"I was on my way to look for a life of my own." A brilliant, brutally honest autobiographical novel, long out of print, from one of the great artistic polymaths of the 20th century. This is a Sebaldian account of the narrator's attempt to break free of a repressive upper-middle-class upbringing and make his way as an artist and individual, written in a single incantatory paragraph. Leavetaking is the story of an upper-middle-class childhood and adolescence in Berlin between the wars. In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness. THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another—and further enriching our culture.

Examines the life & work of the playwright & novelist whose literary stature places him among Boll, Grass, & Frisch as one of the leaders of postwar German literature.

Resistance used to mean irrational and reactionary behaviour, assuming that rationality resides on the side of progress and its parties. The end of the Cold War allows us to drop ideological and prejudicial analysis. Indeed, we recognise that resistance is a historical constant, and its relation to rationality or irrationality is not predetermined. This volume asks: to what extent are social scientific conceptions of ‘resistances’ sui generis, or borrowed from natural sciences by metaphor and analogy? To what extent do the social sciences continue to be a ‘social tribology’ lubricating a process of strategic changes? Fifteen authors explore these questions from the point of view of different disciplines including physics, biology, social psychology, history of science, history of medicine, legal theory, political science, history, police studies, psychotherapy research and art theory. The book offers a unique panorama of concepts of ‘resistance’ and examines the potential of a general ‘resistology’ across diverse practices of rationality.

In Vanishing Point, award winning journalist and author Tom Wilber pieces together the largely forgotten story of the bomber, Getaway Gertie, and an eclectic group of enthusiasts who have spent years searching for it. At the height of World War II, a B-24 Liberator bomber vanished with its crew while on a training mission over upstate New York. The final hours and ultimate resting place of pilot Keith Ponder and seven other US aviators aboard the plane remain mysteries to this day. The tale is at once a compelling instance of loss on the World War II American home front and a more extensive, largely unreported history. Ponder–a 21-year-old from rural Mississippi–and his crew were tragically unexceptional casualties in the monumental effort to recruit and train an air force en masse to counter the global conquest of Nazi Germany and Imperial Japan. More than fifteen thousand American airmen and, in some cases, women burned, crashed, or fell to their deaths in stateside training accidents during the war–their lives and stories shuffled away in piles of Air Force bureaucracy. The forgotten story of Getaway Gertie was originally inspired by summer evenings around the campfire on the shores of Lake Ontario, where parts of the plane have washed up. Building on those campfire tales, Wilber deftly connects myth with fact and memory with historicity. The result is a vivid portrait of the forgotten soldier of the home front and a new take on the meaning of wartime sacrifice as the last survivors of the Greatest Generation pass away.

Kiebuzinska, who teaches modern drama, comparative literature, and film at Virginia Tech, considers intertextuality in modern drama. In nine essays, she examines the connections between the works of modern playwrights such as Kundera, Jelinek, and Hampton and the texts of earlier writers such as Did

Originally published: Great Britain: Faber and Faber, as The embrace: Selected Poems. 2010.