The slower geologic processes are represented by myths associated with natural landforms, rocks and minerals, rivers and mountains, and other outstanding features of the landscape. Examples are also given to show some minor ways in which folklore and geology impinge on one another: misconceptions about geologic phenomena, such as earthquakes, which are so prevalent as to constitute a form of modern folklore, and conversely, ideas long considered to be pure folklore which may prove to have some basis in scientific fact. The most dramatic example of geomythology so far discovered is the theory the origin of the lost continent of Atlantis may be found in the Minoan civilization of Crete, which suddenly disappeared from view around 1450 B.C., about the time of a tremendous eruption know to have occurred in the nearby volcano, Santorin. This theory, variously developed by Marinatos and Galanopoulos, is examined in the light of new evidence gathered in Crete by Mrs.

The slower geologic processes are represented by myths associated with natural landforms, rocks and minerals, rivers and mountains, and other outstanding features of the landscape. Examples are also given to show some minor ways in which folklore and geology impinge on one another: misconceptions about geologic phenomena, such as earthquakes, which are so prevalent as to constitute a form of modern folklore, and conversely, ideas long considered to be pure folklore which may prove to have some basis in scientific fact. The most dramatic example of geomythology so far discovered is the theory the origin of the lost continent of Atlantis may be found in the Minoan civilization of Crete, which suddenly disappeared from view around 1450 B.C., about the time of a tremendous eruption know to have occurred in the nearby volcano, Santorin. This theory, variously developed by Marinatos and Galanopoulos, is examined in the light of new evidence gathered in Crete by Mrs.

Comprehensive and cross-referenced, this informative volume is a rich introduction to the world of nature as experienced by ancient peoples around the globe. 51 halftones.

Seven billion years from now, long after the Sun has died and human life itself has become extinct, alien beings reincarnate humanity from our fossilized DNA drifting as debris in the void of deep space. We are reborn to serve as bait in a battle to the death between the Rimstalker, humankind's reanimator, and the zotl, horrific creatures who feed vampire-like on the suffering of intelligent lifeforms. The reborn children of Earth are told: "You owe no debt to the being that roused you to this second life. Neither must you expect it to guide you or benefit you in any way." Yet humans choose sides, as humans will, participating in the titanic struggle between Rimstalker and zotl in ways strange and momentous. Author's Note: The volumes of this series can each be read independently of the others. The feature that unifies them is their individual observations of science fiction's sub-genre: "space opera," which the editors David G. Hartwell and Kathryn Cramer define as "colorful, dramatic, large-scale science fiction adventure, competently and sometimes beautifully written, usually focused on a sympathetic, heroic central character and plot action, and usually set in the relatively distant future, and in space or on other worlds, characteristically optimistic in tone. It often deals with war, piracy, military virtues, and very large-scale action, large stakes."

Nearly 200 stunningly realistic paintings and drawings bring the greatest fantasy epic of all time to life. Classical realism unites with contemporary storytelling as artist Donato Giancola explores the mythic grandeur and the iconic characters of J.R.R. Tolkien's The Lord of the Rings saga. Donato has made it his life's work to translate Tolkien's words into compelling visuals, with gorgeous oil paintings and drawings reminiscent of Rembrandt and Caravaggio. His interpretations of Middle-earth span his entire career, from private commissions to the 2001 edition of the graphic novel adaptation of The Hobbit, all collected in this massive compendium--a must-have for collectors of Tolkien and fantasy "What struck me about J.R.R. Tolkien's work was how he filled Middle-earth with a wealth of history," says Author Donato Giancola. "From the simple beginnings of Bilbo and the dwarves in The Hobbit, to the personal trials of Frodo and the Fellowship in The Lord of the Rings, to the epic tragedies in The Silmarillion, these tales are woven together by a grand fabric of unifying mythologies, bringing depth to the cultures and characters within." "Amazing work from an astounding talent." - George R.R. Martin

The Earth Stories Collection is a global project consisting of a repository of myths, legends, fables, and folktales from all cultures on the planet, stories capable of conveying a systemic worldview and illustrating the ethical principles and values of the Earth Charter.It is inspired by the Svalbard Global Seed Vault in Norway, an agricultural seed bank where seeds from all regions of the planet are preserved as a food guarantee for humanity in the face of the possibility of a global crisis or disaster.In this sense, The Earth Stories Collection would become a cultural seed bank, a base of global educational resources for the construction -or reconstruction- of a deeply sustainable global society, based on social and economic justice, and values of peace and democracy; that is, the values of the Earth Charter.The Earth Stories Collection is an initiative launched by The Avalon Project - Initiative for a Culture of Peace, in collaboration with the Secretariat of Earth Charter International and the Scottish International Storytelling Festival.In this book you will find the first installment of 45 myths, legends and folktales from around the world capable of transmitting a systemic and ecocentric worldview, as well as the principles and values of the Earth Charter. But you will also find, in the first half of the book, the theoretical and scientific justification that has given rise to the Collection.

Why were Prometheus and Loki envisioned as chained to rocks? What was the Golden Calf? Why are mirrors believed to carry bad luck? This groundbreaking book points the way to restoring some of that lost history and teaching about storytelling.