Grandfather Popolopi is a good wizard who rides on a magic broom high up in the sky and rescues those in need of help. But Tabalalah and his band of wicked wizards are bent on destroying the whole inhabited world. Taking on the forms of medieval wild beasts and flying creatures, they out-wipe whole communities of people. In an attempt to restrain the forces of darkness from destroying the world, Popolopi confronts Tabalalah and his band of wicked wizards. In the warlock that ensues, he uses his matchless magical weapons--magic whip and magic stone-- and demolishes the forces of darkness; and then he cast their souls into captivity into a little black bottle. Popolopi finally hands over his magical throne to one of his grandsons called Rojo.But his other grandson called Mimijaga strongly covets the magical throne. So he takes possession of the souls of the forces of darkness and becomes the incarnate of the forces of darkness. Riding on the back of a gigantic flying python, Mimijaga tries to destroy everyone on earth. But Rojo flies on his magic broom and clashes with him in one most spectacular warlock . At last, Rojo turns flying python and his master Mimijaga into dust and casts their souls back into a bottle.

After Rojo deals with the forces of darkness, a sadist wizard named Madon later emerges on earth. Unlike the vanquished wicked wizards who lived before him, he has but a totally different mission--to slay all spiritually powerful people on earth. With his incredibly powerful magic wand, he transforms other wizards and magicians into animals and keep them as his pets. To rescue the subdued wizards and magicians, Rojo clashes with Madon in a warlock, which leads to the defeat of the latter. Determined to fortify himself spiritually, Madon takes possession of the souls of the forces of darkness. So with just a stare, he conjures fiery balls and tries to blaze a community of people, but Rojo flies on his magic broom and clashes with him. In the warlock, Rojo turns Madon into dust; and then he casts the souls of the forces of darkness back into a bottle.

The official companion book to the British Library exhibition and the ultimate gift for Harry Potter fans! As the British Library unveils a very special new exhibition in the UK, Harry Potter: A History of Magic, readers everywhere are invited on an enchanting journey through the Hogwarts curriculum, from Care of Magical Creatures and Herbology to Defense Against the Dark Arts, Astronomy, and more in this eBook uncovering thousands of years of magical history.Prepare to be amazed by artifacts released from the archives of the British Library, unseen sketches and manuscript pages from J.K. Rowling, and incredible illustrations from artist Jim Kay. Discover the truth behind the origins of the Philosopher's Stone, monstrous dragons, and troublesome trolls; examine real-life wands and find out what actually makes a mandrake scream; pore over remarkable pages from da Vinci's notebook; and discover the oldest atlas of the night sky. Carefully curated by the British Library and full of extraordinary treasures from all over the world, this is an unforgettable journey exploring the history of the magic at the heart of the Harry Potter stories.

CHILDHOOD CLASSICS - Ultimate Collection, comprising over 1400 tales, embraces a literary tapestry woven from the fabric of magic, adventure, fairytales, and legends. This anthology showcases the rich diversity and profound depth of literary styles, ranging from the whimsical enchantments of Lewis Carroll to the robust adventures of Mark Twain, underpinned by the universal themes of exploration, moral discovery, and the quest for understanding. Each story stands as a pillar of the genre, with the collection as a whole highlighting significant milestones and transformative narratives that have shaped our cultural heritage and continue to inspire generations of readers and writers alike. The contributing authors and editors, heralds of their time, brought forth a collective treasure trove that transcends the mere act of storytelling. Figures such as Jules Verne and Rudyard Kipling, with their forward-looking visions, Oscar Wilde with his incisive wit, and Harriet Beecher Stowe's poignant narratives, reflect a confluence of historical, cultural, and literary movements spanning from the Victorian era to the early 20th century. This assembly of legendary talents offers readers a unique window into the diverse contexts, values, and dilemmas that these stories navigated, highlighting the enduring relevance of these tales. CHILDHOOD CLASSICS - Ultimate Collection serves as an invaluable repository for those eager to embark on a journey through the landscapes of imagination and legacy. It appeals not only to young readers but also to adults who yearn to revisit the narratives that shaped their earliest reading experiences. This anthology presents a unique opportunity to explore a vast array of literary craftsmanship, themes, and the intricate interplay of cultural histories. Venturing into this collection promises a rewarding exploration of the worlds that have captivated hearts and minds, fostering a deeper appreciation for the art of storytelling and its power to reflect and shape the human condition.

