Written to her family, these letters recount the failure of Dinesen's marriage, the financial collapse of her husband's coffee plantation, and her experiences in Kenya

"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.

Linda Thomas expected that when she grew old, she'd be a quaint little grandmathe kind that sits in a rocking chair and knits blankets for new grandbabies. But God and her husband had other ideas: Africa! This is Linda's story of her first four years working in Africa as a missionary. In this narrative, uniquely told through letters to her granddaughters, Linda shares how she stumbles into adventures most grandmas could not imaginea hippo charges her, a Maasai elder spits at her, and a baboon poops in her breakfast. As she faithfully answers Gods callingand its challengesshe recounts both hilarious and frightful incidents, joys and heartaches, answered prayers, and those God seemed to leave unanswered. While drinking tea from a pot cleaned with cows urine, suffering through an embarrassing breast exam, and narrowly escaping a carjacking by a murderer wielding an assault rifle, Linda falls in love with Africa, its people, and the work God presented her. Grandmas Letters from Africa is a chronicle of Gods heart, His delightful creativity, and His amazing power to help those in need.

By the early eighteenth century, the rapid expansion of the British empire had created a technological problem: communication and networking became increasingly vital yet harder to maintain. As colonial possessions and populations grew and more individuals moved around the globe, Britons both at home and abroad required a constant and reliable means of communication to conduct business, plumb intellectual concerns, discuss family matters, run distant estates, and exchange news. As face-to-face communication became more intermittent, men and women across the early modern British world relied on letters. In The Opened Letter, historian Lindsay O'Neill explores the importance and impact of networking via letter-writing among the members of the elite from England, Ireland, and the colonies. Combining extensive archival research with social network digital technology, The Opened Letter captures the dynamic associations that created a vibrant, expansive, and elaborate web of communication. The author examined more than 10,000 letters produced by such figures as Virginia planters William Byrd I and his son William Byrd II; the Anglo-Irish nobleman John Perceval; the newly minted Duke of Chandos, James Brydges, and his wife Cassandra Brydges; and Sir Hans Sloane, the president of the Royal Society, and his colleague Peter Collinson. She also mined letters from the likes of Nicholas Blundell, a Catholic member of the Lancashire gentry, and James Eliot, a London merchant and ardent Quaker. The Opened Letter reassembles and presents the vital individual and interlocking epistolary webs constructed by disparate groups of letter writers. These early social networks illuminate the structural, social, and geographic workings of the British world as the nation was becoming a dominant global power.

"Walter Abish has dovetailed his novel within a Procrustean scheme that has the terrifying and irrefutable logic of the alphabet. Alphabetical Africa is in the line of writers such as Raymond Roussel, Raymond Queneau, Georges Perec and Harry Mathews, who have used constrictive forms to penetrate the space on the other side of poetry." -- John Ashbery