Originally published: New York: Grossman Publishers, 1969.

Offers a collection of emotionally charged photographs that document a poignant day in American history. This title offers a photo-essay documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr Martin Luther King Jr delivered his I Have a Dream speech at the base of the Lincoln Memorial.

The American photographer Leonard Freed travelled to Germany for the first time in 1954. Curious and yet from a safe distance, he observed the people in their social surroundings, at work, at street festivals, in public parks, in the streets and against the industrial backdrop of the Ruhr Valley. The Germany he saw was deeply cursed with the effects of war and the NS regime - despite the country's reconstruction, industrial development and economic success. Freed published his extensive report Made in Germany for the first time with Grossman Publishers in New York in 1970. The present reprint accompanies the same-named exhibition at Museum Folkwang in Essen and comes with a booklet providing extra information about Freed's approach and his times. The booklet also contains hitherto unpublished images, documents, and writing by Freed, spanning his fifty years of photographing Germany.

This title spans Leonard Freed's full 50-year career, including his coverage of the Israeli-Palestinian conflict, the American civil rights movement, the period of post-war German reconstruction, and the Romanian revolution.

The history of the civil rights movement is commonly illustrated with well-known photographs from Birmingham, Montgomery, and Selma—leaving the visual story of the movement outside the South remaining to be told. InNorth of Dixie, historian Mark Speltz shines a light past the most iconic photographs of the era to focus on images of everyday activists who fought campaigns against segregation, police brutality, and job discrimination in Chicago, Detroit, Los Angeles, Philadelphia, and many other cities. With images by photojournalists, artists, and activists, including Bob Adelman Charles Brittin, Diana Davies, Leonard Freed, Gordon Parks, and Art Shay, North of Dixie offers a broader and more complex view of the American civil rights movement than is usually presented by the media.North of Dixie also considers the camera as a tool that served both those in support of the movement and against it. Photographs inspired activists, galvanized public support, and implored local and national politicians to act, but they also provided means of surveillance and repression that were used against movement participants. North of Dixie brings to light numerous lesser-known images and illuminates the story of the civil rights movement in the American North and West.

A critical survey of nine documentary photographers who were at the cutting edge of this form of journalism during the second half of the 20th century, 'Engaged Observers' shows how since the sixties photographers such as Leonard Freed & Susan Meiselas have challenged the conventional objectivity of the newsroom.