Carol Loeb Shloss creates a compelling portrait of a complex relationship of a daughter and her literary-giant father: Ezra Pound and Mary de Rachewiltz, Pound’s child by his long-time mistress, the violinist Olga Rudge. Brought into the world in secret and hidden in the Italian Alps at birth, Mary was raised by German peasant farmers, had Italian identity papers, a German-speaking upbringing, Austrian loyalties common to the area and, perforce, a fascist education. For years, de Rachewiltz had no idea that Pound and Rudge, the benefactors who would sporadically appear, were her father and mother. Gradually the truth of her parentage was revealed, and with it the knowledge that Dorothy Shakespear, and not Olga, was Pound’s actual wife. Dorothy, in turn, kept her own secrets: while Pound signed the birth certificate of her son, Omar, and claimed legal paternity, he was not the boy’s biological father. Two lies, established at the birth of these children, created a dynamic antagonism that lasted for generations. Pound maneuvered through it until he was arrested for treason after World War II and shipped back from Italy to the United States, where he was institutionalized rather than imprisoned. As an adult, de Rachewiltz took on the task of claiming a contested heritage and securing her father’s literary legacy in the face of a legal system that failed to recognize her legitimacy. Born on different continents, separated by nationality, related by natural birth, and torn apart by conflict between Italy and America, Mary and Ezra Pound found a way to live out their deep and abiding love for one another. Let the Wind Speak is both a history of modern writers who were forced to negotiate allegiances to one another and to their adopted countries in a time of mortal conflict, and the story of Mary de Rachewiltz’s navigation through issues of personal identity amid the shifting politics of western nations in peace and war. It is a masterful biography that asks us to consider cultures of secrecy, frayed allegiances, and the boundaries that define nations, families, and politics.

Classic Latin American novel from the "Graham Greene of Uruguay."

After a lifetime of mistakes…can Kassandra ever be forgiven? New York City, 1841 When Reverend Joseph plucks a gravely wounded child from the mean streets of Manhattan’s rough Five Points District, he intends to give her a real home. And though Kassandra flourishes in the preacher’s house, learning Bible verses at his knee and going to school, as a young teenager she makes the first of many devastating decisions, running away from the only haven she’s ever known. What follows is a waking nightmare: life in a tiny room above a brothel, the loss of a child, a lover’s rejection, and finally, life as a prostitute. As circumstances lead her further and further from the reverend’s secure home, an ashamed Kassandra is certain that neither God, nor Joseph, will ever forgive her. Feeling as though she has nothing left to lose and nowhere to go, Kassandra leaves behind her hopes of redemption and heads west to California, where she is transformed into the woman known as Sadie. Unfortunately, nothing in her life is pointing to a happy ending, and Sadie is forced to grapple with the question: Once you’ve passed the point of no return, can you ever go back?

Kahlil Gibran considered The Prophet his greatest achievement. He said: "I think I've never been without The Prophet since I first conceived it in Mount Lebanon. It seems to have been a part of me....I kept the manuscript four years before I delivered it over to my publisher, because I wanted to be sure, I wanted to be very sure, that every word of it was the very best I had to offer." The Chicago Post said of The Prophet: "Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one's ears the majestic rhythm of Ecclesiastes....If there is a man or woman who can read this book without a quiet acceptance of a great man's philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth."

Imagine sitting around a campfire listening to a wise elder speak wisdom so deep that each short tale could be life changing. Listen to the Wind, Speak from the Heart, tells these kind of stories. Roger Thunderhands Gilbert writes from the heart, passing on the wisdom of his Spirit self in plain, understandable, and passionate language. Thunderhands’s integration of Native American, Taoist, and many other wisdom traditions blend seamlessly, illuminating everything from Earth changes, Hopi and Mayan prophecies, ancient star ancestors, global political climate and protests, technology, food and water crisis and other issues. Thunderhands’s stories are full of light and hope, teaching of love and life, and of the responsibility to the self, the planet, and all people. Combining shamanistic and Eastern knowledge, healing techniques, and practices, this book delivers an important synthesis of insights for today's global culture. Winner 2013 COVR award - Gold

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

Kaija Saariaho’s Emilie Suite was a joint commission by Carnegie Hall, New York City, Cité de la Musique, Paris, Luzerner Sinfonieorchester and Orchestre Philharmonique de Strasbourg. It was first performed on 30 November 2011 at Carnegie Hall by the Avanti! Chamber Orchestra conducted by Hannu Lintu, with Elizabeth Futral (soprano). The first performance in Paris took place on 23 April 2013 at Cité de la Musique by the Avanti! Chamber Orchestra conducted by Ernest Martinez Izquierdo, with Barbara Hannigan (soprano).