Constitution Hall, Washington, D.C., Lucia Chase and Oliver Smith present "Ballet Theatre," with collaboration of Antony Tudor, musical director Max Goberman, regisseur Dimitri Romanoff, ballet mistress Margaret Clarke, "Les Patineurs, (The Skaters)" music by Giacomo Meyerbeer, arranged by Constant Lambert, choreography by Frederick Ashton, decor and costumes by Cecil Beaton, scenery executed by Eugene B. Dunkel Studios, costumes executed by Karinska, conductor: Max Goberman.

(Faber Piano Adventures ). Adult Piano Adventures Christmas Book 2 offers sophisticated-sounding holiday music, pianistically arranged for the early intermediate player and organized into three sections: Traditional Christmas Carols, Popular Christmas Songs, and Seasonal Favorites. Contents include: Angels We Have Heard on High * Away in a Manger * Silent Night * The First Noel * What Child Is This * Pat-a-Pan * O Little Town of Bethlehem * O Come, All Ye Faithful * God Rest Ye Merry, Gentlemen * Joy to the World * Hark! The Herald Angels Sing * Winter Wonderland * Let It Snow! Let It Snow! Let It Snow! * Sleigh Ride * and more. Online access to audio recordngs of the piano selections is included, as well as orchestrated accompaniments for play-along fun.

(Faber Piano Adventures ). A collection of Christmas and winter holiday favorites arranged to provide work on arpeggios, scales, 2-hand gestures, balance between hands, balance within the hand, chord voicing, and octave playing all within a delightful musical context. Includes: Skaters' Waltz * Jingle Bells * Auld Lang Syne * A Celebration of Carols (A Christmas medley containing O Little Town of Bethlehem, We Three Kings, and Good Christian Men) * Silent Night * We Wish You a Merry Christmas * and more.

A ballet in three acts and four scenes by Léo Delibes.

Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.