The American Journal of Islamic Social Sciences (AJISS), established in 1984, is a quarterly, double blind peer-reviewed and interdisciplinary journal, published by the International Institute of Islamic Thought (IIIT), and distributed worldwide. The journal showcases a wide variety of scholarly research on all facets of Islam and the Muslim world including subjects such as anthropology, history, philosophy and metaphysics, politics, psychology, religious law, and traditional Islam.

This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.

Through sustained analysis of texts and visual sources, this volume traces the checkered career of Neo-Assyrian religious interaction with subject polities of Western Asia through both punitive measures and calculated diplomatic patronage.

"In the first seven sections, I discuss forgery allegations on various silver objects in conjunction with ill-understood metallurgical techniques and erroneous philological assumptions. The remaining sections are then devoted to the reinterpretation of Median, Achaemenid, and Sasanian history, as well as Avestan dilemmas, in light of information derived from these objects and other newly discovered sources. They succinctly bring to light the paradoxical image of "Burning-Water" as a pervasive dualist concept on which all subsequent royal ideologies were built. They also show the substantial impact of Iranian religious conflicts on Abrahamic religions. Finally, the flaws of UNESCO's convention on cultural properties are addressed in the appendix."--Pages 1-2.

To open the Book of Psalms is to enter the world of God. To read the Psalms is to read the words of God and hear the words of these ancient people in response to this God who has graciously drawn them into an eternal covenant. The Book of Psalms is one continuous conversation that ranges over many centuries—perhaps nearly a millennium—between the God of Israel and the people of Israel; or more accurately, the God of glory and this particular people who have been called to live life on the edge of glory as the people of God. There is no mystery to this conversation. It is all an embroidery of grace. Modern day readers may find themselves caught in the nexus between personal experience and the desire to live a life of faith on the other. These will find a voice in the Psalms. Ancient Israel strove to put their trust in the One God of All—in the face of myriad challenges throughout her long history. What we find here is a bold witness to their hard-won faith and confidence in the sheltering presence of the One God of All. This is a message that is especially timely for people who may desire the deeper dimensions of life and faith amid the inescapable incongruities and anxieties of postmodern life.