Le Grand Tango

Le Grand Tango
Title Le Grand Tango PDF eBook
Author María Susana Azzi
Publisher New York : Oxford University Press
Pages 366
Release 2000
Genre Biography & Autobiography
ISBN 0195127773

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Combining deft musical analysis and intriguing personal insight, Azzi and Collier vividly capture the life of Piazolla, the Argentinean musician--a visionary who won worldwide acclaim but sparked bitter controversy in his native land. 42 halftones.

What it Takes to Tango!

What it Takes to Tango!
Title What it Takes to Tango! PDF eBook
Author Victoria Neas
Publisher
Pages 104
Release 2006
Genre Tango (Dance)
ISBN

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Le grand tango

Le grand tango
Title Le grand tango PDF eBook
Author Astor Piazzolla
Publisher
Pages 40
Release 1998
Genre Cello and piano music
ISBN

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Astor Piazzolla

Astor Piazzolla
Title Astor Piazzolla PDF eBook
Author Astor Piazzolla
Publisher Hal Leonard Corporation
Pages 268
Release 2001
Genre Music
ISBN 9781574670660

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A series of interviews with the revolutionary tango musician.

Le grand tango

Le grand tango
Title Le grand tango PDF eBook
Author Astor Piazzolla
Publisher
Pages 62
Release 1982
Genre Cello and piano music
ISBN

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Encuentros

Encuentros
Title Encuentros PDF eBook
Author María Susana Azzi
Publisher
Pages 14
Release 2000
Genre
ISBN

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Musicians in Transit

Musicians in Transit
Title Musicians in Transit PDF eBook
Author Matthew B. Karush
Publisher Duke University Press
Pages 295
Release 2017-01-06
Genre History
ISBN 0822373777

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In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.