The sensational discovery of the last work attributed to Leonardo da Vinci. With texts and documents by authoritative art historians including Martin Kemp, Mina Gregori, Cristina Geddo, Elisabetta Gnignera, Jean Penicaut, Nicholas Turner, and David Roy Edward Wright. The latest and most up to date revelations.

Isabelle d’Este, daughter of the Duke of Ferrara, born into privilege and the political and artistic turbulence of Renaissance Italy, is a stunning black-eyed blond and an art lover and collector. Worldly and ambitious, she has never envied her less attractive sister, the spirited but naïve Beatrice, until, by a quirk of fate, Beatrice is betrothed to the future Duke of Milan. Although he is more than twice their age, openly lives with his mistress, and is reputedly trying to eliminate the current duke by nefarious means, Ludovico Sforza is Isabella’s match in intellect and passion for all things of beauty. Only he would allow her to fulfill her destiny: to reign over one of the world’s most powerful and enlightened realms and be immortalized in oil by the genius Leonardo da Vinci. Isabella vows that she will not rest until she wins her true fate, and the two sisters compete for supremacy in the illustrious courts of Europe. A haunting novel of rivalry, love, and betrayal that transports you back to Renaissance Italy, Leonardo’s Swans will have you dashing to the works of the great master—not for clues to a mystery but to contemplate the secrets of the human heart.

How an oddly attributed $19,000 picture proved to be a $100 million work by Leonardo da Vinci—a true art-world detective story In late 2010, art collector Peter Silverman revealed that a "German, early 19th century" portrait he had bought for $19,000 was, in fact, a previously unknown drawing by Leonardo da Vinci—an exquisite depiction of Bianca Sforza, rendered 500 years ago. In Leonardo's Lost Princess, Silverman gives a riveting first-person account of how his initial suspicions of the portrait's provenance were confirmed repeatedly by scientists and art experts. He describes the path to authentication, fraught with opposition and controversy. The twists and turns of this fascinating, decade-long quest lead from art history to cutting-edge science, and from a New York art gallery to Paris, Milan, Zurich, and ultimately a Warsaw library where the final, convincing evidence that the portrait was indeed by da Vinci was found. Takes an up-close look at the workings of the art world and at figures ranging from dealers and connoisseurs to a suspected forger Discusses current scientific techniques used to investigate and authenticate works of art, such as carbon dating and cutting-edge photography Uses Silverman's drawing as an entree into Leonardo da Vinci's world: his studio, his style, and his methods Explores the intersection of art and science in the authentication process, involving the work of a man who embodied that intersection Unearthing the secrets almost lost to history, the book is ideal reading for art lovers and anyone interested in an astounding case of "whodunit."

"This book provides an in-depth analysis of a work that can quite legitimately be termed "extraordinary". Drawn on vellum, in a complex and extremely refined technique, the profile portrait of a girl, dressed in the striking fashion of Milan at the end of the 15th century, turns out to be a possible new autograph work by Leonardo da Vinci. Leading Leonardo expert Martin Kemp has conducted his own research into this intriguing object and coordinated the work of numerous specialists from the fields of scientific analysis and art-historical discourse. Their findings are presented here"--From foreword.

Scorching novel from a star of Cuban fiction. The return of Mario Conde.

The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.

A loyal servant to the Dark Horde, Cindy, turned her back on it to help save the world. And all she got for her trouble was a brutal death. But sometimes those that die get a second chance and now Cindy is back with a thirst for blood. And once she's had her revenge not a single hero in the Grimm Universe will be left alive.