Professor Ilya Zbarski embalmed Lenin two months after his death. This text reveals the story of his family and of those who worked in the mausoleum laboratory. It also contains archival and contemporary photographs.

The culmination and completion of Margaret Laurence’s celebrated Manawaka cycle, The Diviners is an epic novel. This is the powerful story of an independent woman who refuses to abandon her search for love. For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers. The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance. The Diviners received the Governor General’s Award for Fiction for 1974.

"As gardener to His Majesty, Jean-Baptiste de La Quintinie is master of his own domain, the royal fruit and vegetable garden. Louis' generals might proclaim the power of France abroad, but La Quintine's espaliers and vegetable plots assert nothing less than man's mastery over nature; a garden that can feed a thousand at a sitting, standards of pruning that in three hundred years have never been surpassed."--Jacket.

Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.

Demonstrates the central significance of rhetoric in ancient responses to and receptions of Roman art.

Mummies, experts, and breaking science revealed in journalist Pringle's fascinating dive into a little-known arena of human studies. Perhaps the most eccentric of all scientific meetings, the World Congress on Mummy Studies brings together mummy experts from all over the globe and airs their latest findings. Who are these scientists, and what draws them to this morbid yet captivating field? The Mummy Congress, written by acclaimed science journalist Heather Pringle, examines not just the world of mummies, but also the people obsessed with them.

A Dazzling Russian travelogue from the bestselling author of Great Plains In his astonishing new work, Ian Frazier, one of our greatest and most entertaining storytellers, trains his perceptive, generous eye on Siberia, the storied expanse of Asiatic Russia whose grim renown is but one explanation among hundreds for the region's fascinating, enduring appeal. In Travels in Siberia, Frazier reveals Siberia's role in history—its science, economics, and politics—with great passion and enthusiasm, ensuring that we'll never think about it in the same way again. With great empathy and epic sweep, Frazier tells the stories of Siberia's most famous exiles, from the well-known—Dostoyevsky, Lenin (twice), Stalin (numerous times)—to the lesser known (like Natalie Lopukhin, banished by the empress for copying her dresses) to those who experienced unimaginable suffering in Siberian camps under the Soviet regime, forever immortalized by Aleksandr Solzhenitsyn in The Gulag Archipelago. Travels in Siberia is also a unique chronicle of Russia since the end of the Soviet Union, a personal account of adventures among Russian friends and acquaintances, and, above all, a unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia—a country that, for all its tragic history, somehow still manages to be funny. Travels in Siberia will undoubtedly take its place as one of the twenty-first century's indispensable contributions to the travel-writing genre.