In this brilliant, strikingly original book, historian John Lukacs delves to the core of Adolf Hitler's life and mind by examining him through the lenses of his surprisingly diverse biographers. Since 1945 there have been more than one hundred biographies of Hitler, and countless other books on him and the Third Reich. What happens when so many people reinterpret the life of a single individual? Dangerously, the cumulative portrait that begins to emerge can suggest the face of a mythic antihero whose crimes and errors blur behind an aura of power and conquest. By reversing the process, by making Hitler's biographers--rather than Hitler himself--the subject of inquiry, Lukacs reveals the contradictions that take us back to the true Hitler of history. Like an attorney, Lukacs puts the biographies on trial. He gives a masterly account of all the major works and of the personalities, methods, and careers of the biographers (one cannot separate the historian from his history, particularly in this arena); he looks at what is still not known (and probably never will be) about Hitler; he considers various crucial aspects of the real Hitler; and he shows how different biographers have either advanced our understanding or gone off track. By singling out those who have been involved in, or co-opted into, an implicit "rehabilitation of Hitler," Lukacs draws powerful conclusions about Hitler's essential differences from other monsters of history, such as Napoleon, Mussolini, and Stalin, and--equally important--about Hitler's place in the history of this century and of the world.

Early twentieth-century Iran had been dominated by the competing influences of the two great imperial powers of the time - Russia and Britain - making it difficult for a third power to establish a foothold. But an emergent, highly industrialised and assertive Germany in the 1930s became an attractive ally through which Iran could cut loose from domination by Britain and the Soviet Union, allowing it to seek modernity outside the constraints of old imperial interests. This led to the development of close commercial ties between Reza Shah's Persia and Hitler's Germany in the interwar period, an aspect of German foreign policy that is often overlooked. It was the National Bank of Persia, established in 1927 under German management, and with Kurt Lindenblatt as its governor, that was to be the vehicle for Germany's commercial expansion into Iran. The Bank was a vital engine driving industrialisation, even after Lindenblatt retired and was followed by Gholam Reza Amir-Khosrari and a board of directors including Hossein Ala and Abdul Hossein Hazhir. By the mid-1930s, a new German foreign policy approach of active diplomacy fortified initial inroads into the Iranian economy, building upon the foundations laid by individual entrepreneurs, the National Bank and the construction of the Trans-Iranian Railway. Iran evolved into an attractive country for international trade and, at the outbreak of World War II, Germany was Iran's largest trading partner - surpassing both the Soviet Union and Britain. These close ties reveal a complex relationship between Germany and Iran, and an admiration of the Nazi's brand of industrial, scientific and organisational progress. It was, however, a relationship that came to an abrupt end with the Allied invasion of Iran in 1941 that deposed the Shah. Khatib-Shahidi delves into previously untapped German primary sources to explore the nature of German involvement in Iran between the wars, examining how it came to be moulded by a handful of individuals. This book is a revealing resource on the historical ties between Iran and Germany, making it indispensable for students and researchers of European Imperialism and Colonialism in the Middle East as well as of Iranian Political and Economic History.

Erik Larson, New York Times bestselling author of Devil in the White City, delivers a remarkable story set during Hitler’s rise to power. The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history. A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition. Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.