These volumes present approximately 430 letters and documents written to Beethoven (1770--1827) as well as those written by others (relatives, students, and secretaries) on his behalf. Along with over 70 of Beethoven's own letters discovered since Emily Anderson's three-volume Letters of Beethoven, these documents provide new insights into the composer's personal life. They illuminate his dealings with publishers, other musicians, poets, patrons, relatives, friends, and a wide variety of acquaintances. The documents provide important details about the composition of many works, Beethoven's performance practices, his criticisms of other composers and performers, and his role in the Napoleonic era. Gleaned from more than one hundred publications and collected from autograph sources in libraries and archives in Europe and the United States, these materials have never before appeared between two covers. At least sixty of the letters have never previously been published. Letters to Beethoven and Other Correspondence vastly enlarges accessibility to Beethoven's busy life and the music he made.

These volumes present approximately 430 letters and documents written to Beethoven (1770–1827) as well as those written by others (relatives, students, and secretaries) on his behalf. Along with over 70 of Beethoven’s own letters discovered since Emily Anderson’s three-volume Letters of Beethoven, these documents provide new insights into the composer’s personal life. They illuminate his dealings with publishers, other musicians, poets, patrons, relatives, friends, and a wide variety of acquaintances. The documents provide important details about the composition of many works, Beethoven’s performance practices, his criticisms of other composers and performers, and his role in the Napoleonic era. Gleaned from more than one hundred publications and collected from autograph sources in libraries and archives in Europe and the United States, these materials have never before appeared between two covers. At least sixty of the letters have never previously been published. Letters to Beethoven and Other Correspondence vastly enlarges accessibility to Beethoven’s busy life and the music he made. All documents are translated into English and annotated with identifications of persons and works.

In 2016 the University of Nebraska Press celebrates its 75th anniversary. Proudly rooted in the Great Plains, the Press has established itself as the largest and most diversified publisher located between Chicago and California. The achievements of a vast network of devoted authors, editors, board members, series editors, and staff, the Press has published more than 4,000 books and more than 30 journals of influential and enduring value. What started as a one-person operation at a land grant institution on the sparsely populated plains of Nebraska has tenaciously grown into a press that has earned an international reputation for publishing notable works in Native studies, history, anthropology, American studies, sports, cultural criticism, fiction, fiction in translation, creative nonfiction, and poetry. Winning numerous awards through the years, most notably several Nobel Prizes, the Press has contributed richly to the state, the region, and far beyond. The Press's partnership with the Jewish Publication Society has placed an emphasis on books in Jewish studies and Bible studies, while the acquisition of Potomac Books has expanded the Press's subject matter to include national and world affairs and more widespread coverage of military history. In honor of its 75th anniversary, the Press has produced the publication Big House on the Prairie, which features a narrative of press highlights, profiles of key historical employees, and lists of its 75 most significant books, 30 journals, and 75 most noteworthy book covers. Please join us in celebrating 75 years of publishing excellence.

Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.

This Companion provides orientation for those embarking on the study of Beethoven's much-discussed Eroica Symphony, as well as providing fresh insights that will appeal to scholars, performers and listeners more generally. The book addresses the symphony in three thematic sections, on genesis, analysis and reception history, and covers key topics including political context, dedication, sources of the Symphony's inspiration, 'heroism' and the idea of a 'watershed' work. Critical studies of writings and analyses from Beethoven's day to ours are included, as well as a range of other relevant responses to the work, including compositions, recordings, images and film. The Companion draws on previous literature but also illuminates the work from new angles, based on new evidence and a range of approaches by twelve leading scholars in Beethoven research.