen at all. The evidence against Brooks and Brewer consisted primarily of bite mark matching evidence. A prosecution expert testified that in both cases multiple bite marks covered the victims' bodies and matched the defendants' teeth impressions. A group of experts retained by the Innocence Project later determined that the marks were not bite marks at all. As a forensic discipline, bite mark matching has come under serious criticism in recent years and led to the exoneration of multiple other prisoners. This same prosecution expert testified not only in Brooks's and Brewer's cases, but a host of others in Mississippi and the region. The extent of the damage is still unknown. In 2012, photographer Isabelle Armand came across an article about these two cases. Such a scenario seemed unbelievable. How, why, and where could this happen? How does one cope with wrongful conviction? For the next five years, she spent several weeks each year documenting Brooks, Brewer, their families and their environment. This intimate photographic essay, akin to looking in a mirror, puts faces on the victims of wrongful convictions. It seeks to raise consciousness, challenge popular perceptions about poverty and inequality in our criminal justice system, and demands that we confront these critical issues.

A shocking and deeply reported account of the persistent plague of institutional racism and junk forensic science in our criminal justice system, and its devastating effect on innocent lives After two three-year-old girls were raped and murdered in rural Mississippi, law enforcement pursued and convicted two innocent men: Kennedy Brewer and Levon Brooks. Together they spent a combined thirty years in prison before finally being exonerated in 2008. Meanwhile, the real killer remained free. The Cadaver King and the Country Dentist recounts the story of how the criminal justice system allowed this to happen, and of how two men, Dr. Steven Hayne and Dr. Michael West, built successful careers on the back of that structure. For nearly two decades, Hayne, a medical examiner, performed the vast majority of Mississippi's autopsies, while his friend Dr. West, a local dentist, pitched himself as a forensic jack-of-all-trades. Together they became the go-to experts for prosecutors and helped put countless Mississippians in prison. But then some of those convictions began to fall apart. Here, Radley Balko and Tucker Carrington tell the haunting story of how the courts and Mississippi's death investigation system -- a relic of the Jim Crow era -- failed to deliver justice for its citizens. The authors argue that bad forensics, structural racism, and institutional failures are at fault, raising sobering questions about our ability and willingness to address these crucial issues.

“Helm lays it all bare in vivid, impassioned prose, adding an earthly, backwoods tone that makes the book read like a Southern novel, like Thomas Wolfe writing about rock ’n’ roll.” —Boston Globe “One of the most insightful and intelligent rock bios in recent memory.” —Entertainment Weekly The Band, who backed Bob Dylan when he went electric in 1965 and then turned out a half-dozen albums of beautifully crafted, image-rich songs, is now regarded as one of the most influential rock groups of the '60s. But while their music evoked a Southern mythology, only their Arkansawyer drummer, Levon Helm, was the genuine article. From the cotton fields to Woodstock, from seeing Sonny Boy Williamson and Elvis Presley to playing for President Clinton, This Wheel’s on Fire replays the tumultuous history of our times in Levon’s own unforgettable folksy drawl. This edition is expanded with a new epilogue covering the last dozen years of Levon's life. Levon Helm (1940-2012) met Ronnie Hawkins at the age of 17 and formed what would soon become The Band. He maintained a successful career as a singer and actor until his death. Stephen Davis is the author of Hammer of the Gods: The Led Zeppelin Saga; More Room in a Broken Heart: The True Adventures of Carly Simon; Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones; Jim Morrison: Life, Death, Legend; Walk This Way: The Autobiography of Aerosmith; and others.

The first book to document the terrorist attack on the WTC - from the moment of impact and the collapse of the Twin Towers to the rescue efforts at Ground Zero of the police officers, firefighters, emergency service personnel and volunteers from all over the US, as well as the family members and friends searching for their lost loved ones. Also includes some of the most beloved photographs of the WTC buildings, and the human activity within, as photographed by the esteemed Magnum photographers over the past 25 years. With 100 full-colour & b/w photos.

For a generation, tabloids, television, and Hollywood have defined the public image of New Yorkers who live in the city's 334 housing projects. Focusing on crime, disrepair, and other ills that afflict these islands of red brick, such portrayals ironically have made it all too easy for government to reduce the support these projects have relied on since their birth some eighty years ago. And so conditions worsen further yet, as the buildings try to soldier on past their useful life, at times crumbling around the 400,000+ tenants. What if these New Yorkers had the tools and training to document their own lives? And the opportunity to share the result? Project Lives takes you on a remarkable journey into a world turned inside out, where the camera's subject becomes the storyteller. Participatory photography-of which this collection marks one of the largest efforts anywhere-approaches a new visual medium, a universal language speaking across borders and cultures. By using their single-use film cameras as a window into the heart of the projects and a creative instrument of hope, the courageous souls who set out on a daunting mission-to change how their neighbors, friends, relations, and very lives are viewed by America-may accomplish more than helping preserve their homes. George Carrano, Chelsea Davis, and Jonathan Fisher bring you a unique experience of a city within a city. All royalties from the sale of this book will be donated to resident programs at the New York City Housing Authority. Project Lives was honored in Spring 2016 by being named a finalist for both Best Multicultural Nonfiction Book of 2015, and Best Current Events/Social Change Book of 2015, in the Next Generation Indie Book Awards.

The product of long-concealed FBI surveillance documents, Dangerous Friendship chronicles a history of Martin Luther King Jr. that the government kept secret from the public for years. The book reveals the story of Stanley Levison, a well-known figure in the Communist Party–USA, who became one of King’s closest friends and, effectively, his most trusted adviser. Levison, a Jewish attorney and businessman, became King’s pro bono ghostwriter, accountant, fundraiser, and legal adviser. This friendship, however, created many complications for both men. Because of Levison’s former ties to the Communist Party, FBI director J. Edgar Hoover launched an obsessive campaign, wiretapping, tracking, and photographing Levison relentlessly. By association, King was labeled as “a Communist and subversive,” prompting then–attorney general Robert F. Kennedy to authorize secret surveillance of the civil rights leader. It was this effort that revealed King’s sexual philandering and furthered a breakdown of trust between King, Robert F. Kennedy, and eventually President John F. Kennedy. With stunning revelations, this book exposes both the general attitude of the U.S. government toward the privacy rights of American citizens during those difficult years as well as the extent to which King, Levison, and many other freedom workers were hounded by people at the very top of the U.S. security establishment.

It is widely unknown that at least 18,000 Armenians served under the Third Reich during the Second World War. After the war, these so called collaborators were chastised and indiscriminately labeled traitors by those unable to grasp the complexity of their circumstances. Largely based on archival research, the Summer of '42 attempts to separate fact from fallacy by examining the complex motives, treatment, and history of these Armenians.