In Janae Johnson's debut poetry collection, the concept of being tenderheaded is less about Black hair; more how we are taught to disguise pain through suppression of macro and micro traumas. What began as a book of poetry about women's basketball transformed into a coming-of-age story centering Black queer masculinity, emotional restoration and belonging. From lyrically experimental to personified prose, each poem encourages humor to rise after an eight hour hair appointment and the ultimate decision to wear a ponytail.

2023 Midwest Book Award Winner 2023 Next Generation Indie Book Awards Finalist Darius Simpson’s debut collection Never Catch Me centers on Black boyhood in the midwest and familial disintegration over time. Simpson pulls back the curtain, exposing the violence enacted against and upon, Black bodies, and yet, still, each poem is saturated in revolution and hope. Never Catch Me is the anthem necessary to organize a community that is committed to a better right now–one that can only be achieved with an intensity and action that goes far beyond the page.

Tender Headed, selected by Camille Rankine as a winner of the 2022 National Poetry Series, is a musical and formally playful meditation on Black identity and masculinity "In this dynamic debut collection, Nigerian American poet Osinaike unpacks ideas of masculinity with playful musicality . . . Acutely attuned to poetic lineage, Osinaike cites established poets Yona Harvey, Ladan Osman, and Morgan Parker, setting a context for his own new and versatile voice." —Booklist The irony of transformation often is that we mistake it to have occurred long before it does. Tender Headed takes its time in asserting the realization that growth remains ever ahead of you. Examining the themes of Black identity, accountability, and narration, we encounter a series of revealing snapshots into the role language plays in chiseling possibility and its rigid command of depiction. Olatunde Osinaike's startling debut sorts through the many-minded masks behind Black masculinity. At its center lies an inquiry about the puzzling nature of relationships, how ceaseless wonder can be in its challenge of a truth. In the name of music and self-identity, the speaker weaves their way through fault and how it amends Black life in America. This is demonstrated best in how the demanding, yet vulnerable tone for the collection is set in "Men Like Me," its restless opening poem. Here, we find the speaker reciting a chronicle of generational neglect from men that became him also. Earnest and sharp, there is a beauty in seeing a poet not shy away from both the melancholy and resolve of rescripting their path while cherishing their steps and missteps along the way. This collection is a panel aching of fathers, sons, uncles, grandfathers, all of whom would do well to join in and confront shared privileges that are typically curtailed or altogether avoided in conversation. Tender Headed entrusts the heart to be a compass, insisting on a journey unto itself and a melodic detour toward tenderness precise with its own footing.

Growing up on his family's orchards in Appleton, Michigan, in the 1950s, Martin Dijksterhuis finds everything he needs in his extended family and in the land itself -- in the reassuring routines of growing and harvesting, spraying and pruning. Although his mother wants him to get out of Appleton, which she finds impossibly provincial, and attend a great university -- the University of Chicago, her alma mater -- he has no desire to leave. In the autumn of his junior year of high school, however, in the camp of the migrant workers who come north every year to pick the Dijksterhuis peaches and apples, Martin discovers his vocation, the country blues -- unsettling melodies that cry out from a place in the soul he never knew existed. He also falls in love with Corinna Williams, the strong-willed daughter of the black foreman who runs the Dijksterhuis orchards. His blues vocation and his love for Corinna are the two stories of his life. His struggle to combine them into a single story takes him a long way from home and from the life he had always envisioned for himself, and then it brings him back again in a way he could never have imagined. In this beautifully rendered novel, Robert Hellenga, author of The Sixteen Pleasures and The Fall of a Sparrow, explores the fragility of happiness, the difficulties of following one's calling in life, and the sorrows and satisfactions of being a parent.

The book of Soulties is about a litte girl who from the beginning of her life of entering into the world is faced with some very difficult challenges. This is the first time that God began performing miracles, but it would not be the last! Thankfully she comes from a family of believers who knew how to go before the Lord and have the faith to believe that He would perform miracles, but as she grew up her life began taking turns that would lead her astray until her life was plagued with some serious health issues and after being told to prepare for her funeral did she learn that this was the first time in her life that she had to go to God for herself. This book is about why the enemy tries to attack as soon as we enter into this world and how God is fighting for us to make the right decisions because he knows what He has in store for our lives! It's all about exposing the enemy and moving forward into the things of God.

This joyous and loving celebration of family is the first-ever picture book to highlight Black nighttime hair traditions--and is perfect for every little girl who knows what it's like to lose her bonnet just before bedtime. In my family, when the sun goes down, our hair goes up! My brother slips a durag over his locs. Sis swirls her hair in a wrap around her head. Daddy covers his black waves with a cap. Mama gathers her corkscrew curls in a scarf. I always wear a bonnet over my braids, but tonight I can't find it anywhere! Bedtime Bonnet gives readers a heartwarming peek into quintessential Black nighttime hair traditions and celebrates the love between all the members of this close-knit, multi-generational family. Perfect for readers of Hair Love and Crown: An Ode to the Fresh Cut!

According to Ilana Garon, popular books and movies are inundated with the myth of the “hero teacher”—the one who charges headfirst into dysfunctional inner city schools like a firefighter into an inferno, bringing the student victims to safety through a combination of charisma and innate righteousness. The students are then “saved” by the teacher’s idealism, empathy, and willingness to put faith in kids who have been given up on by society as a whole.“Why Do Only White People Get Abducted by Aliens?” is not that type of book. In this book, Garon reveals the sometimes humorous, oftentimes frustrating, and occasionally horrifying truths that accompany the experience of teaching at a public high school in the Bronx today. The overcrowded classrooms, lack of textbooks, and abundance of mice, cockroaches, and drugs weren’t the only challenges Garon faced during her first four years as a teacher. Every day, she’d interact with students such as Kayron, Carlos, Felicia, Jonah, Elizabeth, and Tonya—students dealing with real-life addictions, miscarriages, stints in “juvie,” abusive relationships, turf wars, and gang violence. These students also brought with them big dreams and uncommon insight—and challenged everything Garon thought she knew about education. In response, Garon—a naive, suburban girl with a curly ponytail, freckles, and Harry Potter glasses—opened her eyes, rolled up her sleeves, and learned to distinguish between mitigated failure and qualified success. In this book, Garon explains how she learned that being a new teacher was about trial by fire, making mistakes, learning from the very students she was teaching, and occasionally admitting that she may not have answers to their thought-provoking (and amusing) questions.