"Anna Karenina" and "War and Peace" branded Tolstoy as one of the greatest writers in modern history. Few, however, have read his wonderful short stories. Now, in one collection, are the 20 greatest short stories of Leo Tolstoy, which give a snapshot of Russia and its people in the late nineteenth century. A fine introduction is given by Andrew Barger. Annotations are included of difficult Russian terms. There is also a Tolstoy biography at the start of the book with photos of Tolstoy's relatives. The stories include: A Candle, After the Dance, Albert, Alyosha the Pot, An Old Acquaintance, Does a Man Need Much Land?, If You Neglect the Fire You Don't Put It Out, Khodinka: An Incident of the Coronation of Nicholas II, Lucerne, Memoirs of a Lunatic, My Dream, Recollections of a Scorer, The Empty Drum, The Long Exile, The Posthumous Papers of the Hermit Fedor Kusmich, The Young Tsar, There Are No Guilty People, Three Deaths, Two Old Men, and What Men Live By. Read the 20 greatest short stories of Leo Tolstoy Today!

After reading War & Peace, Fyodor Dostoevsky put the book down and said, "The fool hath said in heart there is no God." Yet, Tolstoy's shorter novels (i.e., novellas) are filled with all the war, adventure, comedy, religion, tragedy, and Russian tradition that inhabit the longer novels of the Russian bear of literature. Andrew Barger, editor of the best selling anthology, "Leo Tolstoy's 20 Greatest Short Stories Annotated," has gathered the very best of Tolstoy's novellas into one remarkable collection that includes hundreds of annotations of difficult Russian terms and sheds light on historic figures mentioned in the stories. But there is much more to this anthology. Andrew has included a short biography on Tolstoy and a chronology of his life and publications. Read these fascinating novellas today: 1) The Invaders - A Russian team moves against Shamyl and his Islamic army in the Caucasus, which is based on Tolstoy's military experiences in the 1850s. 2) The Death of Ivan Ilyich - When a man who has done good his entire life is stricken with an illness, it makes him question everything. 3) Two Hussars - When a hell-raiser takes lodging in a small Russian city, debauchery is inevitable but will it be matched years later by his son? 4) Father Sergius - The taboo subject of a priest being subjected to physical temptation is explored in one of Tolstoy's most scandalous stories. 5) Master & Man - By the end of this snowstorm adventure, you will be asking yourself, Who is the master and who is the servant? What do some of the world's greatest literary minds have to say about the works of Tolstoy: A second Shakespeare. Gustave Flaubert No English novelist is as great as Tolstoy. E.M. Forster The greatest Russian writer of prose fiction. Vladimir Nabokov The greatest of all novelists. Virginia Woolf Read the shorter novels of Leo Tolstoy today: http://www.AndrewBarger.com

Transformation of the werewolf in literature made its greatest strides in the 19th century when the shape-shifting monster leapt from poetry to the short story. It happened when this shorter form of literature was morphing into darker shapes thanks in no small part to Edgar Allan Poe, Honore de Balzac, E. T. A. Hoffmann, Nathaniel Hawthorne, Prosper Merimee, James Hogg, and so many others in Europe and the United States.The fifty year period between 1800 and 1849 is truly the cradle of all werewolf short stories. For the first time in one anthology, Andrew Barger has compiled the best werewolf stories from this period. The stories are "Hugues the Wer-Wolf: A Kentish Legend of the Middle Ages," "The Man-Wolf," "A Story of a Weir-Wolf," "The Wehr-Wolf: A Legend of the Limousin," and "The White Wolf of the Hartz Mountains." It is believed that two of these fine stories have never been republished in over one hundred and fifty years since their original printing. Read "The Best Werewolf Short Stories 1800-1849" tonight, just make sure it is not by the light of a full moon "

This book was a finalist in the USA Book Awards anthology category. Thanks to Edgar Allan Poe, Honore de Balzac, Nathaniel Hawthorne and others, the half century from 1800-1849 is the cradle of all modern horror short stories. Andrew Barger, the editor of this book as well as "Edgar Allan Poe Annotated and Illustrated Entire Stories and Poems," read over 300 horror short stories to compile the 12 best. At the back of the book he includes a list of all horror short stories he considered along with their dates of publication and author, when available. He even includes background for each of the stories, author photos and annotations for difficult terminology. A number of the stories were published in leading periodicals of the day such as Blackwood's and Atkinson's Casket. Read The Best Horror Short Stories 1800-1849 today!

