Princeton grew along a Leni Lenape Indian trail that was widened in the 1700s and eventually became part of the King's Highway through New Jersey. Right from its beginning, Princeton's history has been truly American. So have its inhabitants, both great and humble. George Washington won a crucial victory here and returned when Princeton was briefly de facto capital of the fledgling United States. George Gallup pioneered modern opinion polling here. Albert Einstein and other European refugees transformed the region scientifically and intellectually. Internationally famous actors and musicians, including Paul Robeson, Bebe Neuwirth, Mary Chapin Carpenter, and Ethan Hawke, have called Princeton home. Resident writers have ranged from Sinclair Lewis to Peter Benchley. Locally beloved were small business persons such as country store owner Mary Watts and public servants like mayor and unabashed cancer battler Barbara Boggs Sigmund. And among the good and great have been a few real rogues. They are all part of Princeton's colorful saga.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

The most complete and user-friendly photographic field guide to the world’s canids This stunningly illustrated and easy-to-use field guide covers every species of the world’s canids, from the Gray Wolf of North America to the dholes of Asia, from African jackals to the South American Bush Dog. It features more than 150 superb color plates depicting every kind of canid and detailed facing-page species accounts that describe key identification features, morphology, distribution, subspeciation, habitat, and conservation status in the wild. The book also includes distribution maps and tips on where to observe each species, making Canids of the World the most comprehensive and user-friendly guide to these intriguing and spectacular mammals. Covers every species and subspecies of canid Features more than 150 color plates with more than 600 photos from around the globe Depicts species in similar poses for quick and easy comparisons Describes key identification features, habitat, behavior, reproduction, and much more Draws on the latest taxonomic research Includes distribution maps and tips on where to observe each species The ideal field companion and a delight for armchair naturalists

Stone age wine -- The Noah hypothesis -- The archaeological and chemical hunt for the earliest wine -- Neolithic wine! -- Wine of the earliest pharaohs -- Wine of Egypt's golden age -- Wine of the world's first cities -- Wine and the great empires of the ancient Near East -- The Holy Land's bounty -- Lands of Dionysos : Greece and western Anatolia -- A beverage for King Midas and at the limits of the civilized world -- Molecular archaeology, wine, and a view to the future.

The winter of 1932-33 saw the small interior town of Princeton, BC divided. Charges of outside agitators and charges by mounted provincial police into picket lines of workers, Ku Klux Klan threats and a beating and cross-burning, the kidnapping of legendary labour organizer Slim Evans who was bundled onto the next train out of town (though he returned soon enough) -- Princeton's few thousand citizens saw much of the human drama of the Great Depression play out right in their own lives over the course of just a few months. A ten percent paycut, in the depths of the Depression, galvanized the miners working Princeton's three coalmines into unionizing, and they brought in Arthur "Slim" Evans from the Workers Unity League to help them. Meanwhile, north of town, one of the federal government's Relief Camps had opened up, and soon Canadian Labour Defence League organizers were at work there. "Outside agitators" became the by-word as the town's merchants and propertied establishment rallied around the cause -- to defeat the "Communist menace" that threatened the prospects of their little town. They were given voice by the colourful local paper the Princeton Star, whose archives provide the source material for much of Jon Bartlett and Rika Ruebsaat's engrossing history. Soviet Princeton provides an interesting sidebar as well to Canadian left-labour history, as two years later, one of the main actors in the Princeton drama, Slim Evans, led the On-to-Ottawa Trek of homeless and unemployed protesting the relief camps and their conditions.

An exhilarating travelogue for a new generation about a journey along Colombia’s Magdalena River, exploring life by the banks of a majestic river now at risk, and how a country recovers from conflict. "Richly observed." —Liesl Schillinger, The New York Times Book Review An American writer of Argentine, Syrian, and Iraqi Jewish descent, Jordan Salama tells the story of the Río Magdalena, nearly one thousand miles long, the heart of Colombia. This is Gabriel García Márquez’s territory—rumor has it Macondo was partly inspired by the port town of Mompox—as much as that of the Middle Eastern immigrants who run fabric stores by its banks. Following the river from its source high in the Andes to its mouth on the Caribbean coast, journeying by boat, bus, and improvised motobalinera, Salama writes against stereotype and toward the rich lives of those he meets. Among them are a canoe builder, biologists who study invasive hippopotamuses, a Queens transplant managing a failing hotel, a jeweler practicing the art of silver filigree, and a traveling librarian whose donkeys, Alfa and Beto, haul books to rural children. Joy, mourning, and humor come together in this astonishing debut, about a country too often seen as only a site of war, and a tale of lively adventure following a legendary river.

Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization. --