Le Marchand de Venise. Le film complet : ciné-roman

Le Marchand de Venise. Le film complet : ciné-roman
Title Le Marchand de Venise. Le film complet : ciné-roman PDF eBook
Author
Publisher
Pages
Release 1925
Genre
ISBN

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A Venise, une nuit. Le film complet : ciné-roman

A Venise, une nuit. Le film complet : ciné-roman
Title A Venise, une nuit. Le film complet : ciné-roman PDF eBook
Author
Publisher
Pages
Release 1938
Genre
ISBN

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Le Train pour Venise. Le film complet : ciné-roman

Le Train pour Venise. Le film complet : ciné-roman
Title Le Train pour Venise. Le film complet : ciné-roman PDF eBook
Author
Publisher
Pages
Release 1938
Genre
ISBN

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Le Marchand de plaisirs. Le film complet : ciné-roman

Le Marchand de plaisirs. Le film complet : ciné-roman
Title Le Marchand de plaisirs. Le film complet : ciné-roman PDF eBook
Author
Publisher
Pages
Release 1922
Genre
ISBN

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Le Chanteur de Venise. Le film complet

Le Chanteur de Venise. Le film complet
Title Le Chanteur de Venise. Le film complet PDF eBook
Author
Publisher
Pages
Release 1934
Genre
ISBN

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Marchand de beauté. Le film complet

Marchand de beauté. Le film complet
Title Marchand de beauté. Le film complet PDF eBook
Author
Publisher
Pages
Release 1930
Genre
ISBN

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The Sounds of Early Cinema

The Sounds of Early Cinema
Title The Sounds of Early Cinema PDF eBook
Author Richard Abel
Publisher Indiana University Press
Pages 350
Release 2001-10-03
Genre Performing Arts
ISBN 9780253108708

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The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.