Harlan County Horrors is a regional based horror anthology by Apex Magazine submissions editor Mari Adkins. It will feature stories by Alethea Kontis, Debbie Kuhn, Earl Dean, Geoffrey Girard, Jason Sizemore, Jeremy Shipp, Maurice Broaddus, Robby Sparks, Ronald Kelly, Stephanie Lenz, Steven Shrewsbury, and TL Trevaskis.

From two award-winning authors, a collection of horror legends and folklore from the world of supernatural and paranormal storytelling. The ultimate guidebook to the horrific roots and modern-day expressions of our darkest fears, with contributions from the modern masters of the macabre. Wary mortals have always lived in fear of monsters that feast on human flesh and blood to energize their evil essence. Every culture and country has its demons—and since earliest times we've tried to capture these supernatural predators through the power of storytelling. But they refuse to be tamed . . . Join Bram Stoker Award winners Maberry and Kramer on a chilling journey into the nature of the beast. You'll unearth graves and venture into forbidden caves and forests to discover the evolution of supernatural predators throughout centuries of scares. From ancient heroes battling dragons to wary vampire hunters opening cobweb-enshrouded coffins, this compendium of creepy creatures tracks the monsters of our imagination from the whispered fireside tales of old to the books, comics, and films that keep us shivering on the edges of our seats with delight and fascination.

Shan Hai Jing (The Legends of Mountains and Seas), commonly titled The Classic of Mountains and Seas or Guideways Through Mountains and Seas per Richard Strassberg, was a book that was juxtaposed to the later book Shui Jing (classic or canons on 137 rivers) written by Sang Qin of the Cao-Wei dynasty (220-265 A.D.). For the absurdities and strange things in the book, such as folklore monsters, weird animals, ancient clan genealogies and strange lands (i.e., terra incognita), scholars of different dynasties felt troublesome to determine the genre in the imperial bibliography. In the Manchu Qing dynasty, Ji Xiaolan treated the book as fiction; during the Republic of China, Lu Xun treated the book as sorcery; and subsequently, Yuan Ke treated the book as mythology. Anne Birrell, author of The Classic of Mountains and Seas, pointed out that the book was taken to be of different genre in history, such as geomancy, geography and cosmology, etc., with the Westerners and Japanese going astray in different directions as well, including the claims of cosmography per M. Nazin (1839), geography per Léon de Risny (1890s), tribal peoples per Gustav Schlegel (1892), deities per Edward T. C. Werner (1923), materia medica per Bernard E. Read (1928-39), religious and medical per Ito Seiji (1969), ethnographic per Rémi Mathieu, folk medicine per John William Schiffeler (1977, 1980), gendered motif per Riccardo Francasso (1988), and bestiary per Richard Strassberg (2018), etc. Today, in the context of China's assertion of the grandiose imperial past, the book was wrongly treated by the Chinese to be about ancient geological exploration records, a theme also seen in Henriette Mertz's Pale Ink (1958). The Legends of Mountains and Seas, which would be expounded in this book to be about two different kinds of fortune-telling, sorcery and divination, should not be taken as a Han-dynasty equivalent philosophical 'jing' [canons or classic, i.e., longitude/28 lodges' asterism] learning edited by Confucius and his disciples, nor the nature of the derivative sets of interpretation and commentary books that were known as the Han dynasty 'wei' ['latitude' or "five planets' divination"] series, nor the 'chen-wei' (ch'an wei) prophecy and argot books (i.e., implicit prophecy or cryptology that Jacques Gernet called by esoteric commentaries). While the mountain part of the book could be termed 'guideways' as proposed by Yuan Ke and Richard Strassberg, the 'jing'-suffixed seas' components could not be qualified with this tag. The mountains' part was actually the ancient Shi-fa stalk divination. The Legends of Mountains and Seas was compiled by Liu Xin (53 BC - 23 AD). The book, totaling 18 chapters nowadays, apparently developed the different contents throughout the Zhou, Qin, Han and Jinn dynasties. It was deduced that Liu Xin combined the five chapters of the book on the "mountains" (Wu Zang San Jing) with the chapters on the "[over-]seas" contents to become a consolidated mountains and seas' book. The seas or overseas' components could be further separated into two groups, i.e., the "inner seas" and the "outer seas" sections that were compiled by Liu Xin and the "within-seas" and the "overseas wilderness" sections that were possibly collected by Guo Pu (A.D. 276-324), with the former two sections possibly synchronizing with the Han empire's military expansion, and the latter two sharing similar contents as Lian-shan Yi (divination on concatenated [undulating] mountain ranges), Gui-cang Yi (returning-to-earth hoarding divination), A.D. 279 Ji-zhong tomb divination texts, and the 1993 Wangjiatai excavated divination texts.

Turn your hike into an imaginative adventure! Visit the Talcott Mountain State Park in Simsbury, CT and bring along this companion e-book. Follow along with the fantastical tale on your electronic device, and find the landmarks listed along the way that illustrate the story. Read about the magical species of mysterious creatures who live along the trail and immerse yourself in their exciting adventures. For thousands of years, the dragons of the Massaco tribe lived peacefully in the forests on the Talcott Mountain. But one day, a disturbing omen caused a stir among the leaders of the woodland tribes. What dark forces have infiltrated the Dragonborn Tower? 2.5 miles, 70 minutes