"The way Harrison has embedded his entire vision of our predicament implicitly in the particulars of two poetic lives, his own and Yesenin's, is what makes the poem not only his best but one of the best in the past twenty-five years of American writing."--Hayden Carruth, Sulfur "Harrison inhabits the problems of our age as if they were beasts into which he had crawled, and Letters to Yesenin is a kind of imaginative taxidermy that refuses to stay in place up on the trophy room wall, but insists on walking into the dining room."--The American Poetry Review Jim Harrison's gorgeous, desperate, and harrowing "correspondence" with Sergei Yesenin--a Russian poet who committed suicide after writing his final poem in his own blood--is considered an American masterwork. In the early 1970s, Harrison was living in poverty on a hardscrabble farm, suffering from depression and suicidal tendencies. In response he began to write daily prose-poem letters to Yesenin. Through this one-sided correspondence, Harrison unloads to this unlikely hero, ranting and raving about politics, drinking problems, family concerns, farm life, and a full range of daily occurrences. The rope remains ever present. Yet sometime through these letters there is a significant shift. Rather than feeling inextricably linked to Yesenin's inevitable path, Harrison becomes furious, arguing about their imagined relationship: "I'm beginning to doubt whether we ever would have been friends." In the end, Harrison listened to his own poems: "My year-old daughter's red robe hangs from the doorknob shouting Stop."

Publishers Weekly called Jim Harrison "an untrammeled renegade genius," a poet who performed "absolutely brilliant and outrageous things with language."

One of America's leading novelists and poets, "Jim Harrison is a writer with immortality in him."-The Sunday Times

"an anguished, angry, and tender meditation on the octane and ether of rock and roll and its many moons: sex, drugs, suicide, fame, and rage."--Jacket.

Conversations with Jim Harrison, Revised and Updated offers a judicious selection of interviews spanning the writing career of Jim Harrison (1937–2016) from its beginnings in the 1960s to the last interview he gave weeks before his death in March 2016. Harrison labeled himself and lived as a “quadra-schizoid” writer. He worked in fiction, poetry, nonfiction, and screenwriting, and he published more than forty books that attracted an international following. These interviews supply a lively narrative of his progress as a major contemporary American author. This collection showcases Harrison's pet peeves, his candor and humility, his sense of humor, and his patience. He does not shy from his authorial obsessions, especially his efforts to hone the novella, for which he is considered a contemporary master, or the frequency with which he defied polite narrative conventions and created memorable, resolute female characters. Each conversation attests to the depth and range of Harrison’s considerable intellectual and political preoccupations, his fierce social and ecological conscience, his aesthetic beliefs, and his stylistic orientations in poetry and prose.

Edited by Yevgeny Pasternak, Yelena Pasternak, and Konstantin M. Azadovsky The summer of 1926 was a time of trouble and uncertainty for each of the three poets whose correspondence is collected in this moving volume. Marina Tsvetayeva was living in exile in France and struggling to get by. Boris Pasternak was in Moscow, trying to come to terms with the new Bolshevik regime. Rainer Maria Rilke, in Switzerland, was dying. Though hardly known to each other, they began to correspond, exchanging a series of searching letters in which every aspect of life and work is discussed with extraordinary intensity and passion. Letters: Summer 1926 takes the reader into the hearts and minds of three of the twentieth century's greatest poets at a moment of maximum emotional and creative pressure.