Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine. Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose. Calamity became a hostess and dancer in Deadwood’s saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn’t get enough of either version, nor, in the following century, could filmmakers. Sorting through the stories, veteran western historian Richard W. Etulain’s account begins with a biography that offers new information on Calamity’s several “husbands” (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane’s reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004–2006 HBO series Deadwood makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on—raunchy, unabashed, contradictory, and ambiguous as ever.

Billy the Kid, Wild Bill Hickok, Belle Starr, Wyatt Earp, the Younger Gang, the Dalton-Doolin Gang and Bat Masterson--these real-life lawmen and lawbreakers have been the basis of so many Hollywood Westerns that it has become difficult to discover where the truth ends and the legend begins. All actually became larger-than-life characters during their lifetimes, as contemporary newspapers and books embellished their deeds for their own purposes. But it was in Hollywood that the line between reality and myth was completely blurred. Each chapter-length entry here first focuses on the known facts of the people's lives and how each became truly legendary during their lifetimes. The reality is then compared to how they have been portrayed in the movies.

In the waning days of Indian Territory, the multi-racial, teenaged Rufus Buck Gang embarked on a vicious, childish, and deadly 13-day rampage that shocked even this lawless place. His goal was to take back Indian lands. Based on the true story, this is a tale of how real-life figures "Hanging Judge" Isaac C. Parker, notorious half-black, half-Indian outlaw Cherokee Bill, one-quarter Cherokee "gentlemen bandit" Henry Starr, relative of the notorious Belle Starr, and the worst of them all, half-black, half Indian Rufus Buck, collided during the summer of 1895. In lawless Indian Territory the end of an era approached. The U.S. government continued to co-opt Indian land for settlement. Judge Isaac C. Parker's judicial tyranny over 74,000 square miles of Indian Territory was coming to an end. Against this background, the teenaged Rufus Buck Gang embarked on their mad quest to reclaim Indian lands from US settlement. Rufus is guided by a sense of religious mission, by heavenly visions made manifest in the form of the extraordinary, 13 year-old Theodosia Swain. With his angel to guide him, he sets out to do the impossible with a missionary's zeal, a child's anticipation, and a grown man's violence. In "I Dreamt I Was in Heaven," famous, historical figures dance with fictional characters to create a turn-of-the-century tapestry of violence and innocence, love and betrayal, butchery and grace--mirroring and chafing against the backdrop of a burgeoning United States, and a disappearing American West.

Who was Belle Starr? What was she that so many myths surround her? Born in Carthage, Missouri, in 1848, the daughter of a well-to-do hotel owner, she died forty-one years later, gunned down near her cabin in the Cherokee Nation in Oklahoma. After her death she was called “a bandit queen,” “a female Jesse James,” “the Petticoat Terror of the Plains.” Fantastic legends proliferated about her. In this book Glenn Shirley sifts through those myths and unearths the facts. In a highly readable and informative style Shirley presents a complex and intriguing portrait. Belle Starr loved horses, music, the outdoors-and outlaws. Familiar with some of the worst bad men of her day, she was, however, convicted of no crime worse than horse thievery. Shirley also describes the historical context in which Belles Starr lived. After knowing the violence of the Civil War as a child in the Ozarks, She moves to Dallas in the 1860s and married a former Confederate guerilla who specialized in armed robbery. After he was killed, she found a home among renegade Cherokees in the Indian Territory, on her second husband’s allotment. She traveled as far west as Los Angeles to escape the law and as far north as Detroit to go to jail. She married three times and had two children, whom she idolized and tormented. Ironically she was shot when she had decided to go straight, probably murdered by a neighbor who feared that she would turn him in to the police. This book will find a wide readership among western-history and outlaw buffs, folklorists, sociologists, and regional historians. Shirley’s summary of the literature about Belle Starr is as interesting as the true story of Belle herself, who has become the West’s best-known woman outlaw.

Revised and expanded edition of Jon E. Lewis's ever-popular account of the American West. The book is at once a history and a compendium of western lore. It tells what life on the frontier was really like and gives a human portrait of the tough and sometimes violent way of life experienced by the early pioneers. The gunfighters and the cowboys, women, Indians and others, all have their part to play - and as well as the historical accounts there are intriguing anecdotes of everyday life on the plains, from how Montana cowboys warmed up their horses' bits, to the words of the Navajo medicine chants.

In a small Oklahoma town, one star linebacker must decide what kind of man he wants to be--both on and off the field. Welcome to Kennisaw--where Friday night high school football ranks right up there with God and country, and sometimes even comes in first. This year, the Kennisaw Knights are going for their fifth straight undefeated season, and if they succeed, they'll be more than the best high school team in the eastern Oklahoma hill country--they'll be legends. But the Knights' legacy is a heavy weight to carry for Hampton, linebacker and star of the team. On the field, he's so in control you'd think he was able to stop time. But his life off the field is a different story. His father walked out on him and his mom years ago, and now his mom has a new boyfriend every week. He's drawn to a smart, quirky girl at school--the type a star athlete just isn't supposed to associate with. And meanwhile, his best friend and teammate Blaine--the true friend who first introduced Hampton to football back when he had nothing else--is becoming uncomfortably competitive, and he's demanding Hampton's loyalty even as Hampton thinks he's going too far. This unforgettable novel is the story of a boy whose choices will decide the kind of man he becomes, and raises powerful questions about sportsmanship, loyalty, and the deceptiveness of legends.

NATIONAL BOOK AWARD WINNER • “Altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature.”—Michael Dirda, The New York Review of Books Killing Mister Watson, Lost Man’s River, and Bone by Bone—Peter Matthiessen’s great American epic about Everglades sugar planter and notorious outlaw E. J. Watson on the wild Florida frontier at the turn of the twentieth century—were originally conceived as one vast, mysterious novel. Now, in this bold new rendering, Matthiessen has marvelously distilled a monumental work while deepening the insights and motivations of his characters with brilliant rewriting throughout. Praise for Shadow Country “Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell, and with Watson’s song the last sound, all the elements fuse and resonate.”—Los Angeles Times “Peter Matthiessen has done great things with the Watson trilogy. It’s the story of our continent, both land and people, and his writing does every justice to the blood fury of his themes.”—Don DeLillo “The fiction of Peter Ma­­tthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. Shadow Country lives up to anyone’s highest expectations for great writing.” —Richard Ford “Shadow Country, Matthiessen’s distillation of the earlier Watson saga, represents his original vision. It is the quintessence of his lifelong concerns, and a great legacy.”—W. S. Merwin “[An] epic masterpiece . . . a great American novel.”—The Miami Herald