Au lendemain de la pendaison de Louis Riel en 1885, Gabriel Dumont, leader de la résistance métisse et chasseur de bisons, prend la fuite et se réfugie aux États-Unis. Il y est recruté par Buffalo Bill, figure mythique reconnue pour ses Wild West Shows, des spectacles itinérants qui représentent la vie du Far West. Toute sa vie, Dumont rêvera de raconter, dans un spectacle à grand déploiement, la lutte des Métis pour la reconnaissance de leurs droits. OEuvre dramatique joyeusement anachronique, Le Wild West Show de Gabriel Dumont - coécrit par dix auteurs et autrices autochtones et allochtones - donne vie au vieux rêve de Dumont en mettant en scène les événements qui ont mené à la résistance du Nord-Ouest. Publié en coédition avec Talonbooks (Vancouver), l'ouvrage contient deux versions, à dominante française et anglaise. Il comprend aussi des visuels, une introduction et un dossier permettant de contextualiser la pièce. -- In 1885, following the hanging of his friend Louis Riel, Métis Resistance leader and bison hunter Gabriel Dumont fled to the United States. There he was recruited by the legendary Buffalo Bill, founder of Buffalo Bill's Wild West, a gigantic outdoor travelling show that re-enacted life in the American West. Dumont dreamed of putting together a similar show to tell the story of the struggle of the Métis to reclaim their rights. The creative team behind Gabriel Dumont's Wild West Show - including ten authors, Indigenous and non-Indigenous, French- and English-speaking men and women - brings Dumont's dream to life in a captivating, joyously anachronistic saga with a rodeo vibe. Co-published with Prise de parole (Sudbury), the work consists of two versions, one predominantly in English and the other predominantly in French.

Gabriel Dumont's Wild West Show is a flamboyant epic, constructed as a series of tableaux, about the struggles of the Métis in the Canadian West. It is a multilayered and entertaining saga with a rodeo vibe, loosely based on Buffalo Bill's legendary outdoor travelling show. The creative team behind Gabriel Dumont's Wild West Show includes ten authors, Indigenous and non-Indigenous, French- and English-speaking men and women.

This book offers a comprehensive overview of Canadian cultural policy and research, at a time of transition and redefinition, to establish a dialogue between conventional and emerging foundations. Taking a historical view, the book informs insights on current trends in policy and explores global debates underpinning cultural policy studies within a local context. The book first acknowledges what Canadian cultural policy research conventionally recognizes and refers to in terms of institutions, values, and debates, before moving on to take stock of the transformations that are continuing to reshape Canadian cultural policy in terms of values, orientations, actors, and institutions. With a focus on all levels of government-- federal, provincial, and local -- the book also centers on Indigenous arts policies and practices. This systematic and inclusive volume will appeal to academic researchers, graduate students, managers of arts and culture programs and institutions, and in the areas of cultural policy, public administration, political science, cultural studies, film and media studies, theatre and performance, and museum studies.

"The struggle of the Metis of the Saskatchewan River against the government of Canada culminated in the Riel Rebellion of 1885 - an event of central importance in shaping almost all of the key polarities of Canadian history. If Riel provided the intellectual inspiration for the Rebellion, it was Gabriel Dumont who provided its strategy, and arguably its soul. Dumont, a leading figure in the Metis society of hunters along the South Saskatchewan, had been president of the short-lived local government, and became "Adjutant General of the Metis people" when a Provisional Government was declared in 1885. After the defeat of the Rebellion by the Canadian militia Dumont lived for several years in the United States, and was for some time a performer in Buffalo Bill's Wild West Show. In his last years he returned to his old home near Batoche (site of the final defeat of the Metis forces in 1885), where he died in 1906."--BOOK JACKET.

The year 2019 marks the fiftieth anniversary of the National Arts Centre. In this new and revised edition of Art and Politics, Sarah Jennings covers the highs and lows of Canada's most important national performing arts institution over the course of five decades, bringing the story up to the present. Art and Politics is a riveting tale of Canada's finest musicians, actors, and dancers and efforts to put their art at the forefront of both the national and the international scene. Through over 150 interviews with artists, top officials, senior politicians, and others who affected the fate of the National Arts Centre, the book recounts the organization's early years; the impact of government monies first lavished and then withdrawn, which resulted in its near collapse in the late 1990s; and how over the past two decades, its CEO, Peter Herrndorf, a gifted leader, has brought it back from the brink. The most recent transformations revealed by this new edition include the architectural makeover of the organization's brutalist-style building in Ottawa, responses to the changing cultural milieu in Canada, and the launch of a national Indigenous Theatre Department in the fall of 2019. Told through the voices of those who created the organization, Art and Politics affirms that the National Arts Centre embodies its motto: "Canada is our stage."

After Batoche, everything changed for the Métis people and for Canada as well, especially in Québec.