Depuis Aristote, le loisir est un temps " libre ", c'est-à-dire propice à la réflexion ou à la méditation, ce que les Grecs considéraient comme le bien suprême de notre existence. Le loisir, pour des hommes libres, c'est l'occasion de penser leur liberté, de choisir la manière dont il vont assurer le progrès de leur connaissances (y compris la connaissance de soi), alors même qu'ils sont débarrassés des contraintes de la nécessité : le travail et la réussite sociale. Au fil du temps, se sont greffées à celle de loisir les notions de jeu, d'amusement, ou de récréation. La liberté devient ludique dans ce contexte et l'amusement l'expression d'une libre pratique de la vie en société. Activité autrefois réservée à une élite, le loisir a fini par s'insinuer dans l'ordre social, particulièrement en Amérique du Nord, où il voulait être plus égalitaire et, au cours des siècles, il s'est imposé comme l'un des pivots principaux de l'American Way of Life. Mais aux idéaux originels est venue subrepticement se substituer la logique du gain et de la réussite individuelle. A ceux qui penseraient encore le loisir comme un moyen d'élévation culturelle, l'instrumentalisation des loisirs dans une économie dominée par le profit dément cette idée. Qu'il s'agisse de tourisme, de voyages, de parcs d'attraction, ou plus simplement de cinéma ou de gastronomie, tout est prétexte à exalter la valeur financière du loisir par-delà ses valeurs esthétiques ou morales. Transformé en simple bien de consommation, le loisir ne cesse d'interroger les questions d'environnement, d'identité ethnique, ou de genre. A cet égard peut-on encore le considérer comme un facteur de libération sociale ou culturelle ? Crée-t-il les conditions favorables à la mise en œuvre d'un niveau de liberté, individuelle ou collective, plus élevé ? Il reste que le loisir, malgré ses dérives consuméristes n'en tient pas moins une place grandissante dans l'identité des peuples et dans le flux planétaire des cultures. A ce titre, il nous est aussi vital que le travail dont il est l'inévitable complément.

"Hunnicutt examines the way that progress, once defined as more of the good things in life as well as more free time to enjoy them, has come to be understood only as economic growth and more work, forevermore."--

What is leisure? How does leisure relate to leading a good life? This critical and intelligent study interrogates the basic principles of leisure and demonstrates the continuing relevance of these questions for our society today. It not only explores the traditional philosophical concepts at the heart of leisure studies, but also pursues new possibilities for reconceptualising leisure that have emerged from recent developments in society, technology and the broader discipline of philosophy itself. Approaching leisure from a philosophically inquisitive perspective, the book argues that leisure revolves around the pursuit of happiness, human flourishing and well-being, making it both a state of mind and a state of being. Its exploration of the meaning of leisure addresses key issues such as identity, ethics, spirituality, human experience, freedom, technology, embodiment, well-being, the fundamental properties of leisure and the challenge of offering a meaningful definition. Revitalising the subject of leisure studies with its originality, Philosophy of Leisure: Foundations of the Good Life is fascinating reading for all students and scholars of leisure studies, philosophy, sociology, psychology and ethics.

Movies on Home Ground: Explorations in Amateur Cinema offers a critical response to the still under-explored mode of amateur cinema, as a particular sphere of British film practice. Concentrating upon a roughly fifty-year period (1930–1980), during which such filmmaking grew rapidly as a significant leisure activity in Britain, the volume shows how popular ‘cine’ assumed distinctive institutional and ideological forms, and some remarkable aesthetic emphases, grounded in consistent technical and critical apparatuses. Although an outline history of such filmmaking is certainly implicit, the priority of Movies On Home Ground is to offer a series of overlapping perspectives on amateur movie-making, with a view to locating such filmmaking as a component of the broader shape of British film culture. Emphasis is thus given to institutional contexts, technical determinants, and the social formations of practising filmmakers, as well as to concerns with the construction of amateur outlooks, understandings of amateur aesthetics, and the remarkable diversity of amateur genericity. The anthology thus supplies a text offering support to study courses dealing with the many varieties of non-professional participation best understood as truly ‘amateur’, rather than as ‘independent’ or ‘alternative’ filmmaking. By granting the amateur a place within the acknowledged range of significant interventions, the recognised canon of British filmmaking is widened in fascinating new directions.

The predecessor to Pulse Guides' popular, ground-breaking Night+Day series, Fun Seeker's guides lead fun-loving, adventure-seeking travelers to the best hotels, restaurants, attractions, and nightlife around the world. Inside every Fun Seeker's guide is the best of the best: "The Perfect City," listing the best of the best in 33 categories, complete with insider tips, along with "The Perfect Plan," spotlighting three-day itineraries and detailed recommendations for all there is to do, that will keep travelers on their toes from morning until night.

Volume 9, Tourists' and Customers' Behaviors and Evaluations, describes the benefits of taking a behaviorstoevaluations perspective in tourism and customer research. The thirteen papers in the volume include "the general theory of guest evaluations of service design/performances" by Woodside and Kozak

Politics of Occupation-Centred Practice addresses the cultural aspects of occupational identity and draws out the implications for practice, moving beyond the clinical environment to include the occupational therapist's work in the wider community. It explores the development of individual occupational narratives, community traditions and their roots in everyday experiences, offering a range of examples from distinctive populations to demonstrate approaches to forming sustainable occupational engagements. Chapters span such key areas as 'Experiences of Disaster', 'Social Inclusion', 'Disability and Participation', and 'Sexuality, Disability Cultures and Occupation'. This cutting edge text, coordinated by two distinguished researchers and educators in the global field of occupational therapy and science, is designed to meet the needs of students studying the conceptual foundations of occupational therapy, occupational science, role emerging practice, occupational justice, community development and community based rehabilitation. The book will also be of interest to academics and practitioners exploring new practice contexts created by the drive to address the diversity and inclusion agenda.