The Intellectual European New Right (ENR), also known as the nouvelle droite, is a cultural school of thought with origins in the revolutionary Right and neo-fascist milieux. Born in France in 1968, it situated itself in a Gramscian mould exclusively on the cultural terrain of political contestation in order to challenge the apparent ideological hegemony of dominant liberal and leftist elites. It also sought to escape the ghetto status of a revolutionary Right milieu wedded to violent extra-parliamentary politics and battered by the legacies of Fascism and Nazism. This study traces the cultural, philosophical, political and historical trajectories of the French nouvelle droite in particular and the ENR in general. It examines the ENR worldview as an ambiguous synthesis of the ideals of the revolutionary Right and New Left. ENR themes related to the loss of cultural identity and immigration have appealed to anti-immigrant political parties throughout Europe. In a post 9/11 climate, as well as an age of rising economic globalization and cultural homogenization, its anti-capitalist ideas embedded within the framework of cultural preservation might make further political inroads into the Europe of the future.

This book provides the first detailed account of Gramsci's work in the context of current critical and socio-cultural debates. Renate Holub argues that Gramsci was ahead of his time in offering a theory of art, politics and cultural production. Gramsci's achievement is discussed particularly in relation to the Frankfurt School (Adorno, Horkheimer, Benjamin, Bloch, Habermas), to Brecht's theoretical writings and to thinkers in the phenomenological tradition especially Merleau-Ponty. She argues for Gramsci's continuing relevance at a time of retreat from Marxist positions on the postmodern left. Antonio Gramsci is distinguished by its range of philosophical grasp, its depth of specialized historical scholarship, and its keen sense of Gramsci's position as a crucial figure in the politics of contemporary cultural theory.

This major new manifesto offers a “clear and compelling vision of a postcapitalist society” and shows how left-wing politics can be rebuilt for the 21st century (Mark Fisher, author of Capitalist Realism) Neoliberalism isn’t working. Austerity is forcing millions into poverty and many more into precarious work, while the left remains trapped in stagnant political practices that offer no respite. Inventing the Future is a bold new manifesto for life after capitalism. Against the confused understanding of our high-tech world by both the right and the left, this book claims that the emancipatory and future-oriented possibilities of our society can be reclaimed. Instead of running from a complex future, Nick Srnicek and Alex Williams demand a postcapitalist economy capable of advancing standards, liberating humanity from work and developing technologies that expand our freedoms. This new edition includes a new chapter where they respond to their various critics.

Inspired to contribute to the symbiotic relationship between the academic and activist worlds, Day has decided to pick up the pen instead of the Molotov cocktail. The result is this brilliant book. Ann Hansen: Ann was sentenced to life imprisonment for blowing up a cruise-missile component factory, and is the author of Direct Action: The Memoirs of an Urban Guerilla. Gramsci and the concept of hegemony cast a long shadow over radical political theory. Yet how far has this theory got us? Is it still central to feminism, anti-capitalism, anti-racism, anarchism, and other radical social movements today? Unlike previous revolutionary movements, Day argues, most contemporary radical social movements do not strive to take control of the state. Instead, they attempt to develop new forms of self-organisation that can run in parallel with -- or as alternatives to -- existing forms of social, political, and economic organization. This is to say that they follow a logic of affinity rather than one of hegemony. This book draws together a variety of different strands in political theory to weave together aninnovative new approach to politics today. Rigorous and wide-ranging, Day introduces and interrogates key concepts. From Hegel's concept of recognition, through theories of hegemony and affinity to Hardt and Negri's reflections on Empire, Day maps academia's theoretical and philosophical concerns onto today's politics of the street. Ideal for all students of political theory, Day's fresh approach combines Marxist, Anarchist and 'Post-structuralist theory to shed new light on the politics and practice of contemporary social' movements.

Media, Ideology and Hegemony provides what Raymond Williams once called the "extra edge of consciousness" that is absolutely essential to create, both on and offline, a better, more open, more equitable, and more democratic world.

is a comprehensive introduction to the British tradition of cultural studies. Turner offers an accessible overview of the central themes that have informed British cultural studies: language, semiotics, Marxism and ideology, individualism, subjectivity and discourse. Beginning with a history of cultural studies, Turner discusses the work of such pioneers as Raymond Williams, Richard Hoggart, E. P.Thompson, Stuart Hall and the Birmingham Centre for Contemporary Cultural Studies. He then explores the central theorists and categories of British cultural studies: texts and contexts; audience; everyday life; ideology; politics, gender and race. The third edition of this successful text has been fully revised and updated to include: * How to apply the principles of cultural studies and how to read a text * An overview of recent ethnographic studies * Discussion of anthropological theories of consumption * Questions of identity and new ethnicities * How to do cultural studies, and an evaluation of recent research methodologies * A fully updated and comprehensive bibliography

A major essay on the thought of the great Italian Marxist Perry Anderson’s essay “The Antinomies of Antonio Gramsci,” first published in New Left Review in 1976, was an explosive analysis of the central strategic concepts in the thought of the great Italian Marxist. Since then it has been the subject of book-length attacks across four decades for its disentangling of the hesitations and contradictions in Gramsci’s highly original usage of such key dichotomies as East and West, domination and direction, hegemony and dictatorship, state and civil society, and war of position and war of movement. In a critical tribute to the international richness of Gramsci’s work, the essay shows how deeply embedded these notions were in the revolutionary debates in Tsarist Russia and Wilhelmine Germany. Here arguments crisscrossed between Plekhanov, Lenin, Kautsky, Luxemburg, Lukács and Trotsky, with later echoes in Brecht and Benjamin. A new preface considers the objections the essay provoked and the reasons for them. This edition also includes the first English translation of Athos Lisa’s report on Gramsci’s lectures in prison.