The world is dead. Plants gone. Animals gone. The air is thick with dust and ash. Water has turned to murky cesspools of death and decay. Life and Earth as we know it are gone-at least all the good parts. It's been almost a year since the first signs that we killed our planet began to arise. Order and humanity are gone now, replaced by vigilante justice and survival at all costs. Nine months have passed since the quarantines were put in place. Six months since we realized it was too late, and just after that the governments of the world fell. That was nearly seven billion people ago, and now Charles has decided it is time to pack up and leave in search of the one thing still worth living for-his daughters. With rumors of roving bands of cannibals, and even zombies, he knows making the journey is a long shot, but he has to try. He promised their dying mother that he would keep them safe and has every intention of doing just that, come hell or hungry zombies. In a soulless world filled with nothing but pain and death, will his determination be enough to see him through to the end?

“Combines the spare poetry of The Road with the dizzying pace of 28 Days Later.” —Jennie Melamed, author Gather the Daughters “A riveting novel.” —Eowyn Ivey, bestselling author of The Snow Child Remember your just-in-cases. Beware tall buildings. Always have your knives. Raised in isolation by her mother and Maeve on a small island off the coast of a post-apocalyptic Ireland, Orpen’s life has revolved around training to fight a threat she’s never seen. More and more she feels the call of the mainland, and the prospect of finding other survivors. But that is where danger lies, too, in the form of the flesh-eating menace known as the skrake. Then disaster strikes. Alone, pushing an unconscious Maeve in a wheelbarrow, Orpen decides her last hope is abandoning the safety of the island and journeying across the country to reach the legendary banshees, the rumored all-female fighting force that battles the skrake. But the skrake are not the only threat... Sarah Davis-Goff's Last Ones Left Alive is a brilliantly original imagining of a young woman's journey to discover her true identity.

The choreographic turn in the visual arts from 1958 to 1965 can be identified by the sudden emergence of works created by very different visual artists in very different placesartists such as Allan Kaprow, Carolee Schneeman, and Robert Rauschenberg in the United States; Lygia Pape and Hlio Oiticica in Brazil; the Gutai group in Japan; and Yves Klein in france. each explicitly or implicitly used dance or choreographic procedures to reinvent and reimagine the practice and its history. Dedicated to the renewed encounter between dance and performance, Is the Living Body the Last Thing Left Alive? is a collection of essays and writings taken from the 2014 conference organized by Para Site, Hong Kong. Thirty contributors, coming from a broad field of discourse, joined together to rethink performance as more than a medium but rather as a series of questions and reflections about how art mediates social relations among people. Contributors include Belkis Ayn, Claire Bishop, Boris Buden, Amy Cheng, Bojana Cvejic, Patrick D. flores, and Simryn Gil, and Yangjiang Group, among many others.

A team of researchers exploring the myth of a witch find their numbers mysteriously dwindling in this irresistible psychological thriller for fans of Ruth Ware, Shari Lapena, and Lucy Foley. Bestselling debut novelist Penelope Berkowitz is desperate for inspiration for a second book. With the help of her new boyfriend, she embarks on a research trip with a Clue-like team of professionals, ex-lovers, and estranged family members to investigate the myth of a witch on Stone Point, a remote coastal outcropping in the Pacific Northwest. For over a century, the cabin on the point stood vacant after the violent death of the original owner and the disappearance of his wife—until a young couple decided to turn it into an eco-lodge. Shortly after starting renovations, however, they suddenly ceased all contact with others and were never heard from again. Given the area’s mysterious history, Penelope is certain there’s a story to be found in the isolated region. But soon after arriving on the point’s wind-whipped shores, things begin to go awry for the team. Storms blow in. Tempers flare. The satellite phones stop working and no boats are due for days. Then people begin to disappear. When bodies turn up, it’s up to Penelope and the remaining members of the team to solve the mystery of the Stone Witch before the killer is the only one left alive.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

We live in a highly connected world with multiple self-interested agents interacting and myriad opportunities for conflict and cooperation. The goal of game theory is to understand these opportunities. This book presents a rigorous introduction to the mathematics of game theory without losing sight of the joy of the subject. This is done by focusing on theoretical highlights (e.g., at least six Nobel Prize winning results are developed from scratch) and by presenting exciting connections of game theory to other fields such as computer science (algorithmic game theory), economics (auctions and matching markets), social choice (voting theory), biology (signaling and evolutionary stability), and learning theory. Both classical topics, such as zero-sum games, and modern topics, such as sponsored search auctions, are covered. Along the way, beautiful mathematical tools used in game theory are introduced, including convexity, fixed-point theorems, and probabilistic arguments. The book is appropriate for a first course in game theory at either the undergraduate or graduate level, whether in mathematics, economics, computer science, or statistics. The importance of game-theoretic thinking transcends the academic setting—for every action we take, we must consider not only its direct effects, but also how it influences the incentives of others.