Sitting in the high back plush purple velvet fabric chair was the skeleton. In the right hand of the skeleton was the magic wand. “Are you offering me your magic wand?” Amber asked the skeleton. Get ready for a Halloween story that will keep you on the edge of your chair. Arnie Grimm and Wazoo the Wizard have conjured up a Ghostly Tale that has death defying tragedies and evil villains. Most of all, there is lots and lots of magic to save the day, maybe. Let’s hope so anyway.

When four children stumble upon the magic of the lost dark obsidian gemstone in the grounds of an old haunted castle their adventure has only just begun. To their amazement the magical gemstone mysteriously gifts them with extraordinary supernatural & magical powers. Upon opening the vortex of the magical dark obsidian gemstone on midnight of Halloween into the magical realm of Mere Leander, the children befriend forgetful wizards Meldrick and Albright, dragons, unicorns, elves and all manner of supernatural creatures. With the help of the wizards ancient magical manuscript 'The Legends of Mere Leander' they search for the last remaining magical entities before the dark wizard Delverasteon and his phantom familiar, the changeling Seith discover them and use their magic to destroy the enchanted magical realm of Mere Leander and beyond...

With eighty-eight distinct editions and some 450,000 licensed copies in print, The Ingoldsby Legends of Richard Harris Barham (writing as Thomas Ingoldsby) was among the most beloved and most quoted works of nineteenth-century English literature. Long out of print, it is now available in a fully annotated two-volume edition, complete with over a hundred illustrations by John Tenniel, George Cruikshank, George Du Maurier, John Leech, Arthur Rackham and others. "For inexhaustible fun that never gets flat and scarcely ever simply uproarious, for a facility and felicity in rhyme and rhythm which is almost miraculous, and for a blending of the grotesque and the terrible . no one competent to judge and enjoy will ever go to Barham in vain." - George Saintsbury, A History of Nineteenth Century Literature "In the growth of English short fiction Barham's work looms larger yet. Many a good story and tale are scattered through the corpus of English fiction prior to the 1830s, but it is not, I think, an exaggeration to claim Barham as the first consistent English writer of the true short story." - Wendall V. Harris, British Short Fiction in the Nineteenth Century "Richard Barham was a genuine poet, who exerts a peculiar spell. A man of some property in Kent, a minor canon of St. Paul's Cathedral, an amateur but learned antiquary, he wrote mainly to amuse himself, and his verse has a spontaneity of unexpected rhyming and reckless imagination that makes it different from anybody else's . Barham was gifted with some special genius which makes his meters and rhyming as catching as music, so that they run in your head after reading." - Edmund Wilson, "The Devils and Canon Barham" "Popular phrases, the most prosaic sentences, the cramped technicalities of legal diction, and snatches of various languages are worked in with an apparent absence of all art or effort; not a word seems out of place, not an expression forced, whilst syllables the most intractable find the only partners fitted for them throughout the range of our language. These Legends have often been imitated, but never equalled." - Walter Hamilton, Parodies of the Works of English and American Authors "Barham brought exceptional qualities to the development of his particular art. He was a wit, and his initial success was won by his startling originality. Not only did he adapt the Gallic spirit and conte to the exigencies of the English language: his blending of saints and demons, ghosts and abbots, monkish legend and romance, antiquarian lore and classical knowledge, murder and crime, with his own freakish and whimsical sense of humour, his lightning leaps from grave to gay, his quaint verbal quips, his wealth of topical allusion and most bizarre rhymes - all combined to secure him immediate attention and resultant fame." - Stewart Marsh Ellis, Mainly Victorian