This book provides comprehensive information on the geography, history, governmental structure, economy, cultural diversity, peoples, religion, and culture of Sierra Leone. All books of the critically-acclaimed Cultures of the World(R) series ensure an immersive experience by offering vibrant photographs with descriptive nonfiction narratives, and interactive activities such as creating an authentic traditional dish from an easy-to-follow recipe. Copious maps and detailed timelines present the past and present of the country, while exploration of the art and architecture help your readers to understand why diversity is the spice of Life.

This is the definitive book on Leone's complete film work. In this first book-length analysis of Leone's work and vision, Cumbow discusses the director's unique contribution to the American western, the epic film tradition, and such masters as John Ford and Akira Kurosawa. Chapters are devoted to each of Leone's films as director. Includes a chronology of Leone's career, bibliography, and detailed filmography, including plot synopses.

Sergio Leone's renown as a filmmaker rests upon a fistful of films, most notably the three Westerns he made with Clint Eastwood in the mid-1960s: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). While the success of these movies ensured Leone's reputation would endure, the few films he made following The Man with No Name Trilogy—culminating in his American gangster epic, Once Upon a Time in America (1984) with Robert DeNiro—would solidify Leone's place as one of the great visionaries of his time. In this enhanced revision of Once upon a Time: The Films of Sergio Leone, Robert C. Cumbow examines the work of this Italian filmmaker who made his mark re-envisioning the American Western. This volume includes a greatly expanded introduction and contains newly revised essays in which Cumbow analyzes the transition from "peplum" films to westerns in the Italian popular tradition. The book also examines each of Leone's major films as director, as well as the swan song Italian Western My Name Is Nobody, which Leone co-wrote and guided as producer. Cumbow also studies Leone's compositional style and the influence of Catholicism and the Italian grand opera tradition on his work. He provides a critical evaluation of Leone's style in reshaping the Western genre (and later, the crime film), as well an assessment of the influences on Leone's work, and his continuing impact on subsequent generations of film makers. Additional features of this book include thumbnail comments on the professionals who most frequently made up Leone's cast and crew, as well as an entire chapter devoted to composer Ennio Morricone. The book also includes an exhaustive bibliography, discography, and filmography, completely updated for this new edition. For fans and scholars seeking original and illuminating discussion of his work, The Films of Sergio Leone provides a critical appreciation of this master stylist.

This volume, which consists of three books and a CD-ROM and is edited by two legal experts on the Sierra Leone court, presents, for the first time in a single place, a comprehensive collection of all the interlocutory decisions and final trial and appeals judgments issued by the court in the case Prosecutor v. Sesay, Kallon and Gabo (The RUF Case)r.

Sierra Leone Investment and Business Guide - Strategic and Practical Information

The acclaimed actress and author of Jesse: A Mother’s Story tells the "entertaining and moving" story of her outspoken, frequently outrageous Italian immigrant mother (Tom Perrotta) Marianne Leone’s Ma is in many senses a larger-than-life character, one who might be capable, even from the afterlife, of shattering expectations. Born on a farm in Italy, Linda finds her way to the United States under dark circumstances, having escaped a forced marriage to a much older man, and marries a good Italian boy. She never has full command of English—especially when questioned by authorities—and when she is suddenly widowed with three young children, she has few options. To her daughter’s horror and misery, she becomes the school lunch lady. Ma Speaks Up is a record of growing up on the wrong side of the tracks, with the wrong family, in the wrong religion. Though Marianne’s girlhood is flooded with shame, it’s equally packed with adventure, love, great cooking, and, above all, humor. The extremely premature birth of Marianne’s beloved son, Jesse, bonds mother and daughter in ways she couldn’t have imagined. The stories she tells will speak to anyone who has struggled with outsider status in any form and, of course, to mothers and their blemished, cherished girls.