A young woman encounters strange events in her Mexican hometown in this novel by an author who “immerses us...in her wickedly funny and imaginative world” (Latina). Leaving Tabasco tells of the coming of age of Delmira Ulloa, raised in an all-female home in Agustini, in the Mexican province of Tabasco. In Agustini it is not unusual to see your grandmother float above the bed when she sleeps, or to purchase torrential rains at a traveling fair, or to watch your family’s elderly serving woman develop stigmata, then disappear completely, to be canonized as a local saint. But as Delmira becomes a woman, she will set out on a search for her missing father, and must make a choice that could mean leaving her home forever, in a tale filled with both depth and delightful mystery that poses questions about just how real the real world is. “To flee Agustini is to leave not just a town but the viscerally primal dreamscape it represents.”— The New York Times Book Review “Vibrant...Each chapter is an adventure.”—The Boston Globe “We happily share with [Delmira] her life, including the infinitely charming town she inhabits [and] her grandmother’s fantastic imagination.”—The Washington Post Book World

The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered—Aira, Bolaño, Castellanos Moya, Vásquez—are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.

Unbecoming Female Monsters: Witches, Vampires, and Virgins is a multi-cultural and interdisciplinary work that traces the construct of female monsters as an embodiment of socio-cultural fears of female sexuality and reproductive powers. This book examines the female sexual maturation cycle and the various archetypes of female monsters associated with each stage of sexual development as seen in literature, art, film, television, and popular culture. Recommended for scholars of Latin American studies, literature, cultural studies, women and gender studies, popular culture, and film studies.

“...you have been designated Godfather of the...Editing Center of the National Newspaper of Peru (“The Voice of the People... is the Voice of God”) This is a respectable designation and is in merit to your fine virtues and profession of service that you have shown throughout your exemplary life that everybody appreciates, admires, and exalts. La Voz del Pueblo, Es la Voz de Dios Nos es grato y honroso dirigirnos a usted para expresarle nuestros cordiales saludos y comunicarle que ha sido designado padrino del local y redacción del periódico nacional de pronta circulación.... Tal designación honrosa es en mérito a sus virtudes acrisoladas y vocación de servicio que ha dado muestras a través de su vida ejemplar que todos valoran, admiran y exaltan. Conocedores de su fina sensibilidad no dudamos que el presente tendrá la confirmación y acogida deseada

This book introduces an innovative and verified pattern of Maya history that follows the origin of the Olmec culture in Tabasco through its melding into and becoming the Chontal Maya/Itza of the Yucatan. The Yucatan has been the focal point and geographical crossroad of profound cultural, ethnological, and sociological change and development in Mesoamerica from ancient times to the present. This far-reaching and historically significant acculturation was brought about by two widely separated epic migrations and military conquests by foreign peoples bringing radically new, innovative, and advanced culture to the area. The first of these was the migration and military conquest by the Olmec/Chontal Maya/Itza from Tabasco bringing their written language, mathematics, architectural expertise, and religion into northern and central Yucatan. This golden age of Maya civilization, centered in the Yucatan, lasted for a millennium during which the advanced Maya culture flowered and spread south into Honduras and Guatemala and west into the highlands of Mexico. In like manner, the second migration and military conquest of the Yucatan by Spanish conquistadors also brought new and advanced cultural norms to the area. The history of the origin, development, and impact of these two momentous events constitutes the thrust of this book and is contrary to and challenges much of the currently accepted historiography related to the subject. Contrary to current consensus the book shows that the seafaring and mercantile oriented Chontal Maya/Itza from Yucatan were a populous worldly element of the Maya civilization who traveled and spread their cultural influence not only throughout continental Mesoamerica, but ventured across the seas to the islands of the Caribbean and to the shores of Southwest Florida in the territory of the Calusa Indians. Consistent with this accomplishment, they had developed naval engineering, Metallurgy, tool design, woodworking, and ship building capabilities that enabled them to construct the large composite seaworthy vessels (not just log canoes) required. And from their expertise in mathematics and astronomy they developed a sophisticated method of celestial navigation for their overseas voyages a millennium before celestial navigation was developed in Europe.

Las hijas de Juan shatters the silence surrounding experiences of incest within a working-class Mexican American family. Both a feminist memoir and a hopeful meditation on healing, it is Josie Méndez-Negrete’s story of how she and her siblings and mother survived years of violence and sexual abuse at the hands of her father. Méndez-Negrete was born in Mexico, in the state of Zacatecas. She recalls a joyous childhood growing up in the midst of Tabasco, a vibrant town filled with extended family. Her father, though, had dreams of acquiring wealth in el norte. He worked sun-up to sun-down in the fields of south Texas. Returning home to Mexico, his pockets full of dollars, he spent evenings drinking and womanizing. When Méndez-Negrete was eleven, her father moved the family to the United States, where they eventually settled in California’s Santa Clara Valley. There her father began molesting his daughters, viciously beating them and their mother. Within the impoverished immigrant family, the abuse continued for years, until a family friend brought it to the attention of child welfare authorities. Méndez-Negrete’s father was tried, convicted, and imprisoned. Las hijas de Juan is told chronologically, from the time Méndez-Negrete was a child until she was a young adult trying, along with the rest of her family, to come to terms with her father’s brutal legacy. It is a harrowing story of abuse and shame compounded by cultural and linguistic isolation and a system of patriarchy that devalues the experiences of women and girls. At the same time, Las hijas de Juan is an inspiring tale, filled with strong women and hard-won solace found in traditional Mexican cooking, songs, and storytelling.

This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.