More than two decades of letters from one of the greatest writers of the twentieth century—the author of The Metamorphosis and The Trial—to the people in his life, from his years as a student in Prague in the early 1900s to his final months in the sanatorium near Vienna where he died in 1924. Sometimes surprisingly humorous, sometimes wrenchingly sad, these letters, collected after Kafka's death by his friend and literary executor Max Brod, include charming notes to school friends; fascinating accounts to Brod about his work in its various stages of publication; correspondence with his publisher, Kurt Wolff, about manuscripts in progress, suggested book titles, type design, and late royalty statements; revealing exchanges with other young writers of the day, including Martin Buber and Felix Weltsch, on life, literature, and girls; and heartbreaking reports to his parents, sisters, and friends on the declining state of his health in the last months of his life.

Written by the author of The Metamorphosis and The Trial—one of the greatest writers of the twentieth century—between 1909 and 1924, these letters offer a unique insight into the workings of the Kafka family, their relationship with the Prague Jewish community, and Kafka's own feelings about his parents and siblings. "Kafka's touching letters to his sister, when she was a child and as a young married woman, are beautifully simple, tender, and fresh." —The New York Review of Books A gracious but shy woman, and a silent rebel against the bourgeois society in which she lived, Ottla Kafka was the sibling to whom Kafka felt closest. He had a special affection for her simplicity, her integrity, her ability to listen, and her pride in his work. Ottla was deported to Theresienstadt during World War II, and volunteered to accompany a transport of children to Auschwitz in 1943. She did not survive the war, but her husband and daughters did, and preserved her brother's letters to her. They were published in the original German in 1974, and in English in 1982.

Franz Kafka met Felice Bauer in August 1912, at the home of his friend Max Brod. Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one—passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude. The more than five hundred letters Kafka wrote to Felice—through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life—reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft.

DIV Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existence—in his many letters, in his extensive diaries, and especially in his fiction. This stimulating book investigates some of the sources of Kafka’s personal anguish and its complex reflections in his imaginary world. In his query, Saul Friedländer probes major aspects of Kafka’s life (family, Judaism, love and sex, writing, illness, and despair) that until now have been skewed by posthumous censorship. Contrary to Kafka’s dying request that all his papers be burned, Max Brod, Kafka’s closest friend and literary executor, edited and published the author’s novels and other works soon after his death in 1924. Friedländer shows that, when reinserted in Kafka’s letters and diaries, deleted segments lift the mask of “sainthood� frequently attached to the writer and thus restore previously hidden aspects of his individuality. /div

This volume "tells the story of the final years of the writer's life, from 1916 to 1924 - a period during which the world Kafka had known came to an end"--Dust cover.

From one of the greatest writers of the twentieth century, the author of The Trial: Three stories he published in his lifetime, including his best-known tale, “The Metamorphosis.” I have only one request," Kafka wrote to his publisher Kurt Wolff in 1913. "'The Stoker,' 'The Metamorphosis,' and 'The Judgment' belong together, both inwardly and outwardly. There is an obvious connection among the three, and, even more important, a secret one, for which reason I would be reluctant to forego the chance of having them published together in a book, which might be called The Sons."