With biographical sketch by her sister, Josephine Lazarus, originally published in Century magazine, Oct., 1888. cf. Jewish ency. Part of the poems are reprinted from the Century, Lippincott's magazine, the Critic, and the American Hebrew. CONTENTS.- I. Narrative, lyric, and dramatic.- II. Jewish poems: translations.

This new book by the great Barbadian poet Kamau Brathwaite is characteristically sui generis, vatic, and strange, exhibiting ornery bravura. Tonally and typographically frenetic in the ‘sycorax video style’ he’s been employing for decades, the work examines a major theme appropriate to a great poet in the late stages of his career: that of the afterlife. Brathwaite performs a kind of spiritual/aesthetic GPS in his poetry and is is a poet of undeniable stature, writing the final poems of his career. Central to the book is a series of poems outlining the speaker’s (the poet’s) experiences with what he calls “Cultural Lynching.” These poems speak of appropriation, theft, isolation, and exploitation, all within a context of an American hegemony that intensifies the racial politics and ageism underlying the events described. The speaker’s pain and outrage are almost overwhelming. Filled with longing, rage, nostalgia, impotence, wisdom, and love, this book is moving in every sense of the word.

Winner of the National Jewish Book Award Emma Lazarus’s most famous poem gave a voice to the Statue of Liberty, but her remarkable story has remained a mystery until now. Drawing upon a cache of personal letters undiscovered until the 1980s, Esther Schor brings this vital woman to life in all her complexity—as a feminist, a Zionist, and a trailblazing Jewish-American writer. Schor argues persuasively for Lazarus’s place in history as an activist and a prophet of the world we all inhabit today. As a stunning rebuke to fear, xenophobia, and isolationism, Lazarus's life and work are more relevant now than ever before.

Excerpt from Songs of a Semite: The Dance to Death, and Other Poems Scene I. A Street in the Judengasse, outside the Synagogue. During this scene Jews and Jewesses, singly and in groups, with prayer-books in their hands pass across the stage and go into the Synagogue. Among them, enter Baruch and Naphtali. Naphtali. Hast seen him yet? Baruch. Nay; Rabbi Jacob's door Swung to behind him, just as I puffed up O'erblown with haste. See how our years weigh, cousin. Who'd judge me with this paunch a temperate man, A man of modest means, a man withal Scarce overpast his prime? Well, God be praised, If age bring no worse burden! Who is this stranger? Simon the Leech tells me he claims to bear Some special message from the Lord - no doubt To-morrow, fresh from rest, he'll publish it Within the Synagogue Naphtali. To-morrow, man? He will not hear of rest - he comes anon - Shall we within? Baruch. Rather let's wait, And scrutinize him as he mounts the street. Since you denote him so remarkable, You've whetted my desire. Naphtali. A blind, old man, Mayhap is all you'll find him - spent with travel. His raiment fouled with dust, his sandaled feet Road-bruised by stone and. bramble. But his face! - Majestic with long fall of cloud-white beard, And hoary wreath of hair - oh, it is one Already kissed by angels. Baruch. Look, there limps Little Manasseh, bloated as his purse, And wrinkled as a frost-pinched fruit. I hear His last loan to the Syndic will result In quadrupling his wealth. Good Lord! what luck Blesses some folk, while good men stint and sweat And scrape, to merely fill the household larder. What said you of this pilgrim, Naphtali? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In this sprawling debut novel, Calliope Bird Morath is the daughter of legendary punk-rock star Brandt Morath, whose horrific suicide devastates the world.

The greatest American Jewish author of the nineteenth century, Emma Lazarus was a celebrated poet and humanitarian activist. This edition is a broad collection of her writings, including her essays, previously unpublished poems, her innovative late work, and, in its entirety, her most important book, Songs of a Semite (1882). Her best known poem, “The New Colossus” (the 1883 Statue of Liberty poem that made Lazarus a national icon), is also here, along with a selection of cultural documents that help contextualize her work in relation to contemporary debates about Jewish history, the Russian pogroms of the 1880s, the creation of a Jewish homeland in Palestine, immigration, and antisemitism.

The debut volume of a Mexican-American poet exploring fundamental human predicaments.