"This book is about the 2011 Fukushima disaster in Japan. The disaster comprised a triple punch that began with an earthquake, which caused a tsunami, which triggered a meltdown at a nuclear plant"--

It was an unlikely convergence of events. A 9.0 magnitude earthquake, the largest in Japanese memory and the fourth largest recorded in world history; a tsunami that peaked at forty meters, devastating the seaboard of northeastern Japan; three reactors in meltdown at the Daiichi nuclear power plant in Fukushima; experts in disarray and suffering victims young and old. It was, as well, an unlikely convergence of legacies. Submerged traumas resurfaced and communities long accustomed to living quietly with hazards suddenly were heard. New legacies of disaster were handed down, unfolding slowly for generations to come. The defining disaster of contemporary Japanese history still goes by many different names: The Great East Japan Earthquake; the 2011 Tōhoku Earthquake and Tsunami; the Fukushima Daiichi Nuclear Disaster; the 3.11 Triple Disaster. Each name represents a struggle to place the disaster on a map and fix a date to a timeline. But within each of these names hides a combination of disasters and legacies that converged on March 11, 2011, before veering away in all directions: to the past, to the future, across a nation, and around the world. Which pathways from the past will continue, which pathways ended with 3.11, and how are these legacies entangled? Legacies of Fukushima places these questions front and center. The authors collected here contextualize 3.11 as a disaster with a long period of premonition and an uncertain future. The volume employs a critical disaster studies approach, and the authors are drawn from the realms of journalism and academia, science policy and citizen science, activism and governance—and they come from East Asia, America, and Europe. 3.11 is a Japanese legacy with global impact, and the authors and their methods reflect this diversity of experience. Contributors: Sean Bonner, Azby Brown, Kyle Cleveland, Martin Fackler, Robert Jacobs, Paul Jobin, Kohta Juraku, Tatsuhiro Kamisato, Jeff Kingston, William J. Kinsella, Scott Gabriel Knowles, Robert Jay Lifton, Luis Felipe R. Murillo, Başak Saraç-Lesavre, Sonja D. Schmid, Ryuma Shineha, James Simms, Tatsujiro Suzuki, Ekou Yagi.

From futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we are now living in a world imagined and engineered during the Cold War. Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technologies, as they relate to the arts, society and culture.

"Delicately weaves generations of women to the lasting wounds of nuclear destruction and the hubris of war. A unique and unforgettable novel." —Kali Fajardo-Anstine, author of Woman of Light A literary thriller about the effects of nuclear power on the mind, body, and recorded history of three generations of Japanese women. Nine years after the Fukushima Daiichi nuclear power plant disaster, Japan is preparing for the 2020 Tokyo Olympics. An unnamed narrator wakes up in a cold, sterile room, unable to recall her past. Across the country, the elderly begin to hear voices emanating from black stones, compelling them to behave in strange and unpredictable ways. The voices are a symptom of a disease called “Trinity.” As details about the disease come to light, we encounter a thread of linked histories—Prometheus stealing fire from the gods, the discovery of radiation, the nuclear arms race, the subsequent birth of nuclear energy, and the disaster in Fukushima. The thread linking these events begins to unravel in the lead-up to a terrorist attack at the Japan National Olympic Stadium. A work of speculative fiction reckoning with the consequences of the past and continued effects of nuclear power, Trinity, Trinity, Trinity follows the lives of three generations of women as they grapple with the legacy of mankind's quest for light and power.

The Fukushima Daiichi nuclear accident that followed the March 2011 tsunami and earthquake in Japan shocked the world. In the wake the of the disaster, questions were asked as to why Japanese antinuclear movements were not able to prevent those with vested interests, such as businesses, bureaucrats, the media and academics, from facilitating nuclear energy policies? Taking this question as its starting point, this book looks more widely at the development and powerlessness of Japanese civil society, and seeks to untangle this intersection between social movements and civil society in postwar Japan. Central to this book are the Japanese New Left movements that emerged in the 1960s and 1970s, and the impact they have had on civil society and politics. By focusing on a key idea that a wide range of new leftists shared – the self-revolution in ‘everydayness’ – Takemasa Ando shows how these groups did not seek immediate change in the realms of politics and legislation, but rather, it was believed that personal transformation would lead to broader social and political change. By reconsidering the relationship between Japanese New Left movements of the 1960s and later social movements, this book crucially connects the constructive and disruptive legacies of the movements, and in doing so provides valuable insights into the powerlessness that plagues Japanese civil society today. Presenting a comprehensive picture of the New Left movements and their legacies in Japan, this book will be of great interest to students and scholars working in the fields of Japanese politics, Japanese history, and Japanese culture and society.