Andrew Barger, award-winning author and engineer, has extensively researched forgotten journals and magazines of the early 19th century to locate groundbreaking science fiction short stories in the English language. In doing so, he found what is possibly the first science fiction story by a female (and it is not from Mary Shelley). Andrew located the first steampunk short story, which has not been republished since 1844. There is the first voyage to the moon in a balloon, republished for the first time since 1820 that further tells of a darkness machine and a lunarian named Zuloc. Other sci-stories include the first robotic insect and an electricity gun. Once again, Andrew has searched old texts to find the very best science fiction stories from the period when the genre automated to life, some of the stories are published for the first time in nearly 200 years. Read these fantastic sci-fi short stories today! OUR OWN COUNTRY So mechanical has the age become, that men seriously talk of flying machines, to go by steam,--not your air-balloons, but real Daedalian wings, made of wood and joints, nailed to your shoulder,--not wings of feathers and wax like the wings of Icarus, who fell into the Cretan sea, but real, solid, substantial, rock-maple wings with wrought-iron hinges, and huge concavities, to propel us through the air. Knickerbocker Magazine, May 1835

MAILBOXES - MANSIONS - MEMPHISTOPHELES is the first short story collection by Andrew Barger, award winning author of COFFEE WITH POE: A NOVEL OF EDGAR ALLAN POE'S LIFE and THE BEST HORROR SHORT STORIES 1800-1849: A CLASSIC HORROR ANTHOLOGY. In the collection Andrew unleashes a blend of character-driven dark tales, which are sure to be remembered. In "Azra'eil & Fudgie" a little girl visits a team of marines in Afghanistan and they quickly learn she is more than she seems. "The Mailbox War" is a deadly tale of a weekend hobby taken to extremes while "The Brownie of the Alabaster Mansion" sees a Scottish monster of antiquity brought back to life. "Memphistopheles" contains a tale of the devil, Memphis, barbeque and a wannabe poet. "The Serpent and the Sepulcher" is a prose poem that will be cherished by all who experience it. "The Gebult Mansion" recounts a literary hoax played by Andrew on his unsuspecting social networking friends that involves a female vampire. Last, "Stain" is an unforgettable horror story that is uniquely presented backwards or forwards. Experience these memorable stories tonight!

Life today poses many questions, both in our personal lives and in our participation in nature and the broader culture. We often focus on the outer needs for social, political, technological, or environmental change. However, can we really meet the challenges around us without also attending to our inner life and to our own evolving biography as it re ects and informs the outer world? This book starts from the premise that each of our lives expresses uniqueness of spiritual intention within the unfolding of universal rhythms and possibilities. Can we wake up to the developmental opportunities offered to us through different life phases? Are we able to step out of the narrowness of the dualistic nature–nurture argument and experience that we are both more than our genetic composition and more than a product of the social and educational in uences that have shaped us? Can we come to appreciate the learning that our “I” has received through heredity, ethnicity, schooling, and gender without losing a sense of our true individuality? Waking up to our unique self as it grows through interaction with the world and other human beings helps us recognize the signi cance we all play in one another’s biographies and in the unfolding of our larger human story. Why on Earth? invites us to explore our own meaning- lled life journey, to bring conscious attention to how we go our path, so that we may more freely perceive our possibilities and our responsibilities along the way of our personal and shared becoming.