One of Singapore’s most prominent performance artists, Lee Wen produced a body of incisive, provocative, and sharply satirical works over three decades. This latest title in The Artist Speaks series presents Lee’s writings, lyrics and drawings, offering personal insight to the rich associations, metaphors and tongue-in-cheek humour found in his imaginative world.

Writer, biographer and mental health advocate, Chan Li Shan, takes us on a path of discovery, while painting a vivid and searingly honest picture of a man many knew of, but few really knew. Along the way, she learns about art and friendship. Reader Reviews: “Flickering with exacting yet poignant insights while balancing anecdote, lyricism, curated imagery, laudatory response and verbatim record, this biography delicately deconstructs linearity without compromising on a heartfelt and multifaceted picture of a performance art icon.” –Cyril Wong, poet and fictionist “I congratulate Chan Li Shan for having written this beautiful biography of Lee Wen, who died too soon from Parkinson’s disease. At the age of 30, Lee Wen gave up a secure and stable career in a bank to study art. He would devote the rest of his life to the practice of art in its many forms: drawing, painting, poetry, songs, installation and performance. George Bernard Shaw once said that the world consists of two kinds of people: reasonable people and unreasonable people. The reasonable people are those who conform to the world. The unreasonable people are those who seek to change the world. Lee Wen was an “unreasonable” man and artist. Lee Wen once described himself as a soldier of culture. He fought many battles for culture and art. His victories were not unnoticed. He was awarded the Cultural Medallion in 2005. We will never forget him as the Yellow Man and The Sun Boy.” –Professor Tommy Koh, Founding Chairman, National Arts Council “We like to pretend that biographies are ‘objective’. That the truth they bear is untainted by bias or partiality or opinion. That they are pristine. Nothing is further from the truth. Biographies are fiercely subjective and born of one person’s obsession with someone else’s life. The obsessiveness is not only for the storyline or narrative, but the telling of it. And the telling of the life story of an artist like Lee Wen—significant, protean, impulsive, explosive, brutally honest—demands an obsessive storyteller. Li Shan dives headlong into the minutiae of Lee Wen’s life, disregarding guardrails of convention and is sometimes eccentrically selective. She is desperately seeking line and colour, and motif and sfumato; yearning for composition that is him. The result is bricolage, cracked, disrupted, dismembered. But beyond the veil of the tale, as the clouds of dissonance disperse, something of a shape emerges; distinct and hewn by instinct, intimacy and understanding. A Lee Wen shape.” –T. Sasitharan, Director, Intercultural Theatre Institute “In Searching for Lee Wen, Chan Li Shan offers readers a biography of a fascinating and important performance artist; a memoir of her own experience as his biographer, collaborator, and friend; and an innovative, nuanced, often moving mosaic of interview excerpts, testimonials from friends and admirers, timelines linking Singapore’s history to Lee Wen’s own, striking photographs, and meditations on the act of representing a life. The result is a memorable book, in which both Lee Wen and Chan Li Shan are ‘interfused, liminally, between being a sign, a signal and a person, enigmatically within, yet beyond each’—truly ‘an elusive joy to watch.’” –Craig Howes, Director, Center for Biographical Research Professor of English, University of Hawai’i at Mānoa

The untold story of the badly bungled nuclear espionage case against Wen Ho Lee, uncovered in dramatic fashion by two reporters who followed the scandal from its inception. photos.

For the first time, Wen Ho Lee speaks out about his work at Los Alamos, his experiences with the FBI, and about his arrest and imprisonment. A riveting story without prejudice, fear, or suspicion, "My Country Versus Me" offers at last a clear and truthful account of one of the great miscarriages of justice of our time. of photos.

Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This work examines the structure and illegal activities of organized crime groups in Taiwan and explores the infiltration of crime groups into the business and political arenas. It looks at the intricate relationship among government officials, elected deputies, businessmen, and underworld figures.