Set in a world that is not our own, Legon Awakening takes you through an epic journey into a land full of wonderment, illusion, and innovation. Legon is a simple young man in the small town of Salmont, a town in the center of the Empire that few know about and even fewer care about. All he wishes to do is to start his own butcher shop and take care of his adopted sister and family. Legon is not from Salmont and echoes from his parents past are coming up to haunt him. Legon finds himself being caught in the war that claimed his biological parents lives and now threatens everything he has. He must flee from everything he knows and journey to land of his ancestors to keep all that he loves safe. The Legon Series Legon Awakening Legon Ascension Legon Restoration

Join Legon and Sasha in the second book in the Legon series. Mere weeks after the battle at the Precipice, Legon and Sasha find themselves thrown into the world of being the heads of a great house. Join them as they delve into a new world, completely different from the one they grew up in, and as they unravel an Iumenta plot that will shake everyone in the land. Come along with Keither and Sara as they set out to makes lives for themselves. This story spans land, sea and air as our heroes fight to conquer evil and fulfill their destinies. The Legon Series Legon Awakening Legon Ascension Legon Restoration

Two thousand years have passed since the War of Generations came to a standstill. Since then, tension has risen, kingdoms have fallen and the land is at a crossroad. House Evindass, along with the rest of the Pawdin Empire, is in a life-and-death struggle to free the land and themselves from the Iumenta. Now, in the last book of the Legon series, everything will come to a head. Who will stand triumphant? The Elves or the Iumenta... The Legon SeriesLegon AwakeningLegon AscensionLegon Restoration

Following their raid of a Denver train yard, Seeker and Mage, Faith Penn finds herself in over her head. Her brother and the Denver Police Department are depending on her to find the leaders of a criminal organization, all the time while trying to keep her family and friends safe. Things are more dangerous than ever as she learns that finding the enemy is only the beginning.

Society still finds itself reeling from magic coming out into the open. As the world comes to grips with the fact that old legends are true, Homicide Detective Alison Kaur still has a job to do. After the corpse of William Lanner is found, Alison must delve into the ugly world of prostitution, gangsters and murder. All while she and her partner deal with the dangers of Mages, Werewolves, Succubi and others. Will Alison be able to track down the killer of William Lanner? Or will she become a victim herself?

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

The book is a comparative analysis of recent films by African male and female filmmakers and literary works by female African authors from Senegal, Mali, the Ivory Coast, Nigeria, Togo and Burkina Faso. The films are Finzan (Cheikh Oumar Sissoko, 1990), Women with Open Eyes (Anne-Laure Folly, 1994), and Faces of Women (Desire Ecare, 1985). In addition, the manuscript includes the study of Women are Different (Flora Nwapa, 1986), Double Yoke (Buchi Emecheta, 1983) and So Long a Letter (Mariama Ba, 1980). Curry analyzes the homogeneous themes such as oppression, sabotage, cultural alienation, exploitation, sexual bargaining and the changing dynamics of sexual relationships that appear through these productions. She concludes that African women continue to undergo a metamorphosis. This transformation is the result of a blend of traditionally African and European influences.Modernist terms such as â oefeminismâ and â oewomanismâ intended to capture the emerging African women as subjects and not objects of study, are avoided. In so doing, a theoretical approach is used, based on the authorâ (TM)s own experiences in West Africa. Then, building from that premise, Curry analyzes the novels and films within this context to either prove or disprove her theories. Enthusiasts without past experiences in the area of African literature and African films, and also students and scholars in African studies, specifically in comparative literature, anthropology, womenâ (TM)s studies, sociology, African history, film studies and social studies, will all find this book of great interest. In raising the issues that West African women face, this book, as the title suggests, aims to awaken other African women and indeed a western readership to the fast changing lives of women in Africa. Georgina Holmes in African Research and Documentation No. 102, 2007