Here is a warm, witty, and wise book for every young man who has ever wondered what to do and say in difficult situations with the opposite sex. Dr. Shedd offers helpful hints on how to turn a complaint into a compliment and much more.

Suggestions covering a wide range of considerations for the maintenance of a happy marriage.

Philip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985. This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.

Seven hundred of the great poet's letters are collected here offering a moving, instructive portrait of Larken, from his early correspondence with school friends to his last year of life, 1985, when he died at the age of sixty-three.

Two extraordinary personalities, and one remarkable friendship, are reflected in the unique corpus of letters from Anglo-Parsi composer-critic Kaikhosru Sorabji (1892-1988) to Philip Heseltine (Peter Warlock) (1894-1930): a fascinating primary source for the period 1913-1922 available in a complete scholarly edition for the first time. The volume also provides a new contextual, critical and interpretative framework, incorporating a myriad of perspectives: identities, social geographies, style construction, and mutual interests and influences. Pertinent period documents, including evidence of Heseltine’s reactions, enhance the sense of narrative and expand on aesthetic discussions. Through the letters’ entertaining and perceptive lens, Sorabji’s early life and compositions are vividly illuminated and Heseltine’s own intriguing life and work recontextualised. What emerges takes us beyond tropes of otherness and eccentricity to reveal a persona and a narrative with great relevance to modern-day debates on canonicity and identity, especially the nexus of ethnicity, queer identities and Western art music. Scholars, performers and admirers of early twentieth-century music in Britain, and beyond, will find this a valuable addition to the literature. The book will appeal to those studying or interested in early musical modernism and its reception; cultural life in London around and after the First World War; music, nationality and race; Commonwealth studies; and music and sexuality.

Rattlesnakes and ornery horses, the dreaded Texas Itch, midnight rambles in graveyards, trips to Mexico, and hard riding on the last open range: George Philip recounts all these adventures and more with wit and humour. George Phillip arrived in South Dakota from Scotland in 1899. For the next four years, he rode as a cowboy for his uncle's L-7 cattle outfit during the heyday of the last open range. But the cowboy era was a brief one, and in 1903 Philip turned in his string of horses and hung up his saddle to enter law school in Michigan. In these candid letters, Philip provides fascinating insights into the development of the West and of South Dakota. His writing details the cowboy's day-to-day work, from branding and roping to navigating across the palins by stars and buttes, as the great open ranges slowly closed up.