Lectures on Art Delivered Before the University of Oxford in Hilary Term, 1870

Lectures on Art Delivered Before the University of Oxford in Hilary Term, 1870
Title Lectures on Art Delivered Before the University of Oxford in Hilary Term, 1870 PDF eBook
Author John Ruskin
Publisher Oxford, Clarendon Press
Pages 220
Release 1870
Genre Aesthetics, Modern
ISBN

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Lectures on Painting

Lectures on Painting
Title Lectures on Painting PDF eBook
Author Ralph Nicholson Wornum
Publisher
Pages 588
Release 1848
Genre Painting
ISBN

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Lectures on Art

Lectures on Art
Title Lectures on Art PDF eBook
Author Christian Michel
Publisher Getty Publications
Pages 490
Release 2020-08-25
Genre Art
ISBN 1606066463

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For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.

Durer's Journeys

Durer's Journeys
Title Durer's Journeys PDF eBook
Author Susan Foister
Publisher National Gallery London
Pages 304
Release 2021-03-23
Genre Art
ISBN 9781857096675

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Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory.0 Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent.00Exhibition: The National Gallery, London, UK(06.03.?13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021).

The Art of Sculpture

The Art of Sculpture
Title The Art of Sculpture PDF eBook
Author Herbert Read
Publisher
Pages 420
Release 1977
Genre Sculpture
ISBN 9780691018119

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The description for this book, The Art of Sculpture, will be forthcoming.

The Intelligence of Art

The Intelligence of Art
Title The Intelligence of Art PDF eBook
Author Thomas E. Crow
Publisher
Pages 156
Release 1999
Genre Art
ISBN

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Discusses writings by each of Meyer Shapiro, Claude Lévi-Strauss and Michael Baxandall.

Lectures on the Philosophy of Art

Lectures on the Philosophy of Art
Title Lectures on the Philosophy of Art PDF eBook
Author Georg Wilhelm Friedrich Hegel
Publisher
Pages 523
Release 2014
Genre Art
ISBN 0199694826

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Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.