Mary Alice Kenley names everything: Stella the new stove; Sherry, the huge houseplant in the TV room; and on and on it goes. If you can get your head around that, its easy to see that she would name her houses. As she and her husband approached what she calls a certain age and decided it was time to move away from the city, they found a shabby little place on Logan Martin Lake in Alabama that they painstakingly chiseled into their sweet little spot. A friends daughter suggested they call it Kenley Cove, and it just felt right. Family went together and bought mugs for them that had Kenley Cove on one side and her favorite scripture on the other, so it was official! Mary Alice lives in this spot with a man she calls Awesome Wonderful. Dr. Bob Kenley is a retired Christian school headmaster; Mary Alice says he is awesome and he is wonderful, so the moniker fits! She is a retired lobbyist. Awesome Wonderful chose to return to the classroom after retirement, while she choseat age 60to go back to school to learn how to help people through marriage and family counseling. Thats what she does a few hours a week at Kenley Cove. These writings are taken from experiences in counseling couples, working with groups, and her own personal walk with God. You will laugh and you will cry and hopefully you will be encouraged. Thats the prayer from the porch at Kenley Cove.

This stunning and original British travel guide charts lesser known gardens, spectacular meadows, the best kitchen garden food, plus wild places to camp and stay.

The Comanches is a extensively researched and edited study written by Frank M. Myers. This edition depicts the history of White's Battalion, Virginia Cavalry, from the point of view of the Confederates.

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Until recently, collaborative authorship has barely been considered by scholars; when it has, the focus has been on discovering who contributed what and who dominated whom in the relationship and in the writing. In Women Coauthors, Holly Laird reads coauthored texts as the realization of new kinds of relationship. Through close scrutiny of literary collaborations in which women writers have played central roles, Women Coauthors shows how partnerships in writing - between two women or between a woman and a man - provide a paradigm of literary creativity that complicates traditional views of both author and text and makes us revise old habits of thinking about writing. Focusing on the social dynamics of literary production, including the conversations that precede and surround collaborative writing, Women Coauthors treats its coauthored texts as representations as well as acts of collaboration. Holly A. Laird discusses a wide array of partial and full coauthorships to reveal how these texts blur or remap often uncanny boundaries of self, status, race, reason, and culture. that of the Delany sisters and Amy Hill Hearth on Having Our Say; lesbian couples whose lives and writings were intertwined, including Katherine Bradley and Edith Cooper (Michael Field) and Gertrude Stein and Alice B. Toklas; and the Native American wife-and-husband authors Louise Erdrich and Michael Dorris. Framed in time by the feminist and abolitionist movements of the mid-nineteenth century and the ongoing social struggles surrounding gender, race, and sexuality in the late twentieth century, the partnerships and texts observed in Women Coauthors explore collaboration as a path toward equity, both socioliterary and erotic. For the authors here who collaborate most fully with each other, two are much better than one.