Gotthold Ephraim Lessing (1729-81) stands as a key figure in German intellectual history, a bridge joining Luther, Leibniz, and German idealism. Despite his well-recognized importance in the history of thought, Lessing as theologian or philosopher of religion remains an enigmatic figure. Scholars refer to the "riddle" or "mystery" of Lessing, a mystery that has proved intractable because of his reticence on the subject of the final conclusions of his intellectual project. Toshimasa Yasukata seeks to unravel this mystery. Based on intensive study of the entire corpus of Lessing's philosophical and theological writings as well as the extensive secondary literature, Yasukata's work takes us into the systematic core of Lessing's thought. From his penetrating and sophisticated analysis of Lessing's developing position on Christianity and reason, there emerges a fresh image of Lessing as a creative modern mind, who is both shaped by and gives shape to the Christian heritage. The first comprehensive study in English of Lessing's theological and philosophical thought, this book will appeal to all those interested in the history of modern theology, as well as specialists in the Enlightenment and the German romantic movement.

A comprehensive study of Lessing’s religious thought. Although only one aspect of Gotthold Ephraim Lessing’s diverse oeuvre, his religious thought had a significant influence on thinkers such as Kant, Hegel, Kierkegaard, and present-day liberal Protestant theologians. His thought is particularly difficult to assess, however, because it is found largely in a series of essays, reviews, critical studies, polemical writings, and commentary on theological texts. Beyond these, his correspondence, and a few fragmentary essays unpublished during his lifetime, we have his famous drama of religious toleration, Nathan the Wise, and his philosophical-historical sketch, The Education of the Human Race. In these scattered texts, Lessing challenged the full range of theological views in the Enlightenment, from Protestant orthodoxy, with its belief in Biblical inerrancy, to a radical naturalism, which rejected both the concept of a divine revelation and the historically based claims of Christianity to be one, as well as virtually everything in between. Since he refused to identify himself with any of these parties, Lessing was an enigmatic figure, and a central question from his time to today is where he stood on the issue of the truth of the Christian religion. Now back in print, and with the addition of two supplementary essays, Henry E. Allison’s book argues that, despite appearances, Lessing was not merely an eclectic thinker or intellectual provocateur, but a serious philosopher of religion, who combined a basically Spinozistic conception of God with a sophisticated pluralistic conception of religious truth inspired by Leibniz.

"It provides an account of the criticism of religion by key Enlightenment thinkers such as Voltaire, Lessing, Hume, and Kant. This is followed by an analysis of how the Romantic thinkers, such as Rousseau, Jacobi, and Schleiermacher, responded to these challenges. For Hegel, the views of these thinkers from both the Enlightenment and Romanticism tended to empty religion of its content. The goal that he sets for his own philosophy of religion is to restore this lost content. " -- back cover.

On the basis of intensive study of the entire corpus of Lessing's philosophical and theological writings as well as the extensive secondary literature, the author leads the reader into the systematic core of Lessing's highly elusive religious thought.

The long period from the Renaissance to the nineteenth century supplied numerous sources for Kierkegaard's thought in any number of different fields. The present, rather heterogeneous volume covers the long period from the birth of Savonarola in 1452 through the beginning of the nineteenth century and into Kierkegaard's own time. The Danish thinker read authors representing vastly different traditions and time periods. Moreover, he also read a diverse range of genres. His interests concerned not just philosophy, theology and literature but also drama and music. The present volume consists of three tomes that are intended to cover Kierkegaard's sources in these different fields of thought. Tome I is dedicated to the philosophers of the early modern period and the Enlightenment who played a role in shaping Kierkegaard's intellectual development. He was widely read in German and French philosophy of the sixteenth, seventeenth and eighteenth centuries, making reference to the leading rationalist philosophers Descartes, Spinoza and Leibniz in his journals and published works. Further, connections have also been pointed out between his thought and the writings of the French thinkers Montaigne, Pascal and Rousseau, who share with Kierkegaard a form of philosophy that is more interested in life and existence than purely conceptual analysis. Through the works of the authors explored here Kierkegaard became acquainted with some of the major philosophical discussions of the modern era such as the beginning of philosophy, the role of doubt, the status of autonomy in ethics and religion, human freedom, the problem of the theodicy found in thinkers such as Bayle and Leibniz, and the problem of the relation of philosophy to religion as it appears in the German writers Jacobi and Lessing.

Explores British interpretations of Hinduism at a crucial period in the East India Company's conquest of Bengal.

One of the most independent thinkers in German intellectual history, the Enlightenment author Gotthold Ephraim Lessing (1729-1781) contributed in decisive and lasting fashion to literature, philosophy, theology, criticism, and drama theory. Lessing invented the brgerliches Trauerspiel (bourgeois tragedy) and wrote one of the first successful German tragedies as well as one of the finest German comedies. In his final dramatic masterpiece, Nathan der Weise, he writes of Christianity, Judaism, and Islam, of religious tolerance and intolerance and the clash of civilizations. Lessing's dramas are the oldest German theater pieces still regularly performed (both in Germany and internationally), and both his plays and his drama theory have influenced such writers as Goethe, Schiller, Hebbel, Hauptmann, Ibsen, Strindberg, Schnitzler, and Brecht. Addressing an audience ranging from graduate students to seasoned scholars, this volume introduces Lessing's life and times and places him within the broader context of the European Enlightenment. It discusses his pathbreaking dramas, his equally revolutionary theoretical, critical, and aesthetic writings, his original fables, his innovative work in philosophy and theology, and his significant contributions to Jewish emancipation. The volume concludes by examining 20th-century reception of Lessing and his oeuvre. Contributors: Barbara Fischer, Thomas C. Fox, Steven D. Martinson, Klaus L. Berghahn, John Pizer, Beate Allert, H. B. Nisbet, Arno Schilson, Willi Goetschel, Peter Hyng, Karin A. Wurst, Ann Schmiesing, Reinhart Meyer, Hans-Joachim Kertscher, Hinrich C. Seeba, Dieter Fratzke, Helmut Berthold, Herbert Rowland. Barbara Fischer is associateprofessor of German and Thomas C. Fox is professor of German, both at the University of Alabama.