Includes the proceedings of the Society.

John Baxter of Baltimore County, Maryland, may have had two wives, if so both were named Mary. He was the father of eleven children, born 1735-1757 in Baltimore County. His wife, Mary Brown Baxter, was the mother of at least nine of these children. He died in 1757 in Baltimore County, probably about forty-five years of age. Descendants listed lived in Maryland, Kentucky, Ohio, West Virginia, Missouri, Illinois, and elsewhere.

Adolph F. Bandelier, Charles Fletcher Lummis, and Father Anton Docher are names closely associated with the early colonial days in New Mexico. All of these characters appear in this narrative of Isleta Pueblo which tells the story of Father Docher's life in the Indian pueblo from the day when he first arrived along the road that was bad, but the sunset beautiful in 1891 until the time of the death of his two great friends, Bandelier and Lummis, and his own death several months later in 1928. Father Docher's job was not an easy one, but his great patience and understanding helped him through many difficulties. The story goes into many of these and into much of the legend and superstition of Isleta Pueblo which the Padre encountered during his long life there. He was particularly interested in the story of Father Padilla, the Franciscan friar who came with Coronado's band, whose body was buried in the church at Isleta but which refused to stay underground. Julia Keleher was a member and Professor in the English Department of the University of New Mexico from 1931 to her retirement in 1959. She was also a professional writer and edited each of her brother, William A. Keleher's books, all of which have been published by Sunstone Press in its Southwest Heritage Series. Her collaboration with Elsie Ruth Chant resulted in this fascinating collection of incidents for all readers interested in the American Southwest. She was married to Lloyd Chant and raised two children, George Ashley Chant and Julia Jane Chant.

"In the age of globalization we are no longer home alone. Migration brings other worlds into our own just as the global reach of the media transmits our world into the hearts and minds of others. Often incommensurate values are crammed together in the same public square. Increasingly we all today live in the kind of ′edge cultures′ we used to see only on the frontiers of civilizations in places like Hong Kong or Istanbul. The resulting frictions and fusions are shaping the soul of the coming world order. I can think of no other project with the ambitious scope of defining this emergent reality than The Cultures and Globalization project. I can think of no more capable minds than Raj Isar and Helmut Anheier who can pull it off." - Nathan Gardels, Editor-in-Chief, NPQ, Global Services, Los Angeles Times Syndicate/Tribune Media "This series represents an innovative approach to the central issues of globalization, that phenomenon of such undefined contours." - Lupwishi Mbuyumba, Director of the Observatory of Cultural Policies in Africa The world′s cultures and their forms of creation, presentation, and preservation are deeply affected by globalization in ways that are inadequately documented and understood. The Cultures and Globalization Series is designed to fill this void in our knowledge. Analyzing the relationship between globalization and cultures is the aim of the Series. In each volume, leading experts as well as young scholars will track cultural trends connected to globalization throughout the world, covering issues ranging from the role of cultural difference in politics and governance to the evolution of the cultural economy and the changing patterns of creativity and artistic expression. Each volume will also include an innovative presentation of newly developed ′indicator suites′ on cultures and globalization that will be presented in a user-friendly form with a high graphics content to facilitate accessibility and understanding Like so many phenomena linked to globalization, conflicts over and within the cultural realms crystallize great anxieties and illusions, through misplaced assumptions, inadequate concepts, unwarranted simplifications and instrumental readings. The aim here is to marshal evidence from different disciplines and perspectives about the culture, conflict and globalization relationships in conceptually sensitive ways.