Claudia Cornwall, born in the International Settlement of Shanghai, came to Canada with her parents in 1949 and was baptized as an Anglican. At the age of forty she wrote to an uncle in Vienna seeking childhood photos of her father. Her uncle sent a photo of her young father in a garden with two women, and an accompanying letter which casually mentioned that "the woman standing up was our mother, who died in concentration camp." Shaken, Cornwall set out to unearth her family's buried Jewish heritage. ..

In 1939, as the Nazis closed in, Alfred Berger mailed a desperate letter to an American stranger who happened to share his last name. He and his wife, Viennese Jews, had found escape routes for their daughters. But now their money, connections, and emotional energy were nearly exhausted. Alfred begged the American recipient of the letter, “You are surely informed about the situation of all Jews in Central Europe.... By pure chance I got your address.... My daughter and her husband will go... to America.... Help us to follow our children.... It is our last and only hope....” After languishing in a California attic for decades, Alfred’s letter ended up in the hands of Faris Cassell, a journalist who couldn’t rest until she discovered the ending of the story. Traveling across the United States as well as to Austria, the Czech Republic, Belarus, and Israel, she uncovered an extraordinary story of heart-wrenching loss and unforgettable love that endures to this day. Did the Bergers’ desperate letter find a response? Did they—and their daughters—survive? Did they leave living descendants? You will find the answers here. A story that will move any reader, The Unanswered Letter is a poignant reminder that love and hope never die.

In 1977, Sue Course discovered a box of airmail letters in the dark recesses of a cupboard, written in German. Her German was rusty, but she could see that most were from her parents and grandparents and were written from the time of the Nazi invasion of Vienna in 1938. The letters revealed a gripping tale of their war and that of their extended family, the stories of those who escaped and eventually resettled across the globe, and their experiences in that process. The story was fleshed out through the later discovery of diaries and far-flung family members’ war memoirs. For Sue’s family, their entitlement to be a part of Viennese society and a citizen of the Austrian nation itself was lost when the Nazis annexed her country. Sue was just four when she arrived in Australia with her family, too young to appreciate the penurious circumstances of their life at a time where German-speaking foreigners were viewed as ‘enemy aliens’, and where there was little immediate opportunity for non-English-speaking professionals to find respect or employment in their professions. Antipodean life was a far cry from the genteel experience of being raised in Vienna, and this story documents superbly the displacement, dislocation and immense struggle for those who have had to flee their countries, with its destructive consequences: loss of identity, culture, career, family and social networks, or any acknowledgement of value to the host society.

One woman’s journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory. Years after her grandfather’s death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled “Correspondence: Patients A–G.” What she found inside weren’t dry medical histories; instead what was written opened a path into the destroyed world that was her family’s prewar Vienna. One woman’s letters stood out: those from Valy—Valerie Scheftel. Her grandfather’s lover who had remained behind when he fled Europe six months after the Nazis annexed Austria. Valy’s name wasn’t unknown to her—Wildman had once asked her grandmother about a dark-haired young woman whose images she found in an old photo album. “She was your grandfather’s true love,” her grandmother said at the time, and refused any other questions. But now, with the help of the letters, Wildman started to piece together Valy’s story. They revealed a woman desperate to escape and clinging to the memory of a love that defined her years of freedom. Obsessed with Valy’s story, Wildman began a quest that lasted years and spanned continents. She discovered, to her shock, an entire world of other people searching for the same woman. On in the course of discovering Valy’s ultimate fate, she was forced to reexamine the story of her grandfather’s triumphant escape and how this history fit within her own life and in the process, she rescues a life seemingly lost to history.

Part One of this book shows how bureaucracy sustained the Habsburg Empire while inciting economists, legal theorists, and socialists to urge reform. Part Two examines how Vienna's coffeehouses, theaters, and concert halls stimulated creativity together with complacency. Part Three explores the fin-de-siecle world view known as Viennese Impressionism. Interacting with positivistic science, this reverence for the ephemeral inspired such pioneers ad Mach, Wittgenstein, Buber, and Freud. Part Four describes the vision of an ordered cosmos which flourished among Germans in Bohemia. Their philosophers cultivated a Leibnizian faith whose eventual collapse haunted Kafka and Mahler. Part Five explains how in Hungary wishful thinking reinforced a political activism rare elsewhere in Habsburg domains. Engage intellectuals like Lukacs and Mannheim systematized the sociology of knowledge, while two other Hungarians, Herzel and Nordau, initiated political Zionism. Part Six investigates certain attributes that have permeated Austrian thought, such as hostility to technology and delight in polar opposites.

Hugo von Hoffmannsthal made his mark as a poet, as a playwright, and as the librettist for Richard Strauss’s greatest operas, but he was no less accomplished as a writer of short, strangely evocative prose works. The atmospheric stories and sketches collected here—fin-de-siècle fairy tales from the Vienna of Klimt and Freud, a number of them never before translated into English—propel the reader into a shadowy world of uncanny fates and secret desires. An aristocrat from Paris in the plague years shares a single night of passion with an unknown woman; a cavalry sergeant meets his double on the battlefield; an orphaned man withdraws from the world with his four servants, each of whom has a mysterious power over his destiny. The most influential of all of Hofmannsthal’s writings is the title story, a fictional letter to the English philosopher Francis Bacon in which Lord Chandos explains why he is no longer able to write. The “Letter” not only symbolized Hofmannsthal’s own turn away from poetry, it captured the psychological crisis of faith and language which was to define the twentieth century.