This book explores the everyday lives of 'lesbian' women in urban Russia. It explores changes and continuities by examining generational differences, and attends to regional variation by considering what 'lesbian' life looks like in different locations, problematising essentialist accounts of Russian sexualities and western-centric theorizations.

Despite Soviet Russia having been one of the first major powers to decriminalise homosexual acts between men, attitudes towards lesbian, gay, bisexual and transgender (LGBT) people in contemporary Russia and the other post-Soviet states have become increasingly hostile, with the introduction of laws restricting their rights and an increase in homophobic violence. This book explores how this situation has come about. It discusses how meanings attached to non-heteronormative sexualities have been constructed for specific socio-political purposes by elites in line with Marxist-Leninist or nationalist thought, explores how attitudes to non-normative sexualities developed historically and examines the current situation in the post-Soviet space, including Russia, Transcaucasia, Central Asia and the Baltic States. The book provides a wealth of detail on this understudied subject and assesses how LGBT subjects are responding to this state of affairs.

David Tuller provides the first look into the emotional and sexual lives of Russian lesbians and gays and the pervasive influence of the state on gay life. Part travelogue, part social history, and part journalistic inquiry, the book challenges our assumptions about what it means to be gay. The book also explores key issues in Russia and Soviet life, including concepts of friendship, community, gender, love, fate, and the relationship between the public and private spheres. "Tuller's observant reporting and personal experiences make for absorbing reading: the human comedy rendered in unexpected ways."—New Yorker "Anyone who thinks San Francisco is the world capital of sexual polymorphism should read this book."—Adam Goodheart, Washington Post "[This book is] is profoundly moving."—Jim Van Buskirk, San Francisco Chronicle

After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before "perestroika." 9 photos.

"An historical exploration of Russian homophobic attitudes and their origins in the country's troubled 20th century"--

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the New York Times, the Washington Post, Time, and the New Yorker, Friedman's grimly evocative black-and-white images—“intimate, behind-the-scenes photos” (Time)—have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his “unflinching” lens and his intrepid reporting. For his new collection of photographs, Lyudmila and Natasha, Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, Lyudmila and Natasha powerfully evokes both a vital place and the people who call it home. Lyudmila and Natasha was designed by Emerson, Wajdowicz Studios (EWS).

Cultural diversity---the multitude of different lifestyles that are not necessarily based on ethnic culture---is a catchphrase increasingly used in place of multiculturalism and in conjunction with globalization. Even though it is often used as a slogan it does capture a widespread phenomenon that cities must contend with in dealing with their increasingly diverse populations. The contributors examine how Russian cities are responding and through case studies from Moscow, St. Petersburg, Novosibirsk, and Sochi explore the ways in which different cultures are inscribed into urban spaces, when and where they are present in public space, and where and how they carve out their private spaces. Through its unique exploration of the Russian example, this volume addresses the implications of the fragmented urban landscape on cultural practices and discourses, ethnicity, lifestyles and subcultures, and economic practices, and in doing so provides important insights applicable to a global context. --Book Jacket.