Etudes réunies en quatre grandes séquences historiques : L'apparition du livre : du manuscrit au livre (Moyen Age-XVIe siècle) ; Histoire et pouvoirs de l'écrit : l'Ancien Régime typographique (XVIIe siècle-années 1760) ; La seconde révolution du livre et le temps de l'industrialisation ; Le monde contemporain (années 1860-XXe siècle).

The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.

A French historian chronicles his meticulous efforts to document the lives of his Polish Jewish grandparents who were killed in the Holocaust. Ivan Jablonka’s grandparents’ lives ended long before his began: although Matès and Idesa Jablonka were his family, they were perfect strangers. When he set out to uncover their story, Jablonka had little to work with. Neither of them was the least bit famous, and they left little behind except their two orphaned children, a handful of letters, and a passport. Persecuted as communists in Poland, as refugees in France, and then as Jews under the Vichy regime, Matès and Idesa lived their short lives underground. They were overcome by the tragedies of the twentieth century: Stalinism, the mounting dangers in Europe during the 1930s, World War II, and the destruction of European Jews. Jablonka’s challenge was, as a historian, to rigorously distance himself and yet, as family, to invest himself completely in their story. Imagined oppositions collapsed—between scholarly research and personal commitment, between established facts and the passion of the one recording them, between history and the art of storytelling. To write this book, Jablonka traveled to three continents; met the handful of survivors of his grandparents’ era, their descendants, and some of his far-flung cousins; and investigated twenty different archives. And in the process, he reflected on his own family and his responsibilities to his father, the orphaned son, and to his own children and the family wounds they all inherited. A History of the Grandparents I Never Had cannot bring Matès and Idesa to life, but Jablonka succeeds in bringing them, as he soberly puts it, to light. The result is a gripping story, a profound reflection, and an extraordinary history. Praise for A History of the Grandparents I Never Had “A deeply moving, poignant, and sad book, but one also filled with hope, light, and inspiration.” —Jewish Book Council “Ivan Jablonka is a tremendous writer—compassionate and searching, intimate and ambitious—and A History of the Grandparents I Never Had is a painstakingly researched and profoundly heartfelt book that teaches us new and necessary things about family, history and the extraordinary power of storytelling. It’s one of the most beautiful books I’ve read in years.” —Molly Antopol, author of The UnAmericans “An extraordinary book—at once a breathtaking work of historical investigation and a deeply personal meditation on the possibilities and limits of historical knowledge. By uncovering the traces left behind by people who literally vanished into thin air, Ivan Jablonka sheds new light on the Holocaust as well as on our own desire to grasp what cannot be grasped.” —Maurice Samuels, Yale University

Annotation Le but de ce livre est de promouvoir un echange de vues entre philosophes et historiens sensible aux chevauchement de la philosophie contemporaine de l'histoire et de la theorie de la pratique historienne d'aujourd'hui. The purpose of this book is to encourage an exchange of views between philosophers and historians interested in the overlap between contemporary philosophy and theory of historical practice.

Sulla était-il avant Spartacus ou vice versa? Nero – avant ou après Caligula? Quelles sont les dynasties des Habsbourg et des Hohenzollern, quel rôle ont-elles joué dans l’établissement du Second Reich? Combien de chars ont combattu près de Prokhorovka? Quand la guerre de Yom Kippour a éclaté et qui l’a gagnée? Pourquoi le grand URSS s’est-il effondré? Souvenons-nous de tout, nous passerons en revue la bande de film du temps, image par image, afin que tout se passe bien aujourd’hui.

Preliminary Material -- INTRODUCTION: UN REGARD GLACE: L'AVENTURE CHEVALERESQUE COMME «JUSTIFICATION» DE CLASSE -- CHAPITRE PREMIER: L'EFFET DE ROMAN LA FASCINATION DU MODELE ROMANESQUE -- CHAPITRE II: UN 'PILIER DU MONDE' -- CHAPITRE III: LE RITUEL SYMBOLIQUE DE L'ADOUBEMENT -- CHAPITRE IV: LA PASSION DU TOURNOI ET SES INTERDITS -- CHAPITRE V: LE PLAISIR DES ARMES -- CHAPITRE VI: LA PERSPECTIVE DE LA MIMESIS -- CHAPITRE VII: JEUX D'AMOUR, JEUX D'ECHECS -- CHAPITRE VIII: LE CEREMONIAL DU JEU -- CHAPITRE IX: LES «MISTERES» DU PAS DE L'ARBRE D'OR ET LE CHEVALIER PRISONNIER -- CHAPITRE X: JEU ET RITUEL -- CHAPITRE XI: 'ENTRE SOMMEILLANT ET ESVEILLE' -- D'UNE TECHNIQUE CHEVALERESQUE A UNE EXPERIENCE POETIQUE -- CHAPITRE XII: L'EMPRISE DU VISUEL -- CHAPITRE XIII: LE HERAUT D'ARMES ET LA TRADITION LITTERAIRE CHEVALERESQUE -- CHAPITRE XIV: LA FETE CHEVALERESQUE -- CHAPITRE XV: LE TROUBLE-FETE -- CHAPITRE XVI: LE GOTHIQUE FLAMBOYANT ET L'ESPRIT BAROQUE: ESQUISSE THEORIQUE D'UNE EXPERIENCE ESTHETIQUE -- CHAPITRE XVII: LE PARADOXE DU JEU CHEVALERESQUE -- CONCLUSION -- BIBLIOGRAPHIE -- INDEX DES AUTEURS ET DES OEUVRES.