In the late sixties when the Beatles are top of the charts and Twiggy is hitting the catwalk, Gill embarks on a life-changing journey to Hong Kong. Mao’s revolution is at its height. Vietnam has become America’s longest war with no end in sight. But it’s at an ad agency under insane direction where Gill finds her battles and learns to stand her ground. In this spirited memoir, where Mad Men meets Han Suyin’s A Many-Splendoured Thing, Gill recreates a Hong Kong of the imagination. Attractive and naïve, wined and dined by Hong Kong’s elite, she gravitates towards camaraderie outside the world of advertising and money, and adventure follows. A weekend sail goes awry when a yacht with her on board strays into the waters of Communist China. A full-scale sea and air search mounted from Hong Kong can find no trace. Yet Gill is very much alive. With her friends, she is reciting from Mao’s Little Red Book with no idea what fate awaits her or how long she will be held. The Hong Kong Letters is part memoir, part travelogue. Gill introduces us to characters that fiction couldn’t have invented any better and transports the reader to another time and place, a reminder that anyone can fit the experiences of a lifetime into two short years.

“For this brief moment, the two sisters could be ‘together in heart and affection’, and through such letters bridge the distance of empire.” We often learn about the commerce, diplomacy, and military campaigns of the British empire without reference to the intimate side of life in these times—the development of self, the position of women, and the importance of family. In this book, the story of empire, so often told from a man’s perspective, is given a unique vantage point through Eliza Hillier’s letters to her younger sister, Martha. Written largely from Hong Kong, Shanghai, England, and Siam, the letters allow us to become a member of her family and follow the daily tribulations associated with the life of a young British woman in the port cities of Asia. We are thus able to share Eliza’s experiences as she leaves home to embark on married life, starts and raises a family, grieves at the abrupt and tragic loss of her husband, Charles Batten Hillier, and then sets about re-building her life. At once a reflection on the daily components of empire, an entertaining narrative of familial relationships, and the story of one woman’s inner feelings, My Dearest Martha guides us through the vagaries of life for a family who were very much a part of imperial careering and missionary circles in East and Southeast Asia. The letters are complemented by images and commentary from the author, a descendant of Eliza, providing context and depth, which together give us a fuller picture of British colonial life in the mid-1800s from a perspective that will resonate with readers around the world.

Relations between Britain and China have, for over 150 years, been inextricably bound up with the taking of Hong Kong Island on 26 January 1841. The man responsible, Britain's plenipotentiary Captain Charles Elliot, was recalled by his government in disgrace and has been vilified ever since by China. This book describes the taking of Hong Kong from Elliot's point of view for the first time '- through the personal letters of himself and his wife Clara '- and shows a man of intelligence, conscience and humanitarian instincts. The book gives new insights into Sino-British relations of the period. Because these are now being re-assessed both historically and for the future, revelations about Elliot's role, intentions and analysis are significant and could make an important difference to our understanding of the dynamics of these relations. On a different level, the book explores how Charles the private man, with his wife by his side, experienced events, rather than how Elliot the public figure reported them to the British government. The work is therefore of great historiographical interest.

Letters Home, Jennifer Wong's remarkable and vivid third collection of poems, unravels the complexities of being between nations, languages and cultures. Travelling across multiple borders of history and place, these poems examine what it means to be returning home, and whether it is a return to a location, a country or to a shared dream or language. "There are poems of homesickness, nostalgia, but also humour, hope and optimism - all depicted in Wong's distinctive, intelligent style... This is a remarkable collection, which makes a new and bold contribution to the genre of diaspora literature." - Hannah Lowe "Jennifer Wong's voice is captivating, compassionate, her poems full of insight, as she questions the complex relationship between culture and identity and what it means to leave a place to become defined by another." - Rebecca Goss

This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian-American artists, curators, educators, art historians, editors, writers, and designers. The form of the letter offers readers intimate insights into the complexities of Asian American experiences, moving beyond the model-minority myth. Chronicling everyday lives, dreams, rage, family histories, and cultural politics, these letters ignite new ways of being, and modes of creating, at a moment of racial reckoning.

Inspired by a little-known chapter of World War II history, a young Protestant girl and her Jewish neighbour are caught up in the terrible wave of hate sweeping the globe on the eve of war in this powerful love story that’s perfect for fans of The Guernsey Literary and Potato Peel Pie Society. If you’re reading this letter, that means I’m dead. I had obviously hoped to see you again, to explain in person, but fate had other plans. 1933 At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job she can to help her family through the Depression crippling her city. The one bright spot in her life is watching baseball with her best friend, Hannah Dreyfus, and sneaking glances at Hannah’s handsome older brother, Max. But as the summer unfolds, more and more of Hitler’s hateful ideas cross the sea and “Swastika Clubs” and “No Jews Allowed” signs spring up around Toronto, a city already simmering with mass unemployment, protests, and unrest. When tensions between the Irish and Jewish communities erupt in a riot one smouldering day in August, Molly and Max are caught in the middle, with devastating consequences for both their families. 1939 Six years later, the Depression has eased and Molly is a reporter at her local paper. But a new war is on the horizon, putting everyone she cares about most in peril. As letters trickle in from overseas, Molly is forced to confront what happened all those years ago, but is it too late to make things right? From the desperate streets of Toronto to the embattled shores of Hong Kong, Letters Across the Sea is a poignant novel about the enduring power of love to cross dangerous divides even in the darkest of times—from the #1 bestselling author of The Forgotten Home Child.