This study examines the history of the psychoanalytic theory of mysticism, starting with the seminal correspondence between Freud and Romain Rolland concerning the concept of "oceanic feeling." Providing a corrective to current views which frame psychoanalysis as pathologizing mysticism, Parsons reveals the existence of three models entertained by Freud and Rolland: the classical reductive, ego-adaptive, and transformational (which allows for a transcendent dimension to mysticism). Then, reconstructing Rolland's personal mysticism (the "oceanic feeling") through texts and letters unavailable to Freud, Parsons argues that Freud misinterpreted the oceanic feeling. In offering a fresh interpretation of Rolland's mysticism, Parsons constructs a new dialogical approach for psychoanalytic theory of mysticism which integrates culture studies, developmental perspectives, and the deep epistemological and transcendent claims of the mystics.

Jean Toomer (1894–1967) was a modernist writer, a member of the Harlem Renaissance, and briefly part of the literary and artistic community that grew up around Mabel Dodge Luhan in Taos, New Mexico. This book, a critical edition of a previously unpublished 1935 manuscript, makes A Drama of the Southwest available to readers for the first time. The play provides a vivid glimpse into the social world of the artists who mined Taos for creative and spiritual renewal in the early twentieth century, and editor Dekker provides cultural and literary historical context, arguing for Toomer’s continuing creative power and significance at a time in his career that has been largely overlooked by critics.