When Trixie's grandma's magical cauldron goes missing, Trixie is thrust into the underworld, and the only friends she can call on are the hardest to keep in line: Loki, the Monkey King and more of the most devious gods on this or any other planet.

The chase is on in New York Times bestselling author Rita Mae Brown’s gripping foxhunting mystery, featuring the irrepressible “Sister” Jane Arnold and the wily antics of her four-legged friends. In Let Sleeping Dogs Lie, a century-old crime reawakens bad will—and stirs up a scandal that chills Sister to the bone. Sister Jane and the Jefferson Hunt Club have traveled from Virginia’s Blue Ridge Mountains to the Bluegrass State of Kentucky to ride with the members of the Woodford Hounds—in the teeth of foul weather. Sister knows better than anyone that an ill wind blows no good. After the hunt, Sister Jane and her boyfriend, Gray Lorillard, head to a sumptuous party on a nearby estate, also home to a historic equine graveyard. The revelry is interrupted by jarring news: The discovery of grisly remains in the cemetery that are decidedly not equine. Now Sister and her hounds are on the case, digging up clues to an old murder that links three well-connected Southern families. When mayhem follows the Jefferson Hunt back to Virginia, the deadly doings become all too real: A dear friend of Sister’s is found murdered. Sister and her animal friends must work fast to find a clever killer determined to keep deep-rooted secrets buried. A rollicking, riveting mystery, Let Sleeping Dogs Lie is a masterly novel full of colorful characters, gorgeous country landscapes, and the breathtaking thrill of the hunt. Praise for Let Sleeping Dogs Lie “A knotty murder mystery . . . Cunning foxes, sensible hounds, and sweet-tempered horses are among the sparkling conversationalists in this charming series starring Jane (Sister) Arnold. . . . The biggest thrills are riding out with Sister and her chatty hounds on a cold, crisp morning.”—The New York Times Book Review “[Brown] combines a clever plot, cherished characters and the beauty of nature and rural life to provide an entertaining whodunit.”—Richmond Times-Dispatch “Sister remains an intriguing and challenging sleuth. . . . [Brown’s] foxhunting titles are great for readers who like gentility with a wicked little twist.”—Library Journal “Enjoyable [and] pleasurable . . . Enough with the demographics of foxhunting as most people view it; if I’ve learned one thing from reading Rita Mae Brown, it is to expect the unexpected!”—Huntington News “Whether you’re a fox chaser or not, Brown’s storytelling skills will keep you entertained throughout.”—In & Around Horse Country “As usual, Brown is at her best when relaying the animals’ quirks and conversations, and mischievous foxes are a delight.”—Publishers Weekly “Fun . . . [Let Sleeping Dogs Lie takes] readers on an adventure.”—RT Book Reviews

Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.

A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.

An extraordinary, incendiary debut from a rare new talent, Vellum showcases a complex and sophisticated level of writing coupled with a fecund imagination that defies description. It’s 2017 and angels and demons walk the earth. Once they were human; now they are unkin, transformed by the ancient machine-code language of reality itself. They seek The Book of All Hours, the mythical tome within which the blueprint for all reality is transcribed, which has been lost somewhere in the Vellum—the vast realm of eternity upon which our world is a mere scratch. The Vellum, where the unkin are gathering for war. The Vellum, where a fallen angel and a renegade devil are about to settle an age-old feud. The Vellum, where the past, present, and future will collide with ancient worlds and myths. And the Vellum will burn. . . .

In their recent book The Silent God, Marjo Korpel and Johannes de Moor presented a provocative view on the concept of divine silence in ancient Israel. In their view, divine silence can be explained as an answer to a variety of circumstances. Additionally, they opt for the view that divine silence needs to be answered by appropriate human conduct. The essays in this volume applaud and challenge their views from different perspectives: exegetical, ancient Near Eastern, semantic, philosophical etc. Some authors hint at the view that divine silence should be construed as an indication of divine absence. Korpel and De Moor give a learned response to their critics. Contributors include: Bob Becking, Joel Burnett, Meindert Dijkstra, Walter Dietrich, Matthijs de Jong, Paul Sanders, Marcel Sarot, Anne-Mareike Wetter, Marjo Korpel and Johannes C. de Moor.

A traumatised woman with amnesia finds her own dead body and sets out to uncover the truth of her demise in a race against time, sanity, crumbling realities and the ever-present threat of the Silhouette. --- What can you do when you’re reeling from trauma but you’ve tried it all? Counselling, yoga, pills, meditation, art, healthy living… none of it makes a dent. What’s left? Magpie is out of ideas. She’s desperate enough to try anything. Just when she thinks her life can get no worse, she discovers herself, or rather her own dead body, partially buried in the mudbank of a river. A man stands by, a familiar stranger. What does he want? And why can’t she remember getting here? Why can’t she remember anything? Unbeknownst to her, two pairs of eyes watch from behind an observation screen, in a room filled with computers and sensors. An experiment is unfolding, but is Magpie the subject, or practitioner? Reality becomes a slippery concept. And beyond the glass is something worse still: a hint of an outline, shaped in darkness… Magpie realises all too soon that her journey has transformed from healing to survival. She must become the hunter rather than the hunted, with her missing memories the prey. In turn brutal, beautiful and absolutely terrifying, Full Immersion is the latest speculative horror from Bram Stoker Award-nominated author, Gemma Amor File Under: Horror Fantasy [ Silhouette | Suspension | Bristol | Motherhood ] **Content Warnings** suicidal ideation​​; post-natal depression; implied acts of violence towards a child; birth scene