How Sir Tristram jousted, and smote down King Arthur, because he told him not the cause why he bare that shield.And if so be ye can descrive what ye bear, ye are worthy to bear the arms. As for that, said Sir Tristram, I will answer you; this shield was given me, not desired, of Queen Morgan le Fay; and as for me, I can not descrive these arms, for it is no point of my charge, and yet I trust to God to bear them with worship. Truly, said King Arthur, ye ought not to bear none arms but if ye wist what ye bear: but I pray you tell me your name. To what intent? said Sir Tristram. For I would wit, said Arthur. Sir, ye shall not wit as at this time. Then shall ye and I do battle together, said King Arthur. Why, said Sir Tristram, will ye do battle with me but if I tell you my name? and that little needeth you an ye were a man of worship, for ye have seen me this day have had great travail, and therefore ye are a villainous knight to ask battle of me, considering my great travail; howbeit I will not fail you, and have ye no doubt that I fear not you; though you think you have me at a great advantage yet shall I right well endure you. And there withal King Arthur dressed his shield and his spear, and Sir Tristram against him, and they came so eagerly together. And there King Arthur brake his spear all to pieces upon Sir Tristram's shield. But Sir Tristram hit Arthur again, that horse and man fell to the earth. And there was King Arthur wounded on the left side, a great wound and a perilous.

This brisk retelling of Le Morte D'Arthur highlights the narrative drive, humor, and poignancy of Sir Thomas Malory’s original while updating his fifteenth-century English and selectively pruning over-elaborate passages that can try the patience of modern readers. The result is an adaptation that readers can enjoy as a fresh approach to Malory's sprawling masterpiece. The book's most famous episodes--the sword in the stone, the cataclysmic final battle--are all here, while lesser-known key episodes stand forth with new brightness and clarity. The text is accompanied by an up-to-date bibliography, including websites and video resources, and a descriptive index keyed--like the retelling itself--to the book and chapter divisions of William Caxton's first printed edition of 1485.

King Arthur is one of the greatest legends of all time. From the magical moment when Arthur releases the sword in the stone to the quest for the Holy Grail and the final tragedy of the Last Battle, Roger Lancelyn Green brings the enchanting world of King Arthur stunningly to life. One of the greatest legends of all time, with an inspiring introduction by David Almond, award-winning author of Clay, Skellig, Kit's Wilderness and The Fire-Eaters.

Lumiansky traces Malory's originality through Malory's treatment of the main generic features of the Suite du Merlin.