This book presents the extraordinary life and writings of Maya Angelou. It examines the changing viewpoints in her six autobiographies within the context of women's and African American autobiographies, with specific reference to the slave narrative and to contemporary fiction and film. Maya Angelou: The Iconic Self examines this iconic artist's work as an autobiographer, offering an up-to-date assessment of Angelou's contributions to American literature and to American and international culture. This is the only book to interpret Angelou's autobiographies as unique experiments in the history of black narrative. It attests to Angelou's creativity in transforming the typical single-volume autobiography into a six-volume personal and cultural adventure that tells the truth but reads like fiction. The narratives cover the years from the Great Depression (1941) to the days following the assassinations of Malcolm X (1965) and Martin Luther King (1968), emphasizing Angelou's roles as mother, daughter, granddaughter, wife, and friend. This revised edition also presents information about Maya Angelou's funeral and her continuing legacy since her death in 2014. The depth and scope of the book's observations regarding Angelou's autobiographies will be of great interest to readers seeking an analysis of the interconnections among Angelou's writings as well as serve students taking courses in women's studies or black culture studies.

THE LIFE OF THE AUTHOR MAYA ANGELOU DISCOVER THE REMARKABLE LIFE OF MAYA ANGELOU WITH A HIGHLY PERSONAL AND DETAILED ACCOUNT OF HER CHALLENGES AND TRIUMPHS The Life of the Author: Maya Angelou delivers an engaging and thorough retelling of the life and work of the celebrated and accomplished writer, director, and essayist. The book offers readers an engrossing retelling of Maya Angelou’s entire life, from her time as a child in the segregated town of Stamps, Arkansas, to her death in 2014 in Winston-Salem. Written with an emphasis on accessibility, the author avoids critical theory and focuses on Maya Angelou’s growth as a person and writer as well as the ways in which her life influenced her work. This new biography tells the story of a young black woman who overcomes poverty and endemic structural and personal obstacles to lead an accomplished life. Readers will also enjoy: A thorough retelling of the time Maya Angelou spent in Africa and how it shaped her views and work An exploration of the screenplays written by Maya Angelou Discussions of Maya Angelou’s early life as a dancer, singer, and writer Accounts of Maya Angelou’s writing and production of television shows A fulsome treatment of Maya Angelou’s work, including her poems, autobiographies, films, music, and theatre Perfect for undergraduate students in Contemporary Literature courses as well as general readers who love Maya Angelou and her work, The Life of the Author: Maya Angelou will also earn a place in the libraries of biography and literature enthusiasts who seek to improve their understanding of the life and story of Maya Angelou with a highly personal and accessible new book.

A collection of 22 stories by Texas women writers that weave a story of their own: the story of women's writing in the Lone Star State, from 1865 to the present. Authors include Berverly Lowry, Carolyn Osborn, Annette Sanford, Denise Chavez, Katherine Anne Porter, Judy Alter and Joyce Gibson Roach.

This book rejects Greer, Friedan, Mead, Freud; examines the way social engineers and manipulators have produced unhappy women, hurting men, lost teenagers; reveals the nature of women; explores the nature of men; and champions a new marriage contract and a new life pattern.

The story of one of the most intriguing people in a generation. Germaine Greer is one of the opinion-formers of our age, her challenging views constantly provoking us in print and on the small screen. The Female Eunuch, her first book published in 1970, was hailed by the women's liberation movement and influenced an entire generation. Yet two years earlier Greer had argued that "there is hardly a woman alive who is not deeply attracted to the notion of a husband of the kind extolled by Kate", the rebellious wife subdued in The Taming of the Shrew. Over 30 years later, as Germaine Greer revises what one reviewer called "one of the most eloquent pieces of anarchist propaganda that have appeared in this century", it is fitting to assess the life and work of this complex, compelling intellect. Christine Wallace, an Australian academic familiar with the background in which Germaine Greer grew up, has drawn extensively from candid interviews with Greer's family, friends and former colleagues as well as from her many autobiographical writings. She reveals a courageous, contradictory, often tormented woman, variously (and often simultaneously) scholar, rock stars' groupie, bohemian, lover of cats and gardening, and a feminist who spurned and then yearned for motherhood. An icon of women's liberation yet fiercely competitive and scathing of other women; a swashbuckling adventuress yet often vulnerable and surprisingly passive in her dealings with men; an inveterate self-dramatist yet incorrigibly honest, Greer has always lived by extremes – and the risks she took have allowed shoals of moderate feminists to swim in her wake. Many followers have been rebuffed by her reckless inconsistency – a quality she shares with Byron, her first literary love, stemming from a rare determination to be true to the moment. This biography puts into context the unhappy childhood, the convent schooling and promiscuous but rigorous university years that shaped Greer's powerful personality and restless intelligence. Child of the beat generation, leader (and victim) of the 60s sexual revolution, she continues to assail our complacency.