A new narrative history of medieval Christianity, spanning from A.D. 500 to 1500, focuses on the role of women in Christianity; the relationships among Christians, Jews and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion and worship; and instruction through drama, architecture and art.

The Courtauld is one of the United Kingdom’s great art collections. This elegant book is a curated selection of its highlights, accompanied by lively commentaries. The Courtauld is one of the United Kingdom’s great art collections, displayed throughout the magnificent historic setting of Somerset House in central London. This elegant book is a curated selection of its highlights — paintings, drawings, prints, sculpture and decorative arts — each beautifully illustrated and accompanied by an insightful commentary. Notable among these treasures are remarkable Impressionist and Post-Impressionist paintings, including the world-famous A Bar at the Folies-Bergère by Édouard Manet and Vincent van Gogh’s Self-Portrait with Bandaged Ear.This book is also an engaging account of how The Courtauld became an internationally renowned centre for the teaching and research of art history, conservation and curating. It was founded nearly a century ago in the belief that art has the power to enrich people’s lives. The Courtauld continues that mission today, promoting the understanding of the visual arts and offering a place where everyone can find enjoyment and inspiration.

Many Christians today tend to view the story of medieval faith as a cautionary tale. Too often, they dismiss the Middle Ages as a period of corruption and decay in the church. They seem to assume that the church apostatized from true Christianity after it gained cultural influence in the time of Constantine, and the faith was only later recovered by the sixteenth-century Reformers or even the eighteenth-century revivalists. As a result, the riches and wisdom of the medieval period have remained largely inaccessible to modern Protestants. Church historian Chris Armstrong helps readers see beyond modern caricatures of the medieval church to the animating Christian spirit of that age. He believes today's church could learn a number of lessons from medieval faith, such as how the gospel speaks to ordinary, embodied human life in this world. Medieval Wisdom for Modern Christians explores key ideas, figures, and movements from the Middle Ages in conversation with C. S. Lewis and other thinkers, helping contemporary Christians discover authentic faith and renewal in a forgotten age.

'A heavenly book, elegant and thoughtful. Get one for yourself and one for the church-crawler in your life!' Lucy Worsley Christianity has been central to the lives of the people of Britain and Ireland for almost 2,000 years. It has given us laws, customs, traditions and our national character. From a persecuted minority in Roman Britannia through the 'golden age' of Anglo-Saxon monasticism, the devastating impact of the Vikings, the alliance of church and state after the Norman Conquest to the turmoil of the Reformation that saw the English monarch replace the Pope and the Puritan Commonwealth that replaced the king, it is a tangled, tumultuous story of faith and achievement, division and bloodshed. In If These Stones Could Talk Peter Stanford journeys through England, Scotland, Wales and Ireland to churches, abbeys, chapels and cathedrals, grand and humble, ruined and thriving, ancient and modern, to chronicle how a religion that began in the Middle East came to define our past and shape our present. In exploring the stories of these buildings that are still so much a part of the landscape, the details of their design, the treasured objects that are housed within them, the people who once stood in their pulpits and those who sat in their pews, he builds century by century the narrative of what Christianity has meant to the nations of the British Isles, how it is reflected in the relationship between rulers and ruled, and the sense it gives about who we are and how we live with each other. 'There is no better navigator through the space in which art, culture and spirituality meet than Peter Stanford' Cole Moreton, Independent on Sunday