An investigation into our complicated 8-decade-long relationship with nuclear technology, from the bomb to nuclear accidents to nuclear waste. From Hiroshima to Chernobyl, Fukushima to the growing legacy of lethal radioactive waste, humanity’s struggle to conquer atomic energy is rife with secrecy, deceit, human error, blatant disregard for life, short-sighted politics, and fear. Fallout is an eye-opening odyssey through the first eight decades of this struggle and the radioactive landscapes it has left behind. We are, he finds, forever torn between technological hubris and all-too-human terror about what we have created. At first, Pearce reminds us, America loved the bomb. Las Vegas, only seventy miles from the Nevada site of some hundred atmospheric tests, crowned four Miss Atomic Bombs in 1950s. Later, communities downwind of these tests suffered high cancer rates. The fate of a group of Japanese fishermen, who suffered high radiation doses from the first hydrogen bomb test in Bikini atoll, was worse. The United States Atomic Energy Commission accused them of being Red spies and ignored requests from the doctors desperately trying to treat them. Pearce moves on to explore the closed cities of the Soviet Union, where plutonium was refined and nuclear bombs tested throughout the ’50s and ’60s, and where the full extent of environmental and human damage is only now coming to light. Exploring the radioactive badlands created by nuclear accidents—not only the well-known examples of Chernobyl and Fukushima, but also the little known area around Satlykovo in the Russian Ural Mountains and the Windscale fire in the UK—Pearce describes the compulsive secrecy, deviousness, and lack of accountability that have persisted even as the technology has morphed from military to civilian uses. Finally, Pearce turns to the toxic legacies of nuclear technology: the emerging dilemmas over handling its waste and decommissioning of the great radioactive structures of the nuclear age, and the fearful doublethink over the world’s growing stockpiles of plutonium, the most lethal and ubiquitous product of nuclear technologies. For any reader who craves a clear-headed examination of the tangled relationship between a powerful technology and human politics, foibles, fears, and arrogance, Fallout is the definitive look at humanity’s nuclear adventure.

On March 11, 2011, Japan was struck by the shockwaves of a 9.0 magnitude undersea earthquake originating less than 50 miles off its eastern coastline. The most powerful earthquake to have hit Japan in recorded history, it produced a devastating tsunami with waves reaching heights of over 130 feet that in turn caused an unprecedented multireactor meltdown at Fukushima Daiichi Nuclear Power Plant. This triple catastrophe claimed almost 20,000 lives, destroyed whole towns, and will ultimately cost hundreds of billions of dollars for reconstruction.In 3.11, Richard Samuels offers the first broad scholarly assessment of the disaster's impact on Japan's government and society. The events of March 2011 occurred after two decades of social and economic malaise—as well as considerable political and administrative dysfunction at both the national and local levels—and resulted in national soul-searching. Political reformers saw in the tragedy cause for hope: an opportunity for Japan to remake itself. Samuels explores Japan's post-earthquake actions in three key sectors: national security, energy policy, and local governance. For some reformers, 3.11 was a warning for Japan to overhaul its priorities and political processes. For others, it was a once-in-a-millennium event; they cautioned that while national policy could be improved, dramatic changes would be counterproductive. Still others declared that the catastrophe demonstrated the need to return to an idealized past and rebuild what has been lost to modernity and globalization.Samuels chronicles the battles among these perspectives and analyzes various attempts to mobilize popular support by political entrepreneurs who repeatedly invoked three powerfully affective themes: leadership, community, and vulnerability. Assessing reformers’ successes and failures as they used the catastrophe to push their particular agendas—and by examining the earthquake and its aftermath alongside prior disasters in Japan, China, and the United States—Samuels outlines Japan’s rhetoric of crisis and shows how it has come to define post-3.11 politics and public policy.