Between 1887 and 1927, Sir Arthur Conan Doyle wrote sixty Sherlock Holmes stories, and his great Canon has become the most praised, most studied, and best-known chapter in the history of detective fiction. Over twenty thousand publications pertaining to the Sherlock Holmes phenomenon are known to have been published, most of them historical and critical studies. In addition, however, almost since the first stories appeared, such was their uniqueness and extraordinary attraction that other authors began writing stories based on or derived from them. A new genre had appeared: pastiches; parodies; burlesques; and stories that attempted to copy or rival the great detective himself. As the field widened, there was hardly a year in the twentieth century in which new short stories or novels did not appear. Many hundreds are now known to have been published, some of them written by authors well-known for their work in other literary fields. The non-canonical Sherlock Holmes literature not only constitutes a literary field of considerable historical interest, but includes many stories that are both enjoyable and fascinating in their own right. Although a large bibliography on these stories exists, and a few limited anthologies have been published, no attempt has previously been made to collect them all and discuss them comprehensively. The Alternative Sherlock Holmes does so: it provides a new and valuable approach to the Sherlock Holmes literature, as well as making available many works that have for years remained forgotten. Presented as an entertaining narrative, of interest to both the aficionado and the scholar, it provides full bibliographic data on virtually all the known stories in the field.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Book four in the Inspector Lestrade series. It is 1891 and London is still reeling from the horror of the unsolved Ripper murders when Inspector Lestrade (that ‘ferret-like’ anti-hero so often out-detected by the legendary Sherlock Holmes) is sent to the Isle of Wight to investigate a strange corpse found walled up in Shanklin Chine. But this is only the start of the nightmare. It is merely the beginning of a series of killings so brutal, so bizarre and, apparently, so random, that only a warped genius – and a master of disguise – could be responsible. Even when Lestrade pieces together the extraordinary pattern behind the crimes from the anonymous poems sent after each murder, he is no closer to knowing the identity of the sinister, self-styled ‘Agrippa’, the ‘great, long, red-legg’d scissor-man’. It becomes a very personal battle and Lestrade’s desperate race to avert the next death in the sequence takes him all over the country, from London to the Pennines and back, resulting in a portfolio of suspects which covers the entire range of late-Victorian society.

Book fourteen in the Inspector Lestrade series. ‘From his brimstone bed at the break of day, A-walking the Devil is gone, To visit his snug little farm, the earth, And see how his stock goes on.’ Coleridge and Southey ‘Sholto Joseph Lestrade, I am arresting you on suspicion of the murder of Mrs Millicent Millichip on January 13th last in the City of Westminster.’ Lestrade had never been arrested before. Neither had he faced the drop. But when a woman died in his arms in the middle of a London pea-souper, the Fates were stacked against him. Millicent Millichip, as it turned out, was not the only victim in a series of murders where the only clue was the Devil’s calling card. And the Devil struck in such diverse places as the croquet lawn of Castle Drogo, the theatre of war games on Hounslow Heath and the offices of Messrs Constable, publishers extraordinary, in Orange Street. The condemned cell at Pentonville is a lonely place, even for a man with a loving family and powerful friends. But are they powerful enough?

Book fifteen in the Inspector Lestrade series. ‘There was a Front; But damn’d if we knew where!’ England in 1920 is a land fit for heroes. So why is one of those heroes found dead in a dingy London hotel? And why does his war record show that he has been missing, presumed killed in action, for three years? The deceased is none other than the fiancé of Inspector Lestrade’s daughter and when her tears are dry, she sets out on a quest to find his murderer. And as always with Sholto Lestrade, one murder has a habit of leading to another; a second body turns up, linked to the first. How can a woman killed in an air raid in 1917, be found with a bullet through her head three years later? When a succession of foreigners is murdered with the same tell-tale weapon, has World War Two started already? Can it be Hunnish practices? Or the Red Peril? Perhaps the Black and Tans? A colourful web of intrigue unfolds as Lestrade and his daughter go undercover in the War Office, the Foreign Office, a film studio and at the Yard itself. When Lestrade’s daughter is kidnapped, the writing is on the wall. And the writing says ‘MI5’.

Book eighteen in the Inspector Lestrade series. Many readers of the Lestrade books wonder what is fact and what is fiction – and the author is delighted that they can’t always tell! So, for all the readers out there who have ever asked that question, here is the World of Inspector Lestrade. In this book, the lid is taken off the Victorian and Edwardian society in a way you’ve never seen before. Lestrade knew everybody, from Oscar Wilde in the Cadogan Hotel, to General Baden-Powell, cross-dressing on Brownsea Island, to the hero of Damascus, General Allenby – ‘you can call me Al.’ Have you ever wondered whether Howard Vincent, Director of the brand new CID really had a pet iguana? Find out inside. The Lestrade canon features the great and not so good of Britain when London stood at the heart of the Empire, the biggest in the world on which the sun never set. The novels on which this book is based are genuine whodunnits, with gallows humour and laugh-out-loud moments. Here you will find all the little peccadilloes that Lestrade took for granted. This is history as it really was – and I bet you wish you’d paid more attention at school now!