Ex-prosecutor Mary Crow has returned home to Pisgah County, North Carolina, three years after bringing its corrupt sheriff to justice. But the local District Attorney reneges on his promise of a job for her, and the only offer of work comes from a land developer—and former classmate—who seems to have trouble taking no for an answer. For Mary, coming home is supposed to be about renewal, about living the life she wants. She’s come home to reunite with her former lover Johnny Walkingstick . . . and to reconnect with her own past. But the reality of her homecoming takes a much darker turn as she’s plunged into the merciless world of a ruthless predator.

Charlie James (1867–1937) was a premier carver and painter from the Kwakwaka'wakw First Nation of British Columbia. Also known by his ceremonial name Yakuglas, he was hawker a prolific artist and activist during a period of severe oppression for First Nations people in Canada. Yakuglas’ Legacy examines the life of Charlie James. During the early part of his career James created works primarily for ritual use within Kwakwaka'wakw society. However, in the 1920s, his art found a broader audience as he produced more miniatures and paintings. Through a balanced reading of the historical period and James’ artistic production, Ronald W. Hawker argues that James’ shift to contemporary art forms allowed the artist to make a critical statement about the vitality of Kwakwaka'wakw culture. Yakuglas’ Legacy, aided by the inclusion of 123 colour illustrations, is at once a beautiful and poignant book about the impact of the Canadian project on Aboriginal people and their artistic response.

For over sixty years, Malcolm Boyd has written truthfully about his own journey to fullness. From theologian to civil rights pioneer to coffee house troubadour to gay rights icon, Boyd has courageously and whole-heartedly shown the way to a deeper, more honest examination of all our lives, leading by example. White Crane Books is proud to re-release Boyd's classic spiritual biography and coming out story, Take Off the Masks, for a new generation of readers hungry for its insight, honesty and soulful perception. With a new introduction by Boyd's life partner, Mark Thompson, and a newly added postscript by Rev. Canon Boyd himself.

WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

Emon and Serima finally learn why they are fugitives, and that their enemies, who want them both dead, are relentless in their pursuit. Better equipped and prepared to face challenges that lie ahead, Emon and Serima leave Fraven to traverse the continent of Pullian and follow the few clues left by a distant ancestor, Worn Ath. They will have to search the land to find parts of an ancient orb hidden by Worn Ath. The ancient orb pieces were hidden so well that only one person would be able to find the clues to their locationEmon. With the ever-present threat of their enemy, will Emon and Serima find the orb pieces or will they lead their enemies to them first?

This volume celebrates Thomas Middleton’s legacy as a dramatist, marking the 400th anniversary of Middleton’s final and most contentious work for the public theatres, A Game at Chess (1624). The collection is divided into three sections: ‘Critical and Textual Reception’, ‘Afterlives and Legacies’, and ‘Practice and Performance’. This division reflects the book’s holistic approach to Middleton’s canon, and its emphasis on the continuing significance of Middleton’s writing to the study of early modern English drama. Each section offers an assessment of the place of Middleton’s drama in culture, criticism, and education today through a range of critical approaches. Featuring work from a range of voices (from early career, independent, and seasoned academics and practitioners), the collection will be appropriate for both specialists in early modern literature and drama who are interested in both theory and practice, and students or scholars researching Middleton’s historical significance to the study of early theatre.

“Nature itself is the best physician. The art of healing comes from nature, not from the physician. Therefore the physician must start from nature, with an open mind.” -Paracelsus This book is written for those who are interested in rediscovering and learning about some of the “Old Home Remedies” used by our grandparents and others who have gone before us. In the days of old, many had no other options when illness occurred, but to use herbs and natural remedies for themselves and those who came to them for the “cure”. Herbs and other remedies were used also, to prevent illness and disease. Many of the remedies I learned that you will read about come from farmers, producers, collectors, herbalists, healers and village women who all have some ideas about plants and foods that can be used as medicine. The book will be a wonderful reference and resource for those interested in natural healing techniques. I am happy to share what I have learned both in Missouri and from afar with those who are interested in African influenced Home Remedies. Here’s Some Of What You’ll Learn: -The History Of My Healing Ancestors -Food Used As Medicine -Preparation And Usage Of Herbs -Preparing An Herbal Tea -Preparing A Tincture -Preparing Herbal Capsules -Preparing Herbal Poultices -Preparing A Decoction -Preparing An Ointment -Preparing A Compress -Preparing Herbal Powders -Essential Oils That Encourage Relaxation & Reduce Stress And Over 40 Home Remedies