C. S. Lewis was a prolific letter writer, and his personal correspondence reveals much of his private life, reflections, friendships, and the progress of his thought. This second of a three-volume collection contains the letters Lewis wrote after his conversion to Christianity, as he began a lifetime of serious writing. Lewis corresponded with many of the twentieth century's major literary figures, including J. R. R. Tolkien and Dorothy Sayers. Here we encounter a surge of letters in response to a new audience of laypeople who wrote to him after the great success of his BBC radio broadcasts during World War II -- talks that would ultimately become his masterwork, Mere Christianity. Volume II begins with C. S. Lewis writing his first major work of literary history, The Allegory of Love, which established him as a scholar with imaginative power. These letters trace his creative journey and recount his new circle of friends, "The Inklings," who meet regularly to share their writing. Tolkien reads aloud chapters of his unfinished The Lord of the Rings, while Lewis shares portions of his first novel, Out of the Silent Planet. Lewis's weekly letters to his brother, Warnie, away serving in the army during World War II, lead him to begin writing his first spiritual work, The Problem of Pain. After the serialization of The Screwtape Letters, the director of religious broadcasting at the BBC approached Lewis and the "Mere Christianity" talks were born. With his new broadcasting career, Lewis was inundated with letters from all over the world. His faithful, thoughtful responses to numerous questions reveal the clarity and wisdom of his theological and intellectual beliefs. Volume II includes Lewis's correspondence with great writers such as Owen Barfield, Arthur C. Clarke, Sheldon Vanauken, and Dom Bede Griffiths. The letters address many of Lewis's interests -- theology, literary criticism, poetry, fantasy, and children's stories -- as well as reveal his relation ships with close friends and family. But what is apparent throughout this volume is how this quiet bachelor professor in England touched the lives of many through an amazing discipline of personal correspondence. Walter Hooper's insightful notes and compre hensive biographical appendix of the correspon dents make this an irreplaceable reference for those curious about the life and work of one of the most creative minds of the modern era.

This is the first book to bring perspectives from the interdisciplinary field of Peace Studies to bear on the writing of the Romantic period. Particularly significant is that field's attention not only to the work of anti-war protest, but more purposefully to considerations of how peace can actively be fostered, established, and sustained. Bravely resisting discourses of military propaganda, writers such as Amelia Opie, Helen Maria Williams, William Wordsworth, William Cobbett, John Keats, and Jane Austen embarked on the challenging and urgent rhetorical work of imagining—and inspiring others to imagine—the possibility of peace. The writers formulate a peace imaginary in various registers. Sometimes this means identifying and eschewing traditional militaristic tropes in order to craft alternative images for a patriotism compatible with peace. Other times it means turning away from xenophobic discourse to write about relations with other nations in terms other than those of conflict. If historically informed literary criticism has illustrated the importance of writing about war during the Romantic period, this volume invites readers to redirect critical attention to move beyond discourses of war, and to recognize the era's complex and vibrant writing about and for peace.

The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.