Francisco grew up at McCarroll Place, his familyb2ss ancestral home in Holly Springs, Mississippi, thirty miles north of Oxford. In the conversations with Wolff, he recalls that as a boy he would sit and listen as his father and Faulkner sat on the gallery and talked about whatever came to mind. Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulknerb2ss fiction. Faulkner also displayed an absorbing interest in a seven-volume diary kept by Dr. Franciscob2ss great-great-grandfather Francis Terry Leak, who owned extensive plantation lands in northern Mississippi before the Civil War. Some parts of the diary recount incidents in Leakb2ss life, but most of the diary concerns business transactions, including the buying and selling of slaves and the building of a plantation home.

"Ledger art is the term used to describe Plains Indian drawings and paintings on paper from the second half of the nineteenth century because they were often made on ledger paper readily available from military outposts. Howling Wolf is arguably the single most important ledger artist to emerge from the anonymity of this period. The Southern Cheyenne warrior was not only an extremely skilled artist, he was also the only Plains artist known to have created ledger art in all three phases of the art form: the pre-reservation era, the years from 1875 to 1878 when Indians of the southern Plains were confined at Fort Marion in Florida, and the reservation period. Howling Wolf's drawings while he was a prisoner at Fort Marion and those he made upon returning to the reservation were known, but this book presents the first in-depth examination of his previously undiscovered work from before his incarceration. The author shows ledger art to be a significant record of cultural attitudes of Plains Indian artists at a time when their societies were in great upheaval. She examines the works of art not only as historic documents but as visual statement reflecting the time, place, and society in which they originated. In contrast to the belief that ledger art was a stagnant form adhering to tradition, the author presents ledger art as a dynamic and inventive means of expression."--Book jacket.

The ledgers of merit and demerit were a type of morality book that achieved sudden and widespread popularity in China during the sixteenth and seventeenth centuries. Consisting of lists of good and bad deeds, each assigned a certain number of merit or demerit points, the ledgers offered the hope of divine reward to users "good" enough to accumulate a substantial sum of merits. By examining the uses of the ledgers during the late Ming and early Qing periods, Cynthia Brokaw throws new light on the intellectual and social history of the late imperial era. The ledgers originally functioned as guides to salvation for twelfth-century Taoists and Buddhists, but Brokaw shows how the literati of turbulent sixteenth-century China began to use them as aids in the struggle for official status through civil service examinations. The author describes how the responses of some Confucian thinkers to the popularity of the ledgers not only refined the orthodox Neo-Confucian method of self-cultivation but also revealed the serious ambiguity of the classic Confucian understanding of the relationship between fate and human action. Finally, she demonstrates that by the end of the seventeenth century the ledgers were used not so much to facilitate upward mobility as to promote social stability by prescribing standards that encouraged people to keep to their social places. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An award-winning historian reveals the harrowing forgotten story of America's internal slave trade—and its role in the making of America. Slave traders are peripheral figures in most histories of American slavery. But these men—who trafficked and sold over half a million enslaved people from the Upper South to the Deep South—were essential to slavery's expansion and fueled the growth and prosperity of the United States. In The Ledger and the Chain, acclaimed historian Joshua D. Rothman recounts the shocking story of the domestic slave trade by tracing the lives and careers of Isaac Franklin, John Armfield, and Rice Ballard, who built the largest and most powerful slave-trading operation in American history. Far from social outcasts, they were rich and widely respected businessmen, and their company sat at the center of capital flows connecting southern fields to northeastern banks. Bringing together entrepreneurial ambition and remorseless violence toward enslaved people, domestic slave traders produced an atrocity that forever transformed the nation.

Although ledger art has long been considered a male art form, Women and Ledger Art calls attention to the extraordinary achievements of four contemporary female Native artists—Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). The book examines these women's interpretations of their artwork and their thoughts on tribal history and contemporary life.

An economic analysis of what distributed ledgers can do, examining key components and discussing applications in both developed and emerging market economies. Distributed ledger technology (DLT) has the potential to transform economic organization and financial structure. In this book, Robert Townsend steps back from the hype and controversy surrounding DLT (and the related, but not synonymous, innovations of blockchain and Bitcoin) to offer an economic analysis of what distributed ledgers can do. Townsend examines the key components of distributed ledgers, discussing, evaluating, and illustrating each in the context of historical and contemporary economics, and reviewing featured applications in both developed economies and emerging-market countries.